The Bloomsbury Handbook of Religion and Popular Music
Herausgeber: Partridge, Christopher; Moberg, Marcus
Schade – dieser Artikel ist leider ausverkauft. Sobald wir wissen, ob und wann der Artikel wieder verfügbar ist, informieren wir Sie an dieser Stelle.
The Bloomsbury Handbook of Religion and Popular Music
Herausgeber: Partridge, Christopher; Moberg, Marcus
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology, cultural analysis, and sociology. It comprises 30 updated essays and six new chapters covering the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to…mehr
Andere Kunden interessierten sich auch für
The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology, cultural analysis, and sociology. It comprises 30 updated essays and six new chapters covering the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Academic
- 2nd edition
- Seitenzahl: 512
- Erscheinungstermin: 13. Juli 2023
- Englisch
- Abmessung: 244mm x 169mm x 25mm
- Gewicht: 454g
- ISBN-13: 9781350286979
- ISBN-10: 1350286974
- Artikelnr.: 65583529
- Verlag: Bloomsbury Academic
- 2nd edition
- Seitenzahl: 512
- Erscheinungstermin: 13. Juli 2023
- Englisch
- Abmessung: 244mm x 169mm x 25mm
- Gewicht: 454g
- ISBN-13: 9781350286979
- ISBN-10: 1350286974
- Artikelnr.: 65583529
Christopher Partridge is Professor of Religious Studies at Lancaster University, UK. His publications include High Culture: Drugs, Mysticism, and the Pursuit of Transcendence in the Modern World (2018), Mortality and Music: Popular Music and the Awareness of Death (2015),The Lyre of Orpheus: Popular Music, the Sacred and the Profane (2014), and Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk (2010). He is editor of the book series, Bloomsbury Studies in Religion and Popular Music. Marcus Moberg is Professor of the Study of Religions at Åbo Akademi University, Finland. His publications include Religion, Discourse, and Society (2022), Digital Media, Young Adults and Religion (2020, co-ed), Church, Market, and Media (2017), Christian Metal (Bloomsbury, 2015), and Religion, Media, and Social Change (2014, co-ed.).
List of Images List of Contributors Introduction: Religion and Popular Music
Marcus Moberg & Christopher Partridge Part I: The Study of Religion and Popular Music: Theoretical Perspectives
Methodologies and Issues 1. Ethnography
Popular Music and Religion
(Andy Bennett
Griffith University
Queensland
Australia) 2. Emotion
Meaning and Popular Music
(Christopher Partridge
Lancaster University
UK) 3. Music
Religion
Protest
(Ian Peddie
Sul Ross State University
USA) 4. Censorship
Religion and Popular Music
(Michael Drewett
Rhodes University
South Africa) 5. Feminism
Gender and Popular Music
Alison Stone (Lancaster University
UK) 6. Religion
Ritual and Performance
Kimi Karki (University of Turku
Finland) 7. Musicological and Ethnomusicological Perspectives
AV Villén (University of the Arts
Helsinki
Finland) Part II: Religious Perspectives 8. The Bible and Popular Music
(Michael Gilmour
Providence College
Manitoba
Canada) 9. Theology
Imagination and Popular Music
(Gavin Hopps
University of Saint Andrews
UK) 10. Christianity
Worship and Popular Music
(Thomas Wagner
University of Edinburgh
UK) 11. Contemporary Christian Music
(Shawn Young
York College of Pennsylvania
USA) 12. Islam and Popular Music
(Jonas Otterbeck & Göran Larsson
Lund University & Gothenburg University
Sweden) 13. Jews
Judaism and Popular Music
(Jon Stratton
Curtin University
Australia) 14. Hinduism and Popular Music
(Anjali Roy
Indian Institute of Technology Kharagpur
West Bengal
India) 15. Buddhism and Popular Music
(Paul Fuller
University of Edinburgh
UK) 16. Japanese Religion and Popular Music
(Jennifer Matsue
Union College
USA) 17. Chinese Religions and Popular Music
(Vicky Ho
Hong Kong) 18. Paganism and Popular Music
(Donna Weston
