Ramón Saldívar
The Borderlands of Culture: Americo Paredes and the Transnational Imaginary
Ramón Saldívar
The Borderlands of Culture: Americo Paredes and the Transnational Imaginary
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The definitive life and work of Americo Paredes, the native South Texan poet, novelist, journalist, folklorist, ethnographer and first U.S. theorist of the border.
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The definitive life and work of Americo Paredes, the native South Texan poet, novelist, journalist, folklorist, ethnographer and first U.S. theorist of the border.
Produktdetails
- Produktdetails
- New Americanists
- Verlag: Duke University Press
- Seitenzahl: 536
- Erscheinungstermin: April 2006
- Englisch
- Abmessung: 224mm x 162mm x 31mm
- Gewicht: 771g
- ISBN-13: 9780822337898
- ISBN-10: 0822337894
- Artikelnr.: 21622721
- New Americanists
- Verlag: Duke University Press
- Seitenzahl: 536
- Erscheinungstermin: April 2006
- Englisch
- Abmessung: 224mm x 162mm x 31mm
- Gewicht: 771g
- ISBN-13: 9780822337898
- ISBN-10: 0822337894
- Artikelnr.: 21622721
Ramón Saldívar is Professor of English and Comparative Literature, Chair of the Department of English, and the Hoagland Family Professor of Humanities and Sciences at Stanford University. He is the author of Figural Language in the Novel: The Flowers of Speech from Cervantes to Joyce and Chicano Narrative: The Dialectics of Difference.
Acknowledgments ix
Introduction: In Memoriam 3
Part I. History and Remembrance as Social Aesthetics
1. “The Memory Is All That Matters” 23
2. A Life in the Borderlands 64
Part II. Fictions of the Transnational Imaginary
3. The Checkerboard of Consciousness in George Washington Gómez 145
4. Transnational Modernisms: Paredes, Roosevelt, Rockwell, Bulosan, and the
Four Freedoms 190
5. Paredes and the Modernist Vernacular Intellectuals: George I. Sánchez
and Emma Tenayuca 226
6. The Borders of Modernity 241
7. Bilingual Aesthetics and the Law of the Heart 264
8. Border Subjects and Transnational Sites: The Hammon and the Beans and
Other Stories 289
9. Narrative and the Idioms of Race, Nation, and Identity 318
10. The Postwar Borderlands and the Origins of the Transnational Imaginary:
The Occupation-Era Writings in Pacific Stars and Stripes and El Universal
344
11. The Shadow and the Imaginary Functioning of Institutions 395
Conclusion: A Transsentimental Journey 432
Notes 439
Works Cited 477
Index 503
Introduction: In Memoriam 3
Part I. History and Remembrance as Social Aesthetics
1. “The Memory Is All That Matters” 23
2. A Life in the Borderlands 64
Part II. Fictions of the Transnational Imaginary
3. The Checkerboard of Consciousness in George Washington Gómez 145
4. Transnational Modernisms: Paredes, Roosevelt, Rockwell, Bulosan, and the
Four Freedoms 190
5. Paredes and the Modernist Vernacular Intellectuals: George I. Sánchez
and Emma Tenayuca 226
6. The Borders of Modernity 241
7. Bilingual Aesthetics and the Law of the Heart 264
8. Border Subjects and Transnational Sites: The Hammon and the Beans and
Other Stories 289
9. Narrative and the Idioms of Race, Nation, and Identity 318
10. The Postwar Borderlands and the Origins of the Transnational Imaginary:
The Occupation-Era Writings in Pacific Stars and Stripes and El Universal
344
11. The Shadow and the Imaginary Functioning of Institutions 395
Conclusion: A Transsentimental Journey 432
Notes 439
Works Cited 477
Index 503
Acknowledgments ix
Introduction: In Memoriam 3
Part I. History and Remembrance as Social Aesthetics
1. “The Memory Is All That Matters” 23
2. A Life in the Borderlands 64
Part II. Fictions of the Transnational Imaginary
3. The Checkerboard of Consciousness in George Washington Gómez 145
4. Transnational Modernisms: Paredes, Roosevelt, Rockwell, Bulosan, and the
Four Freedoms 190
5. Paredes and the Modernist Vernacular Intellectuals: George I. Sánchez
and Emma Tenayuca 226
6. The Borders of Modernity 241
7. Bilingual Aesthetics and the Law of the Heart 264
8. Border Subjects and Transnational Sites: The Hammon and the Beans and
Other Stories 289
9. Narrative and the Idioms of Race, Nation, and Identity 318
10. The Postwar Borderlands and the Origins of the Transnational Imaginary:
The Occupation-Era Writings in Pacific Stars and Stripes and El Universal
344
11. The Shadow and the Imaginary Functioning of Institutions 395
Conclusion: A Transsentimental Journey 432
Notes 439
Works Cited 477
Index 503
Introduction: In Memoriam 3
Part I. History and Remembrance as Social Aesthetics
1. “The Memory Is All That Matters” 23
2. A Life in the Borderlands 64
Part II. Fictions of the Transnational Imaginary
3. The Checkerboard of Consciousness in George Washington Gómez 145
4. Transnational Modernisms: Paredes, Roosevelt, Rockwell, Bulosan, and the
Four Freedoms 190
5. Paredes and the Modernist Vernacular Intellectuals: George I. Sánchez
and Emma Tenayuca 226
6. The Borders of Modernity 241
7. Bilingual Aesthetics and the Law of the Heart 264
8. Border Subjects and Transnational Sites: The Hammon and the Beans and
Other Stories 289
9. Narrative and the Idioms of Race, Nation, and Identity 318
10. The Postwar Borderlands and the Origins of the Transnational Imaginary:
The Occupation-Era Writings in Pacific Stars and Stripes and El Universal
344
11. The Shadow and the Imaginary Functioning of Institutions 395
Conclusion: A Transsentimental Journey 432
Notes 439
Works Cited 477
Index 503