This collection contributes to Afrofuturism studies by focusing on the Black creative experience. Contributors analyze philosophies of utopia, art, music, and histories of visual resistance, and they critique noted works by authors and artists like Octavia Butler, Ralph Ellison, Kiluanji Kia Henda, Janelle Monae, and Colson Whitehead.
This collection contributes to Afrofuturism studies by focusing on the Black creative experience. Contributors analyze philosophies of utopia, art, music, and histories of visual resistance, and they critique noted works by authors and artists like Octavia Butler, Ralph Ellison, Kiluanji Kia Henda, Janelle Monae, and Colson Whitehead.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Reynaldo Anderson is associate professor of communications and chair of the Humanities Department at Harris-Stowe State University. Clinton R. Fluker is assistant director of engagement and scholarship at the Atlanta University Center.
Inhaltsangabe
Forward: 25 Years in a 500 Year Long Song Sheree Renee Thomas Introduction: The Year of the Panther Reynaldo Anderson and Clinton Fluker Part I: Theory and Extra-Planetary Reason Chapter One: At the End of "Dasein": An Afro-German Voyage into the Future Natasha A. Kelly Chapter Two: Avant-Gardes, Afrofuturism, and Philosophical Readings of Rhythm Iain Campbell Chapter Three: Working on the Other Side of Time: An Interview with Rasheedah Phillips Reynaldo Anderson Chapter Four: We Speak, We Make, We Tinker: Afrofuturism as Applied Digital Humanities Toniesha L. Taylor Chapter Five: Forms of Future/Past: Black Kirby Afrofuturism and the Visual Technologies of Resistance John Jennings and Clinton R. Fluker Part II: Coding Utopia and Dystopia Chapter Six: "Everything is real. It's just not as you see it": Imagination, Utopia, and Afrofuturist Feminism in Octavia E. Butler's "The Book of Martha" Susana M. Morris Chapter Seven: African Futurist Themes and Fantasy in Modern African Speculative Fiction Dike Okoro Chapter Eight: B[l]ack to the Future: Futurism and Blackness in Zone One Souleymane Ba Chapter Nine: Dragons, Vescells, and Writing Afro-Latino Futures: An Interview with Enrique Carrion Stacey Robinson Chapter Ten: "The Electric Impulse:" The Legba Circuit in Ralph Ellison's Invisible Man Sherese Francis Part III: Blackness and Planetary Praxis Chapter Eleven: Ashes to Ashes: The Second Life of Kiluanji Kia Henda's Afrofuturist Critique Dariel Cobb Chapter Twelve: Metropolis 2.0: Janelle Monáe's Recycling of Fritz Lang Erik Steinskog Chapter Thirteen: Designing Love: Reimagining Technology and Intimacy Ebony A. Utley Chapter Fourteen: Performing Black Imagination: The Critical Embodiment of Transfuturism Amber Johnson Chapter Fifteen: Fabulous Camps of the Black Fantastic: Sylvester James, Queer Afrofuturism, and Black Vernacular Becomings tobias c. van Veen and Reynaldo Anderson Part IV: Images on the Other Side of Time Chapter Sixteen: Funky Images on the Other Side of Time: Various Artists Wriply Marie Bennet, Tim Fielder, John Jennings, Jessi Jumanji, Amber Johnson, Sheeba Maya, Stacey Robinson, and Quentin VerCetty
Forward: 25 Years in a 500 Year Long Song Sheree Renee Thomas Introduction: The Year of the Panther Reynaldo Anderson and Clinton Fluker Part I: Theory and Extra-Planetary Reason Chapter One: At the End of "Dasein": An Afro-German Voyage into the Future Natasha A. Kelly Chapter Two: Avant-Gardes, Afrofuturism, and Philosophical Readings of Rhythm Iain Campbell Chapter Three: Working on the Other Side of Time: An Interview with Rasheedah Phillips Reynaldo Anderson Chapter Four: We Speak, We Make, We Tinker: Afrofuturism as Applied Digital Humanities Toniesha L. Taylor Chapter Five: Forms of Future/Past: Black Kirby Afrofuturism and the Visual Technologies of Resistance John Jennings and Clinton R. Fluker Part II: Coding Utopia and Dystopia Chapter Six: "Everything is real. It's just not as you see it": Imagination, Utopia, and Afrofuturist Feminism in Octavia E. Butler's "The Book of Martha" Susana M. Morris Chapter Seven: African Futurist Themes and Fantasy in Modern African Speculative Fiction Dike Okoro Chapter Eight: B[l]ack to the Future: Futurism and Blackness in Zone One Souleymane Ba Chapter Nine: Dragons, Vescells, and Writing Afro-Latino Futures: An Interview with Enrique Carrion Stacey Robinson Chapter Ten: "The Electric Impulse:" The Legba Circuit in Ralph Ellison's Invisible Man Sherese Francis Part III: Blackness and Planetary Praxis Chapter Eleven: Ashes to Ashes: The Second Life of Kiluanji Kia Henda's Afrofuturist Critique Dariel Cobb Chapter Twelve: Metropolis 2.0: Janelle Monáe's Recycling of Fritz Lang Erik Steinskog Chapter Thirteen: Designing Love: Reimagining Technology and Intimacy Ebony A. Utley Chapter Fourteen: Performing Black Imagination: The Critical Embodiment of Transfuturism Amber Johnson Chapter Fifteen: Fabulous Camps of the Black Fantastic: Sylvester James, Queer Afrofuturism, and Black Vernacular Becomings tobias c. van Veen and Reynaldo Anderson Part IV: Images on the Other Side of Time Chapter Sixteen: Funky Images on the Other Side of Time: Various Artists Wriply Marie Bennet, Tim Fielder, John Jennings, Jessi Jumanji, Amber Johnson, Sheeba Maya, Stacey Robinson, and Quentin VerCetty
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