Almost twenty years ago Mike Brocken created from his doctoral research what became both a seminal and also a contested volume concerning the social mores surrounding the British Folk Revival up to that point in time: The British Folk Revival 1944 - 2002.
Almost twenty years ago Mike Brocken created from his doctoral research what became both a seminal and also a contested volume concerning the social mores surrounding the British Folk Revival up to that point in time: The British Folk Revival 1944 - 2002.
Michael Brocken is Senior Fellow of the Higher Education Academy. He is a freelance researcher, lecturer, writer and broadcaster and lives in Prestatyn, North Wales. Mike currently presents Folkscene on BBC Radio Merseyside: the longest running specialist music radio show in British broadcasting history.
Inhaltsangabe
1 The inherent morphology of folklore and folk song: a 'changing same' 2 A selective consideration of folk literature in relation to the first edition of The British Folk Revival 3 The aesthetics and practicalities of revivalism: a conservative-socialist-recorded sound 'revolution'? 4 Folk, blues and self-directed learning with the post-WWII Britain media 5 The business of folk 6 New folk media in the social sphere 7 Gendered folk mythologies 8 The folk built environment and the development of 'thirdspace'
1 The inherent morphology of folklore and folk song: a 'changing same'
2 A selective consideration of folk literature in relation to the first edition of The British Folk Revival
3 The aesthetics and practicalities of revivalism: a conservative-socialist-recorded sound 'revolution'?
4 Folk, blues and self-directed learning with the post-WWII Britain media
5 The business of folk
6 New folk media in the social sphere
7 Gendered folk mythologies
8 The folk built environment and the development of 'thirdspace'
1 The inherent morphology of folklore and folk song: a 'changing same' 2 A selective consideration of folk literature in relation to the first edition of The British Folk Revival 3 The aesthetics and practicalities of revivalism: a conservative-socialist-recorded sound 'revolution'? 4 Folk, blues and self-directed learning with the post-WWII Britain media 5 The business of folk 6 New folk media in the social sphere 7 Gendered folk mythologies 8 The folk built environment and the development of 'thirdspace'
1 The inherent morphology of folklore and folk song: a 'changing same'
2 A selective consideration of folk literature in relation to the first edition of The British Folk Revival
3 The aesthetics and practicalities of revivalism: a conservative-socialist-recorded sound 'revolution'?
4 Folk, blues and self-directed learning with the post-WWII Britain media
5 The business of folk
6 New folk media in the social sphere
7 Gendered folk mythologies
8 The folk built environment and the development of 'thirdspace'
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