Through an examination of World War II era Frank Sinatra fan communities in the United States, The Business of Bobbysoxers considers celebrity following, fan behavior, and popular music culture as a window into the lives of wartime female youth.
Through an examination of World War II era Frank Sinatra fan communities in the United States, The Business of Bobbysoxers considers celebrity following, fan behavior, and popular music culture as a window into the lives of wartime female youth.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Katie Beisel Hollenbach is a musicologist and graduate curriculum specialist at the University of Washington. She holds a PhD in Musicology from the University of Illinois at Urbana-Champaign. Her research focuses on popular music, technological mediation, and reception, and has appeared in the Journal of Popular Music Studies and Music and the Moving Image.
Inhaltsangabe
Introduction 1. Teenage Girls in Wartime American Culture 2. Teenage Social Organizations 3. Finding "the Voice:" Organized Fandom as Political Platform 4. Fans as Critics and Material Culture Makers 5. Postwar Changes: A New Sinatra and the Decline of the Bobbysoxers Conclusion Bibliography Index
Introduction 1. Teenage Girls in Wartime American Culture 2. Teenage Social Organizations 3. Finding "the Voice:" Organized Fandom as Political Platform 4. Fans as Critics and Material Culture Makers 5. Postwar Changes: A New Sinatra and the Decline of the Bobbysoxers Conclusion Bibliography Index
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