Caryl Clark is Associate Professor of Music at the University of Toronto and Visual and Performing Arts at University of Toronto at Scarborough. Her publications about Haydn's operas appear in The New Grove Dictionary of Opera, Studies in Music, Current Musicology, The Haydn Yearbook, and Early Music. She is co-editor of three special opera issues of The University of Opera Quarterly: Voices of Opera (1998); Opera and Interdisciplinarity (2003); and Opera and Interdisciplinarity II (2005).
Part I. Haydn in Context: 1. Haydn's career and the idea of the multiple audience Elaine Sisman
2. A letter from the wilderness: revisiting Haydn's Esterházy environments Rebecca Green
3. Haydn's aesthetics James Webster
4. First among equals: Haydn and his fellow composers David Wyn Jones
Part II. Stylistic and Interpretive Contexts: 5. Haydn and humour Scott Burnham
6. Haydn's exoticisms: 'difference' and the Enlightenment Matthew Head
Part III. Genres: 7. Orchestral music: symphonies and concertos David Schroeder
8. The quartets Mary Hunter
9. Intimate expression for a widening public: the keyboard sonatas and trios Michelle Fillion
10. Sacred music James Dack
11. The sublime and the pastoral in The Creation and The Seasons James Webster
12. Miscellaneous vocal genres Katalin Komlós
13. Haydn in the theatre: the operas Caryl Clark
Part IV. Performance and Reception: 14. A composer, his dedicatee, her instrument, and I: thoughts on performing Haydn's keyboard sonatas Tom Beghin
15. Haydn and posterity: the long nineteenth century James Garrett
16. The kitten and the tiger: Tovey's Haydn Lawrence Kramer
17. Recorded performances: a symphonic study Melanie Lowe.
Part I. Haydn in Context: 1. Haydn's career and the idea of the multiple audience Elaine Sisman; 2. A letter from the wilderness: revisiting Haydn's Esterházy environments Rebecca Green; 3. Haydn's aesthetics James Webster; 4. First among equals: Haydn and his fellow composers David Wyn Jones; Part II. Stylistic and Interpretive Contexts: 5. Haydn and humour Scott Burnham; 6. Haydn's exoticisms: 'difference' and the Enlightenment Matthew Head; Part III. Genres: 7. Orchestral music: symphonies and concertos David Schroeder; 8. The quartets Mary Hunter; 9. Intimate expression for a widening public: the keyboard sonatas and trios Michelle Fillion; 10. Sacred music James Dack; 11. The sublime and the pastoral in The Creation and The Seasons James Webster; 12. Miscellaneous vocal genres Katalin Komlós; 13. Haydn in the theatre: the operas Caryl Clark; Part IV. Performance and Reception: 14. A composer, his dedicatee, her instrument, and I: thoughts on performing Haydn's keyboard sonatas Tom Beghin; 15. Haydn and posterity: the long nineteenth century James Garrett; 16. The kitten and the tiger: Tovey's Haydn Lawrence Kramer; 17. Recorded performances: a symphonic study Melanie Lowe.
