The Best American Magazine Writing
Herausgeber: Holt, Sid; Editors, The American Society Of Magazine
The Best American Magazine Writing
Herausgeber: Holt, Sid; Editors, The American Society Of Magazine
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Our collection of the year¿s most original writing on politics, culture, sports, health, sex, race, celebrity, and more.
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Our collection of the year¿s most original writing on politics, culture, sports, health, sex, race, celebrity, and more.
Produktdetails
- Produktdetails
- Verlag: Columbia University Press
- 2015 edition
- Seitenzahl: 480
- Erscheinungstermin: 15. Dezember 2015
- Englisch
- Abmessung: 204mm x 134mm x 35mm
- Gewicht: 509g
- ISBN-13: 9780231169592
- ISBN-10: 0231169590
- Artikelnr.: 42743907
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Columbia University Press
- 2015 edition
- Seitenzahl: 480
- Erscheinungstermin: 15. Dezember 2015
- Englisch
- Abmessung: 204mm x 134mm x 35mm
- Gewicht: 509g
- ISBN-13: 9780231169592
- ISBN-10: 0231169590
- Artikelnr.: 42743907
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Edited by Sid Holt for the American Society of Magazine Editors. Introduction by Evan Ratliff, editor of The Atavist
Introduction, by Evan Ratliff, editor of The Atavist
Acknowledgments, by Sid Holt, chief executive, American Society of Magazine
Editors
The Case for Reparations, by Ta-Nehisi Coates
Women Aren't Welcome Here, by Amanda Hess
The College Rape Overcorrection, by Emily Yoffe
When Michael Dunn Compared Himself to a Rape Victim, He Was Following an
Old, Racist Script and I Don't Care If You Like It and The Slenderman
Stabbing Shows Girls Will Be Girls, Too, by Rebecca Traister
Shame and Survival, by Monica Lewinsky
Inside the Iron Closet: What It's Like to Be Gay in Putin's Russia, by Jeff
Sharlet
Love and Ruin, by James Verini
The Ballad of Geeshie and Elvie, by John Jeremiah Sullivan
The Truth About Chicago's Crime Rates, by David Bernstein and Noah Isackson
The Sea of Crises, by Brian Phillips
Zombies on the Walls: Why Does So Much New Abstraction Look the Same? and
Taking in Jeff Koons, Creator and Destroyer of Worlds and Post-Macho God:
Matisse's Cut-Outs Are World-Historically Gorgeous, by Jerry Saltz
Follow Me: Kate Upton Leads the Charge of Models Who've Gone Crazy for
Social Media, by Jonathan Van Meter
Jackie's Goodbye, by Tiffany Stanley
This Old Man, by Roger Angell
The Emerald Light in the Air, by Donald Antrim
Permissions
List of Contributors
Acknowledgments, by Sid Holt, chief executive, American Society of Magazine
Editors
The Case for Reparations, by Ta-Nehisi Coates
Women Aren't Welcome Here, by Amanda Hess
The College Rape Overcorrection, by Emily Yoffe
When Michael Dunn Compared Himself to a Rape Victim, He Was Following an
Old, Racist Script and I Don't Care If You Like It and The Slenderman
Stabbing Shows Girls Will Be Girls, Too, by Rebecca Traister
Shame and Survival, by Monica Lewinsky
Inside the Iron Closet: What It's Like to Be Gay in Putin's Russia, by Jeff
Sharlet
Love and Ruin, by James Verini
The Ballad of Geeshie and Elvie, by John Jeremiah Sullivan
The Truth About Chicago's Crime Rates, by David Bernstein and Noah Isackson
The Sea of Crises, by Brian Phillips
Zombies on the Walls: Why Does So Much New Abstraction Look the Same? and
Taking in Jeff Koons, Creator and Destroyer of Worlds and Post-Macho God:
Matisse's Cut-Outs Are World-Historically Gorgeous, by Jerry Saltz
Follow Me: Kate Upton Leads the Charge of Models Who've Gone Crazy for
Social Media, by Jonathan Van Meter
Jackie's Goodbye, by Tiffany Stanley
This Old Man, by Roger Angell
The Emerald Light in the Air, by Donald Antrim
Permissions
List of Contributors
Introduction, by Evan Ratliff, editor of The Atavist
Acknowledgments, by Sid Holt, chief executive, American Society of Magazine
Editors
The Case for Reparations, by Ta-Nehisi Coates
Women Aren't Welcome Here, by Amanda Hess
The College Rape Overcorrection, by Emily Yoffe
When Michael Dunn Compared Himself to a Rape Victim, He Was Following an
Old, Racist Script and I Don't Care If You Like It and The Slenderman
Stabbing Shows Girls Will Be Girls, Too, by Rebecca Traister
Shame and Survival, by Monica Lewinsky
Inside the Iron Closet: What It's Like to Be Gay in Putin's Russia, by Jeff
Sharlet
Love and Ruin, by James Verini
The Ballad of Geeshie and Elvie, by John Jeremiah Sullivan
The Truth About Chicago's Crime Rates, by David Bernstein and Noah Isackson
The Sea of Crises, by Brian Phillips
Zombies on the Walls: Why Does So Much New Abstraction Look the Same? and
Taking in Jeff Koons, Creator and Destroyer of Worlds and Post-Macho God:
Matisse's Cut-Outs Are World-Historically Gorgeous, by Jerry Saltz
Follow Me: Kate Upton Leads the Charge of Models Who've Gone Crazy for
Social Media, by Jonathan Van Meter
Jackie's Goodbye, by Tiffany Stanley
This Old Man, by Roger Angell
The Emerald Light in the Air, by Donald Antrim
Permissions
List of Contributors
Acknowledgments, by Sid Holt, chief executive, American Society of Magazine
Editors
The Case for Reparations, by Ta-Nehisi Coates
Women Aren't Welcome Here, by Amanda Hess
The College Rape Overcorrection, by Emily Yoffe
When Michael Dunn Compared Himself to a Rape Victim, He Was Following an
Old, Racist Script and I Don't Care If You Like It and The Slenderman
Stabbing Shows Girls Will Be Girls, Too, by Rebecca Traister
Shame and Survival, by Monica Lewinsky
Inside the Iron Closet: What It's Like to Be Gay in Putin's Russia, by Jeff
Sharlet
Love and Ruin, by James Verini
The Ballad of Geeshie and Elvie, by John Jeremiah Sullivan
The Truth About Chicago's Crime Rates, by David Bernstein and Noah Isackson
The Sea of Crises, by Brian Phillips
Zombies on the Walls: Why Does So Much New Abstraction Look the Same? and
Taking in Jeff Koons, Creator and Destroyer of Worlds and Post-Macho God:
Matisse's Cut-Outs Are World-Historically Gorgeous, by Jerry Saltz
Follow Me: Kate Upton Leads the Charge of Models Who've Gone Crazy for
Social Media, by Jonathan Van Meter
Jackie's Goodbye, by Tiffany Stanley
This Old Man, by Roger Angell
The Emerald Light in the Air, by Donald Antrim
Permissions
List of Contributors