This book provides both an overview of, and an insight into, the rapidly expanding field of creative research methods. The contributors, from four continents, range from doctoral students through to independent and practice-based researchers to senior professors, providing a clear view of the applicability of creative research methods in all types of research work. Chapters offer examples of creative research methods in practice, and advice on how to transfer or adapt those methods for different disciplines and settings. Research ethics and research quality are considered throughout. This is a…mehr
This book provides both an overview of, and an insight into, the rapidly expanding field of creative research methods. The contributors, from four continents, range from doctoral students through to independent and practice-based researchers to senior professors, providing a clear view of the applicability of creative research methods in all types of research work. Chapters offer examples of creative research methods in practice, and advice on how to transfer or adapt those methods for different disciplines and settings. Research ethics and research quality are considered throughout. This is a timely handbook which provides information for novice researchers and inspiration for experienced researchers, and is essential reading for anyone interested in creative research methods.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Helen Kara is an independent researcher, scholar, teacher and speaker, who has written several books on creative research methods and research ethics. She is a Fellow of the Academy of Social Sciences, UK.
Inhaltsangabe
List of Figures List of Tables List of Contributors Introduction Helen Kara (Independent Researcher UK) Part I: Overview 1. Creative Research Methods and Ethics Su-ming Khoo (National University of Ireland Ireland) 2. Creative Research Methods in the Geo-Political South Bibek Dahal (University of Calgary Canada) Suresh Gautam (Kathmandu University) 3. Digital Tools for Creative Data Analysis: Opportunities Challenges and Future Directions Christina Silver (Qualitative Data Analysis Services UK) Sarah L Bulloch (Qualitative Data Analysis Services UK) and Michelle Salmona (Institute for Mixed Methods Research Australia) 4. Human Geography and Creative Methods: Moving and Mapping Nadia von Benzon (Lancaster University UK) Part II: Narrative Inquiry 5. Understanding Intersectionality in a Metropolitan Space in India: Creative Data Methods Using Social Media Paramjeet Chawla (Institute of Integrated Learning in Management India) Gunjan Chandhok (University of Delhi India) and Sonam Chandhok (University of Delhi India) 6. Micro-Stories and Meaning-Making in Narrative Research Kim Nelson-Miles (Torrens University Australia) 7. The Use of Semiotics in Leadership Narrative Analysis Lizana Oberholzer (University of East London UK) and John Macklin (University of East London UK) Part III: Poetic Analysis 8. Grappling with Poetry: Why to Start and How to Start Zoe John (Swansea University UK) 9. Discovering the Self-Voices of Authors and Speakers: A Text-Based Method for Exploring Pronouns via Regular Expressions Robert Williams (Bennett College USA) Part IV: Visual Methods 10. Ethnograms Richy Cook (Bath Spa University UK) 11. Presenting an Analytical Apparatus for Visual Imagery (AAVI) in Socially Engaged Research Practice Karin Hannes (KU Leuven Belgium) and Richard Siegesmund (Northern Illinois University USA) Part V: Creating Visual Art 12. Creative Process: Visual and Material Sense Making in Research Francesca Bernardi (Independent Researcher UK) 13. Letting the Picture Tell the Story: Using Comics Capture Content as a Research Method Bruce Mutard (Independent Researcher Australia) Stuart Medley (Edith Cowan University Australia) and Chris Kueh (Edith Cowan University Australia) Part VI: Participatory Textiles 14. Stitching as Creative Method: An Autoethnographic Account Susie Bass (University of Kent UK) 15. Untangling Threads Piecing Together and Unpicking: The Possibilities and Barriers of Visual Vignettes in Trauma-Sensitive Research Caroline Aldridge (Independent Researcher UK) Part VII: Embodied Performative Methods 16. Pregnant Box: What Happens When Opera Enacts an Embodied Analysis of Concealing Pregnancy Catherine Conlon (Trinity College Ireland) and Evangelia Rigaki (Trinity College Ireland) 17. Performance Art and Embodied Data Analysis in Arts-Based Sociological Research on Whiteness Katalin Halász (Brunel University UK) Part VIII: Participants as Experts 18. "I've got some more to add to that": Using Creative Methods to Empower Autistic Young People to Tell their Stories Ruth Moyse (University of Strathclyde UK) 19. 