The Book of Cats - Macbeth, George
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Some day Marshall McLuhan or Russell Baker may tell us why the cat is suddenly such astonishing good news at the box office. Here are two lavishly illustrated anthologies of notable tributes to Fells catus, and they could not be more different. Both include such old friends as Thomas Gray's epitaph for a drowned goldfish-chaser, Kipling's "The Cat That Walked by Himself," and the "Jeoffrey" section from Christopher Smart's Jubilate Agno. But The Literary Cat is basically a collection of lovable Chandoha photographs (140 of them, in black and white) interspersed with harmless morsels - extended…mehr

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Produktbeschreibung
Some day Marshall McLuhan or Russell Baker may tell us why the cat is suddenly such astonishing good news at the box office. Here are two lavishly illustrated anthologies of notable tributes to Fells catus, and they could not be more different. Both include such old friends as Thomas Gray's epitaph for a drowned goldfish-chaser, Kipling's "The Cat That Walked by Himself," and the "Jeoffrey" section from Christopher Smart's Jubilate Agno. But The Literary Cat is basically a collection of lovable Chandoha photographs (140 of them, in black and white) interspersed with harmless morsels - extended captions, really - from Richard Armour, Gladys Taber, Rod McKuen, and a few more substantial tidbits from May Swenson, Don Marquis, Adlai Stevenson (the celebrated veto of an Illinois Senate bird-protection bill), and even Faulkner (a lovely aside from The Reivers). The Book of Cats, put together by a pair of cat-loving British poets, is altogether a more adventurous (and literary) affair. It sashays elegantly through the doings of P. G. Wodehouse's Webster, Eliot's Macavity and Growltiger, de la Mare's Sam ("Broomsticks"), Saki's Tobermory, and W. W. Jacobs' "The White Cat." There are marvelous detours through Sartre, Aldous Huxley (the "human truths" any aspiring novelist can find in cat behavior), Fielding, and Dorothy Sayers (a charming fit of versified exasperation about feline persnicketiness). The inevitable selections from Smart, Gallico, and Don Marquis are more generous and more spirited than those in the Chandoha collection. The illustrations (115 black and white, 16 color) run a glorious gamut from the wicked hunter in Bosch's Garden of Earthly Delights to Charles Addams' sybarite with mouseskin rug. The entire collection strikes a note of genial and unforced sophistication; the Chandoha book is as placid and pretty as a sleeping Persian. To think that cat-lovers would ever be divisible into middlebrow and highbrow audiences. . . . (Kirkus Reviews)
Autorenporträt
George MacBeth (1932-1992) was born in Shotts, Lanarkshire, Scotland. The son of a coal miner, he won a scholarship to study at New College, Oxford, where he earned a first in philosophy and classics. He went on to produce radio programs for the BBC and during his tenure produced a number of influential poetry and literature programs, including Poet's Voice, New Comment, and Poetry Now. MacBeth's own work is identified with The Group, a circle of poets associated with a workshop model and generally seen as rejecting the prevailing irony of British poetry at the time in favour of personal, sometimes extravagant, verse. MacBeth read with Allen Ginsberg at the Royal Albert Hall in 1965, a reading linked to new directions in British poetry and sometimes described as the start of the British Poetry Revival. His later collections of poetry tended to eschew the violent imagery of his first, and other later books included The Patient (1992), a volume dealing with the effects of the motor neuron disease from which he ultimately died. In 1975, MacBeth left the BBC and began to write prose. He also published two memoirs: A Child of the War (1987) and My Scotland: Fragments of a State of Mind (1973). He edited the anthologies The Penguin Book of Sick Verse (1963), The Penguin Book of Animal Verse (1965), Poetry 1900-1965 (Longman, 1967), The Penguin Book of Victorian Verse (1969), and co-edited The Book of Cats (Penguin, 1977; Bloodaxe Books, 1991) with Martin Booth.Martin Booth (1944-2004) was a prolific British novelist, poet, critic and travel writer. He also worked as a teacher and screenwriter, and was the founder of the Sceptre Press. His many publications included The Knotting Sequence (1977), named for the village where he was living at the time, and the critical study, British Poetry 1964 to 1984: Driving through the barricades (1985). In the late 1970s he turned mainly to writing fiction. His first successful novel, Hiroshima Joe (1985), was based on what he heard from a man he met as a boy in Hong Kong and contains passages set in the Japanese city during the Second World War. The 2010 film The American, starring George Clooney, was based on his novel A Very Private Gentleman. Martin Booth's pamphlet, Looking for the Rainbow Sign: poems of America (1983), was an early Bloodaxe title. He co-edited the poetry and prose anthology, The Book of Cats, with George MacBeth, which was first published by Penguin in 1977 and reissued by Bloodaxe in 1991.