Jo-Ann Morgan (Western Illinois University)

The Black Arts Movement and the Black Panther Party in American Visual Culture

• Broschiertes Buch

Produktbeschreibung

This book covers a range of visual expressions of Black Power across American art and popular culture from 1965 through 1972.

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Produktdetails

• Routledge Research in Art and Race
• Verlag: Taylor & Francis Ltd
• Seitenzahl: 212
• Erscheinungstermin: 30. September 2020
• Englisch
• Abmessung: 255mm x 258mm x 15mm
• Gewicht: 454g
• ISBN-13: 9780367663155
• ISBN-10: 0367663155
• Artikelnr.: 60012207

Autorenporträt

Jo-Ann Morgan is Professor of African American Studies and Art History at Western Illinois University, USA. Her previous book, Uncle Tom's Cabin as Visual Culture, received the Peter Seaborg Award for Civil War Scholarship in 2008.

Inhaltsangabe

Introduction Part I: "Black Arts We Make": Aesthetics, Collaboration, and
Social Identity in the Visual Art of Black Power 1. Pedigree of the Black
Arts Movement: The March on Washington, Death of Malcolm X, and Free Jazz
2. Organization of Black American Culture: A Show of Respect 3. African
Commune of Bad Relevant Artists: Finding a Black Aesthetic 4. Oakland
Museum's "New Perspectives in Black Art": Saying "Black Lives Matter" in
1968 Part II: The Black Panther Party in Photography and Print Ephemera 5.
Huey P. Newton Enthroned: Iconic Image of Black Power 6. Eldridge Cleaver's
Visual Acumen and the Coalition of Black Power with White Resistance 7.
Emory Douglas: Revolutionary Artist and Visual Theorist 8. Picturing the
Female Revolutionary