The Book of American Negro Poetry - Johnson, James Weldon
16,99 €
inkl. MwSt.

Versandfertig in 1-2 Wochen
payback
8 °P sammeln
  • Broschiertes Buch

The Book of American Negro Poetry (1922) is an anthology by James Weldon Johnson. Alongside some of his own poems, Johnson includes the work of such legendary artists as Paul Laurence Dunbar, W. E. B. Du Bois, Jessie Fauset, and Georgia Douglas Johnson. Carefully selected and supported with a masterful preface by Johnson, the poems herein reflect a range of voices, styles, and subjects drawn from tradition and experience alike. In his preface, Johnson justifies his anthology by identifying its vital purpose: "The public, generally speaking, does not know that there are American Negro poets-to…mehr

Andere Kunden interessierten sich auch für
Produktbeschreibung
The Book of American Negro Poetry (1922) is an anthology by James Weldon Johnson. Alongside some of his own poems, Johnson includes the work of such legendary artists as Paul Laurence Dunbar, W. E. B. Du Bois, Jessie Fauset, and Georgia Douglas Johnson. Carefully selected and supported with a masterful preface by Johnson, the poems herein reflect a range of voices, styles, and subjects drawn from tradition and experience alike. In his preface, Johnson justifies his anthology by identifying its vital purpose: "The public, generally speaking, does not know that there are American Negro poets-to supply this lack of information is, alone, a work worthy of somebody's effort." And the effort was his. In his poem "O Black and Unknown Bards," he asks "O black and unknown bards of long ago, / How came your lips to touch the sacred fire?" Recognizing the need for a reconciliation between the long tradition of black culture and the overwhelming erasure of his own contemporary artists, Johnson highlights the efforts of those poets who "Within [their] dark-kept soul[s], burst into song." Like Johnson himself, many of the poets included in The Book of American Negro Poetry work in a variety of voices, moving expertly from dialect to the traditional lyric in poems that harness the spirit of song and sermon alike. To borrow the words of Joseph S. Cotter Jr., a poet included in this anthology, these poems are elemental in their power to rejuvenate an exclusive national culture, and they "Rise and fall triumphant / Over every thing." With a beautifully designed cover and professionally typeset manuscript, this edition of James Weldon Johnson's The Book of American Negro Poetry is a classic of African American literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.
Autorenporträt
James Weldon Johnson (June 17, 1871 - June 26, 1938) was an American author and civil rights activist. He was married to civil rights activist Grace Nail Johnson. Johnson was a leader of the National Association for the Advancement of Colored People (NAACP), where he started working in 1917. In 1920, he was the first African American to be chosen as executive secretary of the organization, effectively the operating officer. He served in that position from 1920 to 1930. Johnson rose to become one of the most successful officials in the organization. He traveled to Memphis, Tennessee, for example, to investigate a brutal lynching that was witnessed by thousands. His report on the carnival-like atmosphere surrounding the burning-to-death of Ell Persons was published nationally as a supplement to the July 1917 issue of the NAACP's Crisis magazine, and during his visit there he chartered the Memphis chapter of the NAACP. Johnson established his reputation as a writer, and was known during the Harlem Renaissance for his poems, novels, and anthologies collecting both poems and spirituals of black culture. He was appointed under President Theodore Roosevelt as US consul in Venezuela and Nicaragua for most of the period from 1906 to 1913. In 1934 he was the first African-American professor to be hired at New York University. Later in life, he was a professor of creative literature and writing at Fisk University, a historically black university. Johnson died in 1938 while vacationing in Wiscasset, Maine, when the car his wife was driving was hit by a train. His funeral in Harlem was attended by more than 2000 people. Johnson's ashes are interred at Green-Wood Cemetery in Brooklyn, New York.