The body has always had the potential to unsettle us with its strange exigencies and suppurations, its demands and desires, and thus throughout the ages, it has continued to be a subject of interest and obsession. This collection of twelve peer-reviewed essays on Jacques Lacan and Michel Foucault interrogates the body in all of its beauty...and with all of its blights and blemishes. Written by a diverse body of scholars--art historians, cultural theorists, English professors, philosophers, psychoanalysts, and sociologists from North America and Europe--these essays bring into conversation two…mehr
The body has always had the potential to unsettle us with its strange exigencies and suppurations, its demands and desires, and thus throughout the ages, it has continued to be a subject of interest and obsession. This collection of twelve peer-reviewed essays on Jacques Lacan and Michel Foucault interrogates the body in all of its beauty...and with all of its blights and blemishes. Written by a diverse body of scholars--art historians, cultural theorists, English professors, philosophers, psychoanalysts, and sociologists from North America and Europe--these essays bring into conversation two intellectual giants frequently seen as antagonists, and thus rarely seen together. Topics covered include: the intersections of Foucault and Lacan and how they bring to light new thoughts on the senses, the self-destructive body, ableism and disability in Guillermo del Toro's film The Shape of Water, body image and the ego, selfie-culture, and metamorphosis in Ottessa Moshfegh's novel My Year of Rest and Relaxation, among others.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Becky R. McLaughlin is a professor of English at the University of South Alabama, where she teaches critical theory, film, and gender studies. She has published essays on topics such as fetishism, feminine jouissance, sexual fantasy, epistemological trauma, auto-ethnography, the voice, and rock music. Her current research is on gender, madness, and film. Eric Daffron is a professor of literature at Ramapo College of New Jersey, where he teaches gothic literature and literary theory, among other subjects. He has published on male homosociality, gothic literature, and other topics. His current research is devoted to Roland Barthes and Michel Foucault and to questions regarding the body and sexuality.
Inhaltsangabe
Table of Contents Acknowledgments Introduction: Friendship in a Time of Covid-19 Becky R. McLaughlin and Eric Daffron Towards an Understanding of the Olfactory Drive Calum Neill and Claudia Di Gianfrancesco The Living and Dead Body in Foucault's Clinical Gaze Lauren Jane Barnett Is the Autistic Body a Body Without Organs? Leon S. Brenner The Self-Destructive Body through the Lens of Foucault and Lacan: Resistance and Jouissance Evi Verbeke Lacan, Film, and the Disabled Body Marina Cano The Hunchback as Visual Paradigm of Violence in Modern Art: Géricault, Dix, and Salomon Michiko Oki The Ego as Body Image: Lacan's Mirror Stage Revisited Dan Collins Desire, Discourse, and Autosurgery in the Fiction of Patrick O'Brian John Halbrooks Ego Portrait: Self-Photography as Symptom in Contemporary Technoculture Chris Vanderwees Social Media, Biopolitical Surveillance, and Disciplinary Social Control: Aggregating Data to Examine Docile Bodies Michael Loadenthal From Symptom to Sinthôme: Ridding the "Body of Substance" in My Year of Rest and Relaxation Erica D. Galioto Posthumanist Metamorphosis and Discipline: Barney's Drawing Restraint and Foucault on Raymond Roussel Irina Chkhaidze About the Contributors Index
Table of Contents Acknowledgments Introduction: Friendship in a Time of Covid-19 Becky R. McLaughlin and Eric Daffron Towards an Understanding of the Olfactory Drive Calum Neill and Claudia Di Gianfrancesco The Living and Dead Body in Foucault's Clinical Gaze Lauren Jane Barnett Is the Autistic Body a Body Without Organs? Leon S. Brenner The Self-Destructive Body through the Lens of Foucault and Lacan: Resistance and Jouissance Evi Verbeke Lacan, Film, and the Disabled Body Marina Cano The Hunchback as Visual Paradigm of Violence in Modern Art: Géricault, Dix, and Salomon Michiko Oki The Ego as Body Image: Lacan's Mirror Stage Revisited Dan Collins Desire, Discourse, and Autosurgery in the Fiction of Patrick O'Brian John Halbrooks Ego Portrait: Self-Photography as Symptom in Contemporary Technoculture Chris Vanderwees Social Media, Biopolitical Surveillance, and Disciplinary Social Control: Aggregating Data to Examine Docile Bodies Michael Loadenthal From Symptom to Sinthôme: Ridding the "Body of Substance" in My Year of Rest and Relaxation Erica D. Galioto Posthumanist Metamorphosis and Discipline: Barney's Drawing Restraint and Foucault on Raymond Roussel Irina Chkhaidze About the Contributors Index
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