The Cambridge Companion to Duke Ellington
Herausgeber: Green, Edward
The Cambridge Companion to Duke Ellington
Herausgeber: Green, Edward
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This comprehensive and accessible Companion is the first collection of essays to provide an in-depth overview of Ellington's career.
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This comprehensive and accessible Companion is the first collection of essays to provide an in-depth overview of Ellington's career.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 318
- Erscheinungstermin: 14. April 2015
- Englisch
- Abmessung: 250mm x 175mm x 22mm
- Gewicht: 730g
- ISBN-13: 9780521881197
- ISBN-10: 0521881196
- Artikelnr.: 41640166
- Verlag: Cambridge University Press
- Seitenzahl: 318
- Erscheinungstermin: 14. April 2015
- Englisch
- Abmessung: 250mm x 175mm x 22mm
- Gewicht: 730g
- ISBN-13: 9780521881197
- ISBN-10: 0521881196
- Artikelnr.: 41640166
Chronology Evan Spring; Editor's introduction: Ellington and Aesthetic
Realism Edward Green; Part I. Ellington in Context: 1. Artful
entertainment: Ellington's formative years in context John Howland; 2. The
process of becoming: composition and recomposition David Berger; 3.
Conductor of music and men: Duke Ellington through the eyes of his nephew
Stephen D. James and J. Walker James; 4. Ellington abroad Brian Priestley;
5. Edward Kennedy Ellington as a cultural icon Olly W. Wilson and Trevor
Weston; Part II. Duke Through the Decades: The Music and Its Reception: 6.
Ellington's afro-modernist vision in the 1920s Jeffrey Magee; 7. Survival,
adaptation and experimentation: Duke Ellington and his orchestra in the
1930s Andrew Berish; 8. The 1940s: The Blanton-Webster Band, Carnegie Hall,
and the challenge of the postwar era Anna Harwell Celenza; 9. Duke in the
1950s: renaissance man Anthony Brown; 10. Ellington in the 1960s and 1970s:
triumph and tragedy Dan Morgenstern; Part III. Ellington and the Jazz
Tradition: 11. Ellington and the blues Benjamin Givan; 12. 'Seldom seen,
but always heard': Billy Strayhorn and Duke Ellington Walter van de Leur;
13. Duke Ellington and the world of jazz piano Bill Dobbins; 14. Duke and
descriptive music Marcello Piras; 15. Sing a song of Ellington, or, the
accidental songwriter Will Friedwald; 16. The land of suites: Ellington and
extended form David Berger; 17. Duke Ellington's legacy and influence
Benjamin Bierman.
Realism Edward Green; Part I. Ellington in Context: 1. Artful
entertainment: Ellington's formative years in context John Howland; 2. The
process of becoming: composition and recomposition David Berger; 3.
Conductor of music and men: Duke Ellington through the eyes of his nephew
Stephen D. James and J. Walker James; 4. Ellington abroad Brian Priestley;
5. Edward Kennedy Ellington as a cultural icon Olly W. Wilson and Trevor
Weston; Part II. Duke Through the Decades: The Music and Its Reception: 6.
Ellington's afro-modernist vision in the 1920s Jeffrey Magee; 7. Survival,
adaptation and experimentation: Duke Ellington and his orchestra in the
1930s Andrew Berish; 8. The 1940s: The Blanton-Webster Band, Carnegie Hall,
and the challenge of the postwar era Anna Harwell Celenza; 9. Duke in the
1950s: renaissance man Anthony Brown; 10. Ellington in the 1960s and 1970s:
triumph and tragedy Dan Morgenstern; Part III. Ellington and the Jazz
Tradition: 11. Ellington and the blues Benjamin Givan; 12. 'Seldom seen,
but always heard': Billy Strayhorn and Duke Ellington Walter van de Leur;
13. Duke Ellington and the world of jazz piano Bill Dobbins; 14. Duke and
descriptive music Marcello Piras; 15. Sing a song of Ellington, or, the
accidental songwriter Will Friedwald; 16. The land of suites: Ellington and
extended form David Berger; 17. Duke Ellington's legacy and influence
Benjamin Bierman.
Chronology Evan Spring; Editor's introduction: Ellington and Aesthetic
Realism Edward Green; Part I. Ellington in Context: 1. Artful
entertainment: Ellington's formative years in context John Howland; 2. The
process of becoming: composition and recomposition David Berger; 3.
Conductor of music and men: Duke Ellington through the eyes of his nephew
Stephen D. James and J. Walker James; 4. Ellington abroad Brian Priestley;
5. Edward Kennedy Ellington as a cultural icon Olly W. Wilson and Trevor
Weston; Part II. Duke Through the Decades: The Music and Its Reception: 6.
Ellington's afro-modernist vision in the 1920s Jeffrey Magee; 7. Survival,
adaptation and experimentation: Duke Ellington and his orchestra in the
1930s Andrew Berish; 8. The 1940s: The Blanton-Webster Band, Carnegie Hall,
and the challenge of the postwar era Anna Harwell Celenza; 9. Duke in the
1950s: renaissance man Anthony Brown; 10. Ellington in the 1960s and 1970s:
triumph and tragedy Dan Morgenstern; Part III. Ellington and the Jazz
Tradition: 11. Ellington and the blues Benjamin Givan; 12. 'Seldom seen,
but always heard': Billy Strayhorn and Duke Ellington Walter van de Leur;
13. Duke Ellington and the world of jazz piano Bill Dobbins; 14. Duke and
descriptive music Marcello Piras; 15. Sing a song of Ellington, or, the
accidental songwriter Will Friedwald; 16. The land of suites: Ellington and
extended form David Berger; 17. Duke Ellington's legacy and influence
Benjamin Bierman.
Realism Edward Green; Part I. Ellington in Context: 1. Artful
entertainment: Ellington's formative years in context John Howland; 2. The
process of becoming: composition and recomposition David Berger; 3.
Conductor of music and men: Duke Ellington through the eyes of his nephew
Stephen D. James and J. Walker James; 4. Ellington abroad Brian Priestley;
5. Edward Kennedy Ellington as a cultural icon Olly W. Wilson and Trevor
Weston; Part II. Duke Through the Decades: The Music and Its Reception: 6.
Ellington's afro-modernist vision in the 1920s Jeffrey Magee; 7. Survival,
adaptation and experimentation: Duke Ellington and his orchestra in the
1930s Andrew Berish; 8. The 1940s: The Blanton-Webster Band, Carnegie Hall,
and the challenge of the postwar era Anna Harwell Celenza; 9. Duke in the
1950s: renaissance man Anthony Brown; 10. Ellington in the 1960s and 1970s:
triumph and tragedy Dan Morgenstern; Part III. Ellington and the Jazz
Tradition: 11. Ellington and the blues Benjamin Givan; 12. 'Seldom seen,
but always heard': Billy Strayhorn and Duke Ellington Walter van de Leur;
13. Duke Ellington and the world of jazz piano Bill Dobbins; 14. Duke and
descriptive music Marcello Piras; 15. Sing a song of Ellington, or, the
accidental songwriter Will Friedwald; 16. The land of suites: Ellington and
extended form David Berger; 17. Duke Ellington's legacy and influence
Benjamin Bierman.