The Body in Sound, Music and Performance brings together cutting-edge contributions from women working on and researching contemporary sound practice.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Linda O Keeffe is a sound artist, and Senior Lecturer of sound art and sound studies at the University of Edinburgh, founder of Women in Sound Women on Sound and editor in chief of Interference Journal: A Journal of Auditory Cultures. Isabel Nogueira is a professor at the Music Department of Federal University of Rio Grande do Sul, Brazil. She co-ordinates the Sonic Research Group in Gender, Body and Music.
Inhaltsangabe
List of Figures List of Tables Introduction New Epistemologies of Sound 1. Forces at Play Heather Frasch 2. Why should we care about the body? On what Enactive-Ecological Musical Approaches have to Offer Lauren Hayes 3. Under Mar Paradoxo [Paradox Sea] and Coastal Silences Raquel Stolf Gendered Sounds, Spaces and Places 4. Deep Situated Listening Among Hearing Heads and Affective Bodies Sanne Krogh Groth 5. The Field is Mined and Full of "Minas"- Women's Music in Paraíba: Kalyne Lima and Sinta A Liga Crew Tânia Mello Neiva 6. Working with Womens Work: Towards the embodied curator Irene Revell 7. Tejucupapo Women: Sound Mangrove Bodies and Performance Creation Luciana Lyra New Methodologies in Sound Art and Performance Practice 8. Looking for Silence in the Body Ida Mara Freire 9. OUR body in #sonicwilderness & #soundasgrowing Antye Greie (AGF/poemproducer) 10. What makes the Wolves Howl Under the Moon? Sound Poetics of Territory-Spirit-Bodies for Well-Living Laila Rosa & Adriana Gabriela Santos Teixeira 11. Dispatches: Cartographing and Sharing Listenings Lílian Campesato and Valéria Bonafé 12. Applying Feminist Methodologies in the Sonic Arts: Listening To Brazilian Women Talk about Sound Linda O Keeffe and Isabel Nogueira The Body Technology 13. The Sensuality of Low Frequency Sound Cat Hope 14. Cynosuric Bodies Susan E. Green-Mateu and Margaret Schedel 15. The Violining Body in Anthèmes II by Pierre Boulez Irine Røsnes 16. 'Try to walk with the sound of my footsteps so that we can stay together': Sonic Presence and Virtual Embodiment in Janet Cardiff and Georges Bures Miller's Audio and Video Walks Sophie Knezic 17. Breathing (as Listening): An Emotional Bridge for Telepresence Ximena Alarcón-Díaz 18. Foley Performance and Sonic Implicit Interactions: How Foley Artists Might Hold the Secret for the Design of Sonic Implicit Interactions Sandra Pauletto Index
List of Figures List of Tables Introduction New Epistemologies of Sound 1. Forces at Play Heather Frasch 2. Why should we care about the body? On what Enactive-Ecological Musical Approaches have to Offer Lauren Hayes 3. Under Mar Paradoxo [Paradox Sea] and Coastal Silences Raquel Stolf Gendered Sounds, Spaces and Places 4. Deep Situated Listening Among Hearing Heads and Affective Bodies Sanne Krogh Groth 5. The Field is Mined and Full of "Minas"- Women's Music in Paraíba: Kalyne Lima and Sinta A Liga Crew Tânia Mello Neiva 6. Working with Womens Work: Towards the embodied curator Irene Revell 7. Tejucupapo Women: Sound Mangrove Bodies and Performance Creation Luciana Lyra New Methodologies in Sound Art and Performance Practice 8. Looking for Silence in the Body Ida Mara Freire 9. OUR body in #sonicwilderness & #soundasgrowing Antye Greie (AGF/poemproducer) 10. What makes the Wolves Howl Under the Moon? Sound Poetics of Territory-Spirit-Bodies for Well-Living Laila Rosa & Adriana Gabriela Santos Teixeira 11. Dispatches: Cartographing and Sharing Listenings Lílian Campesato and Valéria Bonafé 12. Applying Feminist Methodologies in the Sonic Arts: Listening To Brazilian Women Talk about Sound Linda O Keeffe and Isabel Nogueira The Body Technology 13. The Sensuality of Low Frequency Sound Cat Hope 14. Cynosuric Bodies Susan E. Green-Mateu and Margaret Schedel 15. The Violining Body in Anthèmes II by Pierre Boulez Irine Røsnes 16. 'Try to walk with the sound of my footsteps so that we can stay together': Sonic Presence and Virtual Embodiment in Janet Cardiff and Georges Bures Miller's Audio and Video Walks Sophie Knezic 17. Breathing (as Listening): An Emotional Bridge for Telepresence Ximena Alarcón-Díaz 18. Foley Performance and Sonic Implicit Interactions: How Foley Artists Might Hold the Secret for the Design of Sonic Implicit Interactions Sandra Pauletto Index
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