The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Chronology of relevant events in eighteenth-century opera Part I. The Making of Opera: 1. Opera as process Pierpaolo Polzonetti 2. Aria as drama James Webster 3. Ensembles and finales Caryl Clark 4. Metastasio: the dramaturgy of eighteenth-century heroic opera Francesco Cotticelli and Paologiovanni Maione 5. Roles and acting Gianni Cicali 6. Ballet Rebecca Harris-Warrick 7. Orchestra and voice in eighteenth-century Italian opera John Spitzer 8. To look again (at Don Giovanni) Alessandra Campana Part II. National Styles and Genres: 9. Genre and form in French opera David Charlton 10. Genre and form in German opera Estelle Joubert 11. Opera in eighteenth-century England: English opera, masques, ballad operas Michael Burden 12. Opera in Naples Anthony R. DelDonna 13. Portugal and Brazil Manuel Carlos de Brito 14. Opera, genre, and context in Spain and its American colonies Louise Stein and José Máximo Leza.
Chronology of relevant events in eighteenth-century opera Part I. The Making of Opera: 1. Opera as process Pierpaolo Polzonetti 2. Aria as drama James Webster 3. Ensembles and finales Caryl Clark 4. Metastasio: the dramaturgy of eighteenth-century heroic opera Francesco Cotticelli and Paologiovanni Maione 5. Roles and acting Gianni Cicali 6. Ballet Rebecca Harris-Warrick 7. Orchestra and voice in eighteenth-century Italian opera John Spitzer 8. To look again (at Don Giovanni) Alessandra Campana Part II. National Styles and Genres: 9. Genre and form in French opera David Charlton 10. Genre and form in German opera Estelle Joubert 11. Opera in eighteenth-century England: English opera, masques, ballad operas Michael Burden 12. Opera in Naples Anthony R. DelDonna 13. Portugal and Brazil Manuel Carlos de Brito 14. Opera, genre, and context in Spain and its American colonies Louise Stein and José Máximo Leza.
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