Patricia Fumerton

The Broadside Ballad in Early Modern England

Moving Media, Tactical Publics

• Gebundenes Buch

Produktbeschreibung

Featuring more than 80 illustrations and easy access to related music files, this magisterial work argues that a ballad cannot be read as a fixed artifact, independent of its illustrations, tune, and movement across time and space.

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Produktdetails

• Material Texts
• Verlag: University of Pennsylvania Press
• Seitenzahl: 512
• Erscheinungstermin: 1. Januar 2021
• Englisch
• Abmessung: 257mm x 180mm x 30mm
• Gewicht: 1082g
• ISBN-13: 9780812252316
• ISBN-10: 0812252314
• Artikelnr.: 58814475

Autorenporträt

Patricia Fumerton is Distinguished Professor of English at the University of California, Santa Barbara, where she is the founder and director of the English Broadside Ballad Archive.

Inhaltsangabe

Note on Audio Tracks Website and Citation Conventions
Introduction
Chapter 1. The Critical and Theoretical Parts: Moving, Assemblage, Publics,
and Tactics
Part I. Assembling by Disassembling: Archives, Databases, and Ballad Bits
Chapter 2. Accessing the Artifact, Now and Then
Chapter 3. Random Tactical Hits
Part II. Remembering by Dismembering: Black Letter, Calligraphy, and Print
History
Chapter 4. The Network of Black-Letter Broadside Ballad Collectors
Chapter 5. The Passing Present of Black Letter and Calligraphy
Part III. From Networks to Publics: Samuel Pepys
Chapter 6. Pepys and the Making of Gendered Publics
Chapter 7. Pepys and the Making of Political Publics
Part IV. Diachronic and Synchronic Ballad Publics: Crossing Society,
History, and Space
Chapter 8. The Moving Violations of "The Lady and the Blackamoor"
Conclusion: The Limits of the Shakespearean Stage: Ballading The Winter's
Tale
Notes
Bibliography
Sources for Music Notations
Index
Acknowledgments