The Cambridge Companion to American Theatre since 1945
Herausgeber: Di Benedetto, Stephen; Listengarten, Julia
The Cambridge Companion to American Theatre since 1945
Herausgeber: Di Benedetto, Stephen; Listengarten, Julia
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Provides an overview and analysis of developments in the organization and practices of American theatre since the end of World War II.
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Provides an overview and analysis of developments in the organization and practices of American theatre since the end of World War II.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 296
- Erscheinungstermin: 3. August 2021
- Englisch
- Abmessung: 235mm x 157mm x 21mm
- Gewicht: 584g
- ISBN-13: 9781108480260
- ISBN-10: 1108480268
- Artikelnr.: 61679802
- Verlag: Cambridge University Press
- Seitenzahl: 296
- Erscheinungstermin: 3. August 2021
- Englisch
- Abmessung: 235mm x 157mm x 21mm
- Gewicht: 584g
- ISBN-13: 9781108480260
- ISBN-10: 1108480268
- Artikelnr.: 61679802
Introduction Julia Listengarten and Stephen Di Benedetto; Part I.
Commercial and Mainstream Theatre: 1. Broadway post-1945 to 1960: shifting
perspectives Susan C. W. Abbotson; 2. Bridging the gap: Broadway and the
experimental from the 1960s to 2020 Cindy Rosenthal; 3. What's inside?
Collaborative relationships at the heart of the American musical Laura
MacDonald; 4. Shaping Broadway and off-Broadway plays through
collaborations: playwrights, directors, designers, and companies Jessica
Silsby Brater; Part II. Regional Theatre Movement: 5. Money matters:
dismantling the narrative of the rise of regional theatre Elizabeth A.
Osborne; 6. When and where they enter: black and brown voices in American
theatre Faedra Chatard Carpenter; 7. El jardín mágico: commissions,
collaboration, and new play development in American regional theatre David
A. Crespy; Part III. Experimental Theatre and Other Forms of Entertainment:
9. Post-avant-garde theatre Arnold Aronson; 10. Populist provocations and
commercial cavalcades: popular entertainments and the rise of mass mediated
performance Chase Bringardner.
Commercial and Mainstream Theatre: 1. Broadway post-1945 to 1960: shifting
perspectives Susan C. W. Abbotson; 2. Bridging the gap: Broadway and the
experimental from the 1960s to 2020 Cindy Rosenthal; 3. What's inside?
Collaborative relationships at the heart of the American musical Laura
MacDonald; 4. Shaping Broadway and off-Broadway plays through
collaborations: playwrights, directors, designers, and companies Jessica
Silsby Brater; Part II. Regional Theatre Movement: 5. Money matters:
dismantling the narrative of the rise of regional theatre Elizabeth A.
Osborne; 6. When and where they enter: black and brown voices in American
theatre Faedra Chatard Carpenter; 7. El jardín mágico: commissions,
collaboration, and new play development in American regional theatre David
A. Crespy; Part III. Experimental Theatre and Other Forms of Entertainment:
9. Post-avant-garde theatre Arnold Aronson; 10. Populist provocations and
commercial cavalcades: popular entertainments and the rise of mass mediated
performance Chase Bringardner.
Introduction Julia Listengarten and Stephen Di Benedetto; Part I.
Commercial and Mainstream Theatre: 1. Broadway post-1945 to 1960: shifting
perspectives Susan C. W. Abbotson; 2. Bridging the gap: Broadway and the
experimental from the 1960s to 2020 Cindy Rosenthal; 3. What's inside?
Collaborative relationships at the heart of the American musical Laura
MacDonald; 4. Shaping Broadway and off-Broadway plays through
collaborations: playwrights, directors, designers, and companies Jessica
Silsby Brater; Part II. Regional Theatre Movement: 5. Money matters:
dismantling the narrative of the rise of regional theatre Elizabeth A.
Osborne; 6. When and where they enter: black and brown voices in American
theatre Faedra Chatard Carpenter; 7. El jardín mágico: commissions,
collaboration, and new play development in American regional theatre David
A. Crespy; Part III. Experimental Theatre and Other Forms of Entertainment:
9. Post-avant-garde theatre Arnold Aronson; 10. Populist provocations and
commercial cavalcades: popular entertainments and the rise of mass mediated
performance Chase Bringardner.
Commercial and Mainstream Theatre: 1. Broadway post-1945 to 1960: shifting
perspectives Susan C. W. Abbotson; 2. Bridging the gap: Broadway and the
experimental from the 1960s to 2020 Cindy Rosenthal; 3. What's inside?
Collaborative relationships at the heart of the American musical Laura
MacDonald; 4. Shaping Broadway and off-Broadway plays through
collaborations: playwrights, directors, designers, and companies Jessica
Silsby Brater; Part II. Regional Theatre Movement: 5. Money matters:
dismantling the narrative of the rise of regional theatre Elizabeth A.
Osborne; 6. When and where they enter: black and brown voices in American
theatre Faedra Chatard Carpenter; 7. El jardín mágico: commissions,
collaboration, and new play development in American regional theatre David
A. Crespy; Part III. Experimental Theatre and Other Forms of Entertainment:
9. Post-avant-garde theatre Arnold Aronson; 10. Populist provocations and
commercial cavalcades: popular entertainments and the rise of mass mediated
performance Chase Bringardner.