The Bible on the Shakespearean Stage
Herausgeber: Fulton, Thomas; Poole, Kristen
The Bible on the Shakespearean Stage
Herausgeber: Fulton, Thomas; Poole, Kristen
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The first volume to consider how the context of early modern biblical interpretation shaped Shakespeare's plays.
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The first volume to consider how the context of early modern biblical interpretation shaped Shakespeare's plays.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 322
- Erscheinungstermin: 12. Oktober 2018
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 621g
- ISBN-13: 9781107194236
- ISBN-10: 1107194237
- Artikelnr.: 50206537
- Verlag: Cambridge University Press
- Seitenzahl: 322
- Erscheinungstermin: 12. Oktober 2018
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 621g
- ISBN-13: 9781107194236
- ISBN-10: 1107194237
- Artikelnr.: 50206537
Introduction: 'popular hermeneutics in Shakespeare's London' Thomas Fulton
and Kristen Poole; Part I. Europe, England: Contextualising Shakespeare's
Bible: 1. The Bible in transition in the age of Shakespeare: a European
perspective Bruce Gordon; 2. The trouble with translation: paratexts and
England's bestselling New Testament Aaron T. Pratt; Part II. Stagings:
Reformation Reading Practices in the Theater: 3. John 6, Measure for
Measure, and the complexities of the literal sense Jay Zysk; 4. Words of
diverse significations: Hamlet's puns, amphibology, and allegorical
hermeneutics Kristen Poole; 5. England's Jerusalem in Shakespeare's Henriad
Beatrice Groves; 6. Discontented harmonies: words against words in Pomfret
Castle Tom Bishop; Part III. Interplay: Biblican Forms and Other Genres: 7.
Titus Andronicus and the rhetoric of lamentation Adrian Streete; 8. The
acts of Pericles: Shakespeare's biblical romance Hannibal Hamlin; 9.
Finding Pygmalion in the Bible: notes on the unity of The Winter's Tale
Richard Strier; Part IV. Enactment: Hermeneutics and the Social: 10.
Shylock in the lion's den: enacting exegesis in Merchant of Venice Shaina
Trapedo; 11. Maimed rites and whirling words in Hamlet Jesse M. Lander; 12.
Political theology on the pulpit and the Shakespearean stage Thomas Fulton;
Afterword Julia Reinhard Lupton.
and Kristen Poole; Part I. Europe, England: Contextualising Shakespeare's
Bible: 1. The Bible in transition in the age of Shakespeare: a European
perspective Bruce Gordon; 2. The trouble with translation: paratexts and
England's bestselling New Testament Aaron T. Pratt; Part II. Stagings:
Reformation Reading Practices in the Theater: 3. John 6, Measure for
Measure, and the complexities of the literal sense Jay Zysk; 4. Words of
diverse significations: Hamlet's puns, amphibology, and allegorical
hermeneutics Kristen Poole; 5. England's Jerusalem in Shakespeare's Henriad
Beatrice Groves; 6. Discontented harmonies: words against words in Pomfret
Castle Tom Bishop; Part III. Interplay: Biblican Forms and Other Genres: 7.
Titus Andronicus and the rhetoric of lamentation Adrian Streete; 8. The
acts of Pericles: Shakespeare's biblical romance Hannibal Hamlin; 9.
Finding Pygmalion in the Bible: notes on the unity of The Winter's Tale
Richard Strier; Part IV. Enactment: Hermeneutics and the Social: 10.
Shylock in the lion's den: enacting exegesis in Merchant of Venice Shaina
Trapedo; 11. Maimed rites and whirling words in Hamlet Jesse M. Lander; 12.
Political theology on the pulpit and the Shakespearean stage Thomas Fulton;
Afterword Julia Reinhard Lupton.
Introduction: 'popular hermeneutics in Shakespeare's London' Thomas Fulton
and Kristen Poole; Part I. Europe, England: Contextualising Shakespeare's
Bible: 1. The Bible in transition in the age of Shakespeare: a European
perspective Bruce Gordon; 2. The trouble with translation: paratexts and
England's bestselling New Testament Aaron T. Pratt; Part II. Stagings:
Reformation Reading Practices in the Theater: 3. John 6, Measure for
Measure, and the complexities of the literal sense Jay Zysk; 4. Words of
diverse significations: Hamlet's puns, amphibology, and allegorical
hermeneutics Kristen Poole; 5. England's Jerusalem in Shakespeare's Henriad
Beatrice Groves; 6. Discontented harmonies: words against words in Pomfret
Castle Tom Bishop; Part III. Interplay: Biblican Forms and Other Genres: 7.
Titus Andronicus and the rhetoric of lamentation Adrian Streete; 8. The
acts of Pericles: Shakespeare's biblical romance Hannibal Hamlin; 9.
Finding Pygmalion in the Bible: notes on the unity of The Winter's Tale
Richard Strier; Part IV. Enactment: Hermeneutics and the Social: 10.
Shylock in the lion's den: enacting exegesis in Merchant of Venice Shaina
Trapedo; 11. Maimed rites and whirling words in Hamlet Jesse M. Lander; 12.
Political theology on the pulpit and the Shakespearean stage Thomas Fulton;
Afterword Julia Reinhard Lupton.
and Kristen Poole; Part I. Europe, England: Contextualising Shakespeare's
Bible: 1. The Bible in transition in the age of Shakespeare: a European
perspective Bruce Gordon; 2. The trouble with translation: paratexts and
England's bestselling New Testament Aaron T. Pratt; Part II. Stagings:
Reformation Reading Practices in the Theater: 3. John 6, Measure for
Measure, and the complexities of the literal sense Jay Zysk; 4. Words of
diverse significations: Hamlet's puns, amphibology, and allegorical
hermeneutics Kristen Poole; 5. England's Jerusalem in Shakespeare's Henriad
Beatrice Groves; 6. Discontented harmonies: words against words in Pomfret
Castle Tom Bishop; Part III. Interplay: Biblican Forms and Other Genres: 7.
Titus Andronicus and the rhetoric of lamentation Adrian Streete; 8. The
acts of Pericles: Shakespeare's biblical romance Hannibal Hamlin; 9.
Finding Pygmalion in the Bible: notes on the unity of The Winter's Tale
Richard Strier; Part IV. Enactment: Hermeneutics and the Social: 10.
Shylock in the lion's den: enacting exegesis in Merchant of Venice Shaina
Trapedo; 11. Maimed rites and whirling words in Hamlet Jesse M. Lander; 12.
Political theology on the pulpit and the Shakespearean stage Thomas Fulton;
Afterword Julia Reinhard Lupton.