The Book of Crow was born while the author pondered weak and weary over many a volume of forgotten lore, and became a fact during the isolation of Covid. Crow is a series of meditations and short stories in the voice of a crow, wised up, funny, vulnerable and bemused. Composed by the alter-ego of a fictional, bird-obsessed docent at the American Museum of Natural History, The Book of Crow touches everything from revolution and billiard parlors in Latin America to avian necrophilia, pandemics, and the second coming of Rodan, Toho Studios' greatest science fiction creation. Crow travels the…mehr
The Book of Crow was born while the author pondered weak and weary over many a volume of forgotten lore, and became a fact during the isolation of Covid. Crow is a series of meditations and short stories in the voice of a crow, wised up, funny, vulnerable and bemused. Composed by the alter-ego of a fictional, bird-obsessed docent at the American Museum of Natural History, The Book of Crow touches everything from revolution and billiard parlors in Latin America to avian necrophilia, pandemics, and the second coming of Rodan, Toho Studios' greatest science fiction creation. Crow travels the world to escape ennui, idolizes Colin Kaepernick, and meets the poet John Berryman in his last moments. Following Crow's flight path will take readers from wherever they are to places they never imagined. Crow's physical appearance is brilliantly rendered by the drawings of Donald Alberti.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Lyle Rexer holds two degrees from Columbia University and was a Rhodes Scholar at Merton College, Oxford University. He is the author of many books, including How to Look at Outsider Art (2005), The Edge of Vision: The Rise of Abstraction in Photography (2009), for which he was awarded a grant from the Creative Capital/Andy Warhol Foundation, and The Critical Eye: 15 Pictures to Understand Photography (2019). He has published hundreds of catalogue essays, reviews, and articles on art, photography, and contemporary literature and contributed to such publications as The New York Times, Art in America, Aperture, BOMB, Harper's, and the Brooklyn Rail. As a curator, he has organized exhibitions in the United States and internationally and has lectured at many institutions, including the Metropolitan Museum of Art, The Whitney Museum of American Art and Yale University.
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