The Cambridge Companion to Beethoven
Herausgeber: Stanley, Glenn
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The Cambridge Companion to Beethoven
Herausgeber: Stanley, Glenn
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A survey of Beethoven's music and the personal and historical contexts in which it was composed, first published in 2000.
A survey of Beethoven's music and the personal and historical contexts in which it was composed, first published in 2000.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 394
- Erscheinungstermin: 7. Juni 2011
- Englisch
- Abmessung: 260mm x 183mm x 26mm
- Gewicht: 936g
- ISBN-13: 9780521580748
- ISBN-10: 0521580749
- Artikelnr.: 33869679
- Verlag: Cambridge University Press
- Seitenzahl: 394
- Erscheinungstermin: 7. Juni 2011
- Englisch
- Abmessung: 260mm x 183mm x 26mm
- Gewicht: 936g
- ISBN-13: 9780521580748
- ISBN-10: 0521580749
- Artikelnr.: 33869679
Part I. A Professional Portrait: 1. Biographical considerations and
chronology Glenn Stanley; 2. Beethoven at work, musical activist and
thinker Glenn Stanley; 3. The compositional act: sketches and autographs
Barry Cooper; Part II. Style and Structure: 4. 'The spirit of Mozart from
Haydn's hands': Beethoven's musical inheritance Elaine Sisman; 5. Phrase,
period, theme Roger Kamien; 6. 'The sense of an ending': goal-directedness
in Beethoven's music Nicholas Marston; Part III. Genres: 7. The piano
music: concertos, sonatas, variations, small forms William Kinderman; 8.
Beethoven's chamber music with piano: seeking unity in mixed sonorities
Mark Kaplan; 9. Manner, tone, and tendency in Beethoven's chamber music for
strings John Daverio; 10. Sound and structure in Beethoven's orchestral
music Leon Botstein; 11. Beethoven's songs and vocal style Amanda Glauert;
12. Beethoven's essay in opera: historical, text-critical, and
interpretative issues in Fidelio Michael Tusa; 13. Beethoven's sacred and
liturgical compositions: songs, oratorio, masses Birgit Lodes; Part IV.
Reception: 14. 'With a Beethoven-like sublimity': Beethoven in the works of
other composers Margaret Notley; 15. Beethoven's music in performance:
historical perspectives Alain Frogley; 16. The four ages of Beethoven:
musicians (and a few others) on Beethoven Scott Burnham; 17. Beethoven at
large: reception in literature, the arts, philosophy, and politics David
Dennis.
chronology Glenn Stanley; 2. Beethoven at work, musical activist and
thinker Glenn Stanley; 3. The compositional act: sketches and autographs
Barry Cooper; Part II. Style and Structure: 4. 'The spirit of Mozart from
Haydn's hands': Beethoven's musical inheritance Elaine Sisman; 5. Phrase,
period, theme Roger Kamien; 6. 'The sense of an ending': goal-directedness
in Beethoven's music Nicholas Marston; Part III. Genres: 7. The piano
music: concertos, sonatas, variations, small forms William Kinderman; 8.
Beethoven's chamber music with piano: seeking unity in mixed sonorities
Mark Kaplan; 9. Manner, tone, and tendency in Beethoven's chamber music for
strings John Daverio; 10. Sound and structure in Beethoven's orchestral
music Leon Botstein; 11. Beethoven's songs and vocal style Amanda Glauert;
12. Beethoven's essay in opera: historical, text-critical, and
interpretative issues in Fidelio Michael Tusa; 13. Beethoven's sacred and
liturgical compositions: songs, oratorio, masses Birgit Lodes; Part IV.
Reception: 14. 'With a Beethoven-like sublimity': Beethoven in the works of
other composers Margaret Notley; 15. Beethoven's music in performance:
historical perspectives Alain Frogley; 16. The four ages of Beethoven:
musicians (and a few others) on Beethoven Scott Burnham; 17. Beethoven at
large: reception in literature, the arts, philosophy, and politics David
Dennis.
Part I. A Professional Portrait: 1. Biographical considerations and
chronology Glenn Stanley; 2. Beethoven at work, musical activist and
thinker Glenn Stanley; 3. The compositional act: sketches and autographs
Barry Cooper; Part II. Style and Structure: 4. 'The spirit of Mozart from
Haydn's hands': Beethoven's musical inheritance Elaine Sisman; 5. Phrase,
period, theme Roger Kamien; 6. 'The sense of an ending': goal-directedness
in Beethoven's music Nicholas Marston; Part III. Genres: 7. The piano
music: concertos, sonatas, variations, small forms William Kinderman; 8.
Beethoven's chamber music with piano: seeking unity in mixed sonorities
Mark Kaplan; 9. Manner, tone, and tendency in Beethoven's chamber music for
strings John Daverio; 10. Sound and structure in Beethoven's orchestral
music Leon Botstein; 11. Beethoven's songs and vocal style Amanda Glauert;
12. Beethoven's essay in opera: historical, text-critical, and
interpretative issues in Fidelio Michael Tusa; 13. Beethoven's sacred and
liturgical compositions: songs, oratorio, masses Birgit Lodes; Part IV.
Reception: 14. 'With a Beethoven-like sublimity': Beethoven in the works of
other composers Margaret Notley; 15. Beethoven's music in performance:
historical perspectives Alain Frogley; 16. The four ages of Beethoven:
musicians (and a few others) on Beethoven Scott Burnham; 17. Beethoven at
large: reception in literature, the arts, philosophy, and politics David
Dennis.
chronology Glenn Stanley; 2. Beethoven at work, musical activist and
thinker Glenn Stanley; 3. The compositional act: sketches and autographs
Barry Cooper; Part II. Style and Structure: 4. 'The spirit of Mozart from
Haydn's hands': Beethoven's musical inheritance Elaine Sisman; 5. Phrase,
period, theme Roger Kamien; 6. 'The sense of an ending': goal-directedness
in Beethoven's music Nicholas Marston; Part III. Genres: 7. The piano
music: concertos, sonatas, variations, small forms William Kinderman; 8.
Beethoven's chamber music with piano: seeking unity in mixed sonorities
Mark Kaplan; 9. Manner, tone, and tendency in Beethoven's chamber music for
strings John Daverio; 10. Sound and structure in Beethoven's orchestral
music Leon Botstein; 11. Beethoven's songs and vocal style Amanda Glauert;
12. Beethoven's essay in opera: historical, text-critical, and
interpretative issues in Fidelio Michael Tusa; 13. Beethoven's sacred and
liturgical compositions: songs, oratorio, masses Birgit Lodes; Part IV.
Reception: 14. 'With a Beethoven-like sublimity': Beethoven in the works of
other composers Margaret Notley; 15. Beethoven's music in performance:
historical perspectives Alain Frogley; 16. The four ages of Beethoven:
musicians (and a few others) on Beethoven Scott Burnham; 17. Beethoven at
large: reception in literature, the arts, philosophy, and politics David
Dennis.