Featuring more than 80 illustrations and easy access to related music files, this magisterial work argues that a ballad cannot be read as a fixed artifact, independent of its illustrations, tune, and movement across time and space.
Featuring more than 80 illustrations and easy access to related music files, this magisterial work argues that a ballad cannot be read as a fixed artifact, independent of its illustrations, tune, and movement across time and space.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Note on Audio Tracks Website and Citation Conventions Introduction Chapter 1. The Critical and Theoretical Parts: Moving, Assemblage, Publics, and Tactics Part I. Assembling by Disassembling: Archives, Databases, and Ballad Bits Chapter 2. Accessing the Artifact, Now and Then Chapter 3. Random Tactical Hits Part II. Remembering by Dismembering: Black Letter, Calligraphy, and Print History Chapter 4. The Network of Black-Letter Broadside Ballad Collectors Chapter 5. The Passing Present of Black Letter and Calligraphy Part III. From Networks to Publics: Samuel Pepys Chapter 6. Pepys and the Making of Gendered Publics Chapter 7. Pepys and the Making of Political Publics Part IV. Diachronic and Synchronic Ballad Publics: Crossing Society, History, and Space Chapter 8. The Moving Violations of "The Lady and the Blackamoor" Conclusion: The Limits of the Shakespearean Stage: Ballading The Winter's Tale Notes Bibliography Sources for Music Notations Index Acknowledgments
Note on Audio Tracks Website and Citation Conventions Introduction Chapter 1. The Critical and Theoretical Parts: Moving, Assemblage, Publics, and Tactics Part I. Assembling by Disassembling: Archives, Databases, and Ballad Bits Chapter 2. Accessing the Artifact, Now and Then Chapter 3. Random Tactical Hits Part II. Remembering by Dismembering: Black Letter, Calligraphy, and Print History Chapter 4. The Network of Black-Letter Broadside Ballad Collectors Chapter 5. The Passing Present of Black Letter and Calligraphy Part III. From Networks to Publics: Samuel Pepys Chapter 6. Pepys and the Making of Gendered Publics Chapter 7. Pepys and the Making of Political Publics Part IV. Diachronic and Synchronic Ballad Publics: Crossing Society, History, and Space Chapter 8. The Moving Violations of "The Lady and the Blackamoor" Conclusion: The Limits of the Shakespearean Stage: Ballading The Winter's Tale Notes Bibliography Sources for Music Notations Index Acknowledgments
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