Shakespeare knew actors because he was one. The first book-length study of its kind, this volume investigates Shakespeare as a member of his acting company, dating and casting all the plays they presented from 1594 to 1614, and exploring the effects of actors on his writing. Much has been written about Shakespeare and a great deal is known about the Elizabethan theater. Yet little has been done to examine Shakespeare in relation to his acting company. This book casts light on Shakespeare's life in drama and the creation and staging of his plays. More precisely than any other work, it…mehr
Shakespeare knew actors because he was one. The first book-length study of its kind, this volume investigates Shakespeare as a member of his acting company, dating and casting all the plays they presented from 1594 to 1614, and exploring the effects of actors on his writing. Much has been written about Shakespeare and a great deal is known about the Elizabethan theater. Yet little has been done to examine Shakespeare in relation to his acting company. This book casts light on Shakespeare's life in drama and the creation and staging of his plays. More precisely than any other work, it establishes the dates for his company's productions, exploring the varied and profound influences actors had on the works of Renaissance dramatists, and giving us a unique look at the man who knew his actors best of all. As a member of the newly organized Chamberlain's Men, a company that rose to fame in the London theater, Shakespeare experienced the numerous crises, both personal and political, that nearly destroyed the company at the construction of the Globe. Grote describes the company's reorganization as the King's Men, which led to the writing of Shakespeare's great tragedies, as well as the trials of the plague years, Shakespeare's retirement from the stage, the development of writers to replace him, and the burning of the Globe.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Since he organized his own theater company in Wichita Falls, Texas, at age eighteen, David Grote has directed more than 150 productions. He headed an independent student company at the University of Texas and later taught and directed theater programs in high schools in Bakersfield, California before moving to Scripps College in Claremont, California.Since the mid-eighties, Grote has been a free-lance director based in San Francisco, but he has continued to work regularly with high school and college student actors in workshops, summer programs, and as a guest artist. He is the artistic director of the Classic Theater Project in San Francisco and has been a regular artist-in-residence at the San Francisco School of the Arts. He is the author of many books and critical studies dealing with a wide variety of subjects concerning theater production. Eleven of his plays have been produced. Grote also has seven one-act published plays which are used in high school competitions nationwide.
Inhaltsangabe
Introduction Prologue From Cross Keys to the Theatre 1594-97 The Crisis Years 1597-98 The Globe and Kemp's Exit 1599-1600 Life without Kemp 1601-3 The King's Men 1603-6 Replacing Shakespeare 1607-10 Shakespeare's Last Bow 1611-13 Epilogue Appendix: Doubling Roles Bibliography Index
Introduction Prologue From Cross Keys to the Theatre 1594-97 The Crisis Years 1597-98 The Globe and Kemp's Exit 1599-1600 Life without Kemp 1601-3 The King's Men 1603-6 Replacing Shakespeare 1607-10 Shakespeare's Last Bow 1611-13 Epilogue Appendix: Doubling Roles Bibliography Index
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