Annual volume, this time featuring special sections on Brecht's dramatic fragments and on comedy in post-Brechtian theater, along with a variety of other contributions.
Annual volume, this time featuring special sections on Brecht's dramatic fragments and on comedy in post-Brechtian theater, along with a variety of other contributions.
BRECHT, GÜNTER KUNERT, AND EDGAR LEE MASTERS Brecht Masters Kunert Gerrit Jan Berendse Übersetzung von Edgar Lee Masters' "The Hill" aus der Spoon River Anthology mit Brechts handschriftlichen Korrekturen Günter Kunert BRECHT'S DRAMATIC FRAGMENTS Fragments for a Dialectic of Resistance: Fatzer, Keuner, and the Revolution André Fischer In the Stockyards of Finance: Brecht's Aesthetics of Fragmentation in Fleischhacker Phoebe von Held The David Fragments in Performance Nicholas E. Johnson and David Shepherd PURE JOKE: THE COMEDY OF THEATER SINCE BRECHT Introduction: Pure Joke Christian Kirchmeier and Katrin Trüstedt ". . . All Questions Remain Open": On the Epilogue of The Good Person of Szechwan and Bertolt Brecht's Poetics of Interpretation Christian Kirchmeier Affirmation and Alienation: The Comedy of Heiner Müller's Hamletmaschine Katrin Trüstedt Early Modern Characters in the Late Modern Age: On the Return of the "Chorus of Comedy" in Contemporary Performance Practices after Brecht Nikolaus Müller Schöll Reiner Spaß? Komödie als Real Satire Uwe Wirth NEW BRECHT RESEARCH Die Schulden des Herrn Julius Caesar: Brechts Historie der Kreditökonomie Burkhardt Wolf Post Communist Irony: Bertolt Brecht's Mr. Keuner in Heiner Müller's Interviews Stephan Pabst Di dray groschn opere : Bertolt Brecht on the Yiddish Stage Corina L. Petrescu Brechts Rezeption Mao Tse tungs in zwei Gedichten Xue Song BOOK REVIEWS
BRECHT, GÜNTER KUNERT, AND EDGAR LEE MASTERS Brecht Masters Kunert Gerrit Jan Berendse Übersetzung von Edgar Lee Masters' "The Hill" aus der Spoon River Anthology mit Brechts handschriftlichen Korrekturen Günter Kunert BRECHT'S DRAMATIC FRAGMENTS Fragments for a Dialectic of Resistance: Fatzer, Keuner, and the Revolution André Fischer In the Stockyards of Finance: Brecht's Aesthetics of Fragmentation in Fleischhacker Phoebe von Held The David Fragments in Performance Nicholas E. Johnson and David Shepherd PURE JOKE: THE COMEDY OF THEATER SINCE BRECHT Introduction: Pure Joke Christian Kirchmeier and Katrin Trüstedt ". . . All Questions Remain Open": On the Epilogue of The Good Person of Szechwan and Bertolt Brecht's Poetics of Interpretation Christian Kirchmeier Affirmation and Alienation: The Comedy of Heiner Müller's Hamletmaschine Katrin Trüstedt Early Modern Characters in the Late Modern Age: On the Return of the "Chorus of Comedy" in Contemporary Performance Practices after Brecht Nikolaus Müller Schöll Reiner Spaß? Komödie als Real Satire Uwe Wirth NEW BRECHT RESEARCH Die Schulden des Herrn Julius Caesar: Brechts Historie der Kreditökonomie Burkhardt Wolf Post Communist Irony: Bertolt Brecht's Mr. Keuner in Heiner Müller's Interviews Stephan Pabst Di dray groschn opere : Bertolt Brecht on the Yiddish Stage Corina L. Petrescu Brechts Rezeption Mao Tse tungs in zwei Gedichten Xue Song BOOK REVIEWS
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