'A little bit of advice': Working Creatively with Children and their Foster Carers to Explore how they Would Like To Share Their Experiences Dawn Mannay (Cardiff University UK) Rachael Vaughan (Cardiff University UK) Maria Boffey (Fostering Network UK) and Charlotte Wooders (Fostering Network UK) Part IX: Creative Collaboration 20. Creative Research Methods in a Digital World: Problem-Solving and Collaboration in Research Sharon McDonough (Federation University Australia) Amanda Belton (University of Melbourne Australia) Mark Selkrig (University of Melbourne Australia) and Ron "Kim" Keamy (University of Melbourne Australia) 21. ARTiculating an Ethical Position: A Group of art psychotherapists use a Collaborative Arts-Based (Research) Process to Set their Ethical Scene when Employing Creative Methods within Mental Health Research Kelly Jayne (Teesside University UK) Lydia Pell (Higher Education Consultant Supervisor and Art Psychotherapist UK) Nicki Power (East London NHS Foundation Trust UK) and Amy Stanhope (University of Derby UK) 22. Ethno-Mimesis: Using Ethnography Participatory Arts Walking and Theatre in Ethical Research for Change Maggie O'Neill (University College Cork Ireland) and Catrina McHugh (Open Clasp Theatre Company UK) Conclusion Helen Kara (Independent Researcher UK) Index
List of Figures List of Tables List of Contributors Introduction Helen Kara (Independent Researcher UK) Part I: Overview 1. Creative Research Methods and Ethics Su-ming Khoo (National University of Ireland Ireland) 2. Creative Research Methods in the Geo-Political South Bibek Dahal (University of Calgary Canada) Suresh Gautam (Kathmandu University) 3. Digital Tools for Creative Data Analysis: Opportunities Challenges and Future Directions Christina Silver (Qualitative Data Analysis Services UK) Sarah L Bulloch (Qualitative Data Analysis Services UK) and Michelle Salmona (Institute for Mixed Methods Research Australia) 4. Human Geography and Creative Methods: Moving and Mapping Nadia von Benzon (Lancaster University UK) Part II: Narrative Inquiry 5. Understanding Intersectionality in a Metropolitan Space in India: Creative Data Methods Using Social Media Paramjeet Chawla (Institute of Integrated Learning in Management India) Gunjan Chandhok (University of Delhi India) and Sonam Chandhok (University of Delhi India) 6. Micro-Stories and Meaning-Making in Narrative Research Kim Nelson-Miles (Torrens University Australia) 7. The Use of Semiotics in Leadership Narrative Analysis Lizana Oberholzer (University of East London UK) and John Macklin (University of East London UK) Part III: Poetic Analysis 8. Grappling with Poetry: Why to Start and How to Start Zoe John (Swansea University UK) 9. Discovering the Self-Voices of Authors and Speakers: A Text-Based Method for Exploring Pronouns via Regular Expressions Robert Williams (Bennett College USA) Part IV: Visual Methods 10. Ethnograms Richy Cook (Bath Spa University UK) 11. Presenting an Analytical Apparatus for Visual Imagery (AAVI) in Socially Engaged Research Practice Karin Hannes (KU Leuven Belgium) and Richard Siegesmund (Northern Illinois University USA) Part V: Creating Visual Art 12. Creative Process: Visual and Material Sense Making in Research Francesca Bernardi (Independent Researcher UK) 13. Letting the Picture Tell the Story: Using Comics Capture Content as a Research Method Bruce Mutard (Independent Researcher Australia) Stuart Medley (Edith Cowan University Australia) and Chris Kueh (Edith Cowan University Australia) Part VI: Participatory Textiles 14. Stitching as Creative Method: An Autoethnographic Account Susie Bass (University of Kent UK) 15. Untangling Threads Piecing Together and Unpicking: The Possibilities and Barriers of Visual Vignettes in Trauma-Sensitive Research Caroline Aldridge (Independent Researcher UK) Part VII: Embodied Performative Methods 16. Pregnant Box: What Happens When Opera Enacts an Embodied Analysis of Concealing Pregnancy Catherine Conlon (Trinity College Ireland) and Evangelia Rigaki (Trinity College Ireland) 17. Performance Art and Embodied Data Analysis in Arts-Based Sociological Research on Whiteness Katalin Halász (Brunel University UK) Part VIII: Participants as Experts 18. "I've got some more to add to that": Using Creative Methods to Empower Autistic Young People to Tell their Stories Ruth Moyse (University of Strathclyde UK) 19. 'A little bit of advice': Working Creatively with Children and their Foster Carers to Explore how they Would Like To Share Their Experiences Dawn Mannay (Cardiff University UK) Rachael Vaughan (Cardiff University UK) Maria Boffey (Fostering Network UK) and Charlotte Wooders (Fostering Network UK) Part IX: Creative Collaboration 20. Creative Research Methods in a Digital World: Problem-Solving and Collaboration in Research Sharon McDonough (Federation University Australia) Amanda Belton (University of Melbourne Australia) Mark Selkrig (University of Melbourne Australia) and Ron "Kim" Keamy (University of Melbourne Australia) 21. ARTiculating an Ethical Position: A Group of art psychotherapists use a Collaborative Arts-Based (Research) Process to Set their Ethical Scene when Employing Creative Methods within Mental Health Research Kelly Jayne (Teesside University UK) Lydia Pell (Higher Education Consultant Supervisor and Art Psychotherapist UK) Nicki Power (East London NHS Foundation Trust UK) and Amy Stanhope (University of Derby UK) 22. Ethno-Mimesis: Using Ethnography Participatory Arts Walking and Theatre in Ethical Research for Change Maggie O'Neill (University College Cork Ireland) and Catrina McHugh (Open Clasp Theatre Company UK) Conclusion Helen Kara (Independent Researcher UK) Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