Griffith University
Queensland
Australia) 19. Popular Music and the Occult
(Kennet Granholm
University of Stockholm
Sweden) 20. Caribbean Religions and Popular Music
(David Moskowitz
University of South Dakota
US) 21. Popular Music and Religious Syncretism
Francisco Santos Silva (Iscte-University Institute of Lisbon
Portugal) 22. Atheism and Popular Music
Inka Rantakallio (University of Helsinki
Finland) & Marcus Moberg (Abo Akademi University
Finland) Part III: Genres 23. Blues and Jazz
(David Cheetham
University of Birmingham
UK) 24. Pop and Rock
(Clive Marsh
University of Leicester
UK) 25. Heavy Metal
(Marcus Moberg
Abo Akademi
Finland) 26. Rap and Hip Hop
(Joseph Winters
Duke University
USA) 27. Punk and Hardcore
(Ibrahim Abraham
University of Helsinki
Finland & Francis Stewart
University of Stirling
UK) 28. Reggae
(Christopher Partridge
University of Lancaster
UK) 29. Folk Music
(Vaughan Roberts
Rector at the Collegiate Church of St Mary
Warwick
UK) 30. Country Music
(Leigh Edwards
Florida State University
USA) 31. Electronic Dance Music
Graham St. John (Griffith University
Queensland
Australia) 32. K-Pop
Christopher Partridge (Lancaster University
UK) 33. Industrial Music and Noise
Paul Hegarty (University of Nottingham
UK) 34 . Goth Music and Subculture
(Isabella van Elferen
Kingston University
UK) 35. Psychedelic Music
(Christopher Partridge
Lancaster University
UK) 36. Ambient Music
(Rupert Till
Huddersfield University
UK) 37. Popular Music & the Religious Screen
(Mark Evans
Macquarie University
Australia & Brent Keogh
independent scholar) Notes Filmography Discography Bibliography Index
Marcus Moberg & Christopher Partridge Part I: The Study of Religion and Popular Music: Theoretical Perspectives
Methodologies and Issues 1. Ethnography
Popular Music and Religion
(Andy Bennett
Griffith University
Queensland
Australia) 2. Emotion
Meaning and Popular Music
(Christopher Partridge
Lancaster University
UK) 3. Music
Religion
Protest
(Ian Peddie
Sul Ross State University
USA) 4. Censorship
Religion and Popular Music
(Michael Drewett
Rhodes University
South Africa) 5. Feminism
Gender and Popular Music
Alison Stone (Lancaster University
UK) 6. Religion
Ritual and Performance
Kimi Karki (University of Turku
Finland) 7. Musicological and Ethnomusicological Perspectives
AV Villén (University of the Arts
Helsinki
Finland) Part II: Religious Perspectives 8. The Bible and Popular Music
(Michael Gilmour
Providence College
Manitoba
Canada) 9. Theology
Imagination and Popular Music
(Gavin Hopps
University of Saint Andrews
UK) 10. Christianity
Worship and Popular Music
(Thomas Wagner
University of Edinburgh
UK) 11. Contemporary Christian Music
(Shawn Young
York College of Pennsylvania
USA) 12. Islam and Popular Music
(Jonas Otterbeck & Göran Larsson
Lund University & Gothenburg University
Sweden) 13. Jews
Judaism and Popular Music
(Jon Stratton
Curtin University
Australia) 14. Hinduism and Popular Music
(Anjali Roy
Indian Institute of Technology Kharagpur
West Bengal
India) 15. Buddhism and Popular Music
(Paul Fuller
University of Edinburgh
UK) 16. Japanese Religion and Popular Music
(Jennifer Matsue
Union College
USA) 17. Chinese Religions and Popular Music
(Vicky Ho
Hong Kong) 18. Paganism and Popular Music
(Donna Weston
Griffith University
Queensland
Australia) 19. Popular Music and the Occult
(Kennet Granholm
University of Stockholm
Sweden) 20. Caribbean Religions and Popular Music
(David Moskowitz
University of South Dakota
US) 21. Popular Music and Religious Syncretism
Francisco Santos Silva (Iscte-University Institute of Lisbon
Portugal) 22. Atheism and Popular Music
Inka Rantakallio (University of Helsinki
Finland) & Marcus Moberg (Abo Akademi University
Finland) Part III: Genres 23. Blues and Jazz
(David Cheetham
University of Birmingham
UK) 24. Pop and Rock
(Clive Marsh
