This accessible Companion showcases the importance of music within Romantic culture and thought in the 'long' nineteenth century. It incorporates a variety of disciplinary approaches, and is alive to current debates across the humanities.
This accessible Companion showcases the importance of music within Romantic culture and thought in the 'long' nineteenth century. It incorporates a variety of disciplinary approaches, and is alive to current debates across the humanities.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of illustrations List of musical examples and tables List of contributors Preface Chronology Part I. Horizons: 1. Defining the indefinable: romanticism and music Benedict Taylor 2. The emergence of romanticism Keith Chapin Part II. Worlds: 3. Music in romantic literature and poetry Miranda Stanyon 4. Music, romantic landscape, and the visual Thomas Peattie 5. Romanticism, the folk, and musical nationalisms Matthew Gelbart 6. Music, romanticism, and politics Katherine Hambridge 7. Music and technology John Tresch 8. Music, magic, and the supernatural Francesca Brittan 9. A kingdom not of this world: music, religion, art-religion James Garratt Part III. Aesthetics: 10. Music in early German romantic philosophy