This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. Taylor presenting a new and innovative look at this famous cycle of British films.
This book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. Taylor presenting a new and innovative look at this famous cycle of British films.
B. F. Taylor is Lecturer in Film Studies at Trinity College Dublin
Inhaltsangabe
1. The British New Wave: A certain tendency? 2. From microscope to telescope: the films of Tony Richardson 3. A cinema of surfaces: Jack Clayton's Room at the Top 4. Major themes and minor movements: composition and repetition in John Schlesinger's Billy Liar 5. The critical forest 6. Straight lines and rigid readings: Arthur Seaton and The Arc of Flight 7. Tries and tribulations: bodies, critics, and This Sporting Life 8. Single vessels and twisting ropes Bibliography
1. The British New Wave: A certain tendency? 2. From microscope to telescope: the films of Tony Richardson 3. A cinema of surfaces: Jack Clayton's Room at the Top 4. Major themes and minor movements: composition and repetition in John Schlesinger's Billy Liar 5. The critical forest 6. Straight lines and rigid readings: Arthur Seaton and The Arc of Flight 7. Tries and tribulations: bodies, critics, and This Sporting Life 8. Single vessels and twisting ropes Bibliography
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