University of Leicester
UK) 25. Heavy Metal
(Marcus Moberg
Abo Akademi
Finland) 26. Rap and Hip Hop
(Joseph Winters
Duke University
USA) 27. Punk and Hardcore
(Ibrahim Abraham
University of Helsinki
Finland & Francis Stewart
University of Stirling
UK) 28. Reggae
(Christopher Partridge
University of Lancaster
UK) 29. Folk Music
(Vaughan Roberts
Rector at the Collegiate Church of St Mary
Warwick
UK) 30. Country Music
(Leigh Edwards
Florida State University
USA) 31. Electronic Dance Music
Graham St. John (Griffith University
Queensland
Australia) 32. K-Pop
Christopher Partridge (Lancaster University
UK) 33. Industrial Music and Noise
Paul Hegarty (University of Nottingham
UK) 34 . Goth Music and Subculture
(Isabella van Elferen
Kingston University
UK) 35. Psychedelic Music
(Christopher Partridge
Lancaster University
UK) 36. Ambient Music
(Rupert Till
Huddersfield University
UK) 37. Popular Music & the Religious Screen
(Mark Evans
Macquarie University
Australia & Brent Keogh
independent scholar) Notes Filmography Discography Bibliography Index
List of Images List of Contributors Introduction: Religion and Popular Music
Marcus Moberg & Christopher Partridge Part I: The Study of Religion and Popular Music: Theoretical Perspectives
Methodologies and Issues 1. Ethnography
Popular Music and Religion
(Andy Bennett
Griffith University
Queensland
Australia) 2. Emotion
Meaning and Popular Music
(Christopher Partridge
Lancaster University
UK) 3. Music
Religion
Protest
(Ian Peddie
Sul Ross State University
USA) 4. Censorship
Religion and Popular Music
(Michael Drewett
Rhodes University
South Africa) 5. Feminism
Gender and Popular Music
Alison Stone (Lancaster University
UK) 6. Religion
Ritual and Performance
Kimi Karki (University of Turku
Finland) 7. Musicological and Ethnomusicological Perspectives
AV Villén (University of the Arts
Helsinki
Finland) Part II: Religious Perspectives 8. The Bible and Popular Music
(Michael Gilmour
Providence College
Manitoba
Canada) 9. Theology
Imagination and Popular Music
(Gavin Hopps
University of Saint Andrews
UK) 10. Christianity
Worship and Popular Music
(Thomas Wagner
University of Edinburgh
UK) 11. Contemporary Christian Music
(Shawn Young
York College of Pennsylvania
USA) 12. Islam and Popular Music
(Jonas Otterbeck & Göran Larsson
Lund University & Gothenburg University
Sweden) 13. Jews
Judaism and Popular Music
(Jon Stratton
Curtin University
Australia) 14. Hinduism and Popular Music
(Anjali Roy
Indian Institute of Technology Kharagpur
West Bengal
India) 15. Buddhism and Popular Music
(Paul Fuller
University of Edinburgh
UK) 16. Japanese Religion and Popular Music
(Jennifer Matsue
Union College
USA) 17. Chinese Religions and Popular Music
(Vicky Ho
Hong Kong) 18. Paganism and Popular Music
(Donna Weston
Griffith University
Queensland
Australia) 19. Popular Music and the Occult
(Kennet Granholm
University of Stockholm
Sweden) 20. Caribbean Religions and Popular Music
(David Moskowitz
University of South Dakota
US) 21. Popular Music and Religious Syncretism
Francisco Santos Silva (Iscte-University Institute of Lisbon
Portugal) 22. Atheism and Popular Music
Inka Rantakallio (University of Helsinki
Finland) & Marcus Moberg (Abo Akademi University
Finland) Part III: Genres 23. Blues and Jazz
(David Cheetham
University of Birmingham
UK) 24. Pop and Rock
(Clive Marsh
University of Leicester
UK) 25. Heavy Metal
(Marcus Moberg
Abo Akademi
Finland) 26. Rap and Hip Hop
(Joseph Winters
Duke University
USA) 27. Punk and Hardcore
(Ibrahim Abraham
University of Helsinki
Finland & Francis Stewart
University of Stirling
UK) 28. Reggae
(Christopher Partridge
University of Lancaster
UK) 29. Folk Music
(Vaughan Roberts
Rector at the Collegiate Church of St Mary
Warwick
UK) 30. Country Music
(Leigh Edwards
Florida State University
USA) 31. Electronic Dance Music
Graham St. John (Griffith University
Queensland
Australia) 32. K-Pop
Christopher Partridge (Lancaster University
UK) 33. Industrial Music and Noise
Paul Hegarty (University of Nottingham
UK) 34 . Goth Music and Subculture
(Isabella van Elferen
Kingston University
UK) 35. Psychedelic Music
(Christopher Partridge
Lancaster University
UK) 36. Ambient Music
(Rupert Till
Huddersfield University
UK) 37. Popular Music & the Religious Screen
(Mark Evans
Macquarie University
Australia & Brent Keogh
independent scholar) Notes Filmography Discography Bibliography Index
Marcus Moberg & Christopher Partridge Part I: The Study of Religion and Popular Music: Theoretical Perspectives
Methodologies and Issues 1. Ethnography
Popular Music and Religion
(Andy Bennett
Griffith University
Queensland
Australia) 2. Emotion
Meaning and Popular Music
(Christopher Partridge
Lancaster University
UK) 3. Music
Religion
Protest
(Ian Peddie
Sul Ross State University
USA) 4. Censorship
Religion and Popular Music
(Michael Drewett
Rhodes University
South Africa) 5. Feminism
Gender and Popular Music
Alison Stone (Lancaster University
UK) 6. Religion
Ritual and Performance
Kimi Karki (University of Turku
Finland) 7. Musicological and Ethnomusicological Perspectives
AV Villén (University of the Arts
Helsinki
Finland) Part II: Religious Perspectives 8. The Bible and Popular Music
(Michael Gilmour
Providence College
Manitoba
Canada) 9. Theology
Imagination and Popular Music
(Gavin Hopps
University of Saint Andrews
UK) 10. Christianity
Worship and Popular Music
(Thomas Wagner
University of Edinburgh
UK) 11. Contemporary Christian Music
(Shawn Young
York College of Pennsylvania
USA) 12. Islam and Popular Music
(Jonas Otterbeck & Göran Larsson
Lund University & Gothenburg University
Sweden) 13. Jews
Judaism and Popular Music
(Jon Stratton
Curtin University
Australia) 14. Hinduism and Popular Music
(Anjali Roy
Indian Institute of Technology Kharagpur
West Bengal
India) 15. Buddhism and Popular Music
(Paul Fuller
University of Edinburgh
UK) 16. Japanese Religion and Popular Music
(Jennifer Matsue
Union College
USA) 17. Chinese Religions and Popular Music
(Vicky Ho
Hong Kong) 18. Paganism and Popular Music
(Donna Weston
Griffith University
Queensland
Australia) 19. Popular Music and the Occult
(Kennet Granholm
University of Stockholm
Sweden) 20. Caribbean Religions and Popular Music
(David Moskowitz
University of South Dakota
US) 21. Popular Music and Religious Syncretism
Francisco Santos Silva (Iscte-University Institute of Lisbon
Portugal) 22. Atheism and Popular Music
Inka Rantakallio (University of Helsinki
Finland) & Marcus Moberg (Abo Akademi University
Finland) Part III: Genres 23. Blues and Jazz
(David Cheetham
University of Birmingham
UK) 24. Pop and Rock
(Clive Marsh
University of Leicester
UK) 25. Heavy Metal
(Marcus Moberg
Abo Akademi
Finland) 26. Rap and Hip Hop
(Joseph Winters
Duke University
USA) 27. Punk and Hardcore
(Ibrahim Abraham
University of Helsinki
Finland & Francis Stewart
University of Stirling
UK) 28. Reggae
(Christopher Partridge
University of Lancaster
UK) 29. Folk Music
(Vaughan Roberts
Rector at the Collegiate Church of St Mary
Warwick
UK) 30. Country Music
(Leigh Edwards
Florida State University
USA) 31. Electronic Dance Music
Graham St. John (Griffith University
Queensland
Australia) 32. K-Pop
Christopher Partridge (Lancaster University
UK) 33. Industrial Music and Noise
Paul Hegarty (University of Nottingham
UK) 34 . Goth Music and Subculture
(Isabella van Elferen
Kingston University
UK) 35. Psychedelic Music
(Christopher Partridge
Lancaster University
UK) 36. Ambient Music
(Rupert Till
Huddersfield University
UK) 37. Popular Music & the Religious Screen
(Mark Evans
Macquarie University
Australia & Brent Keogh
independent scholar) Notes Filmography Discography Bibliography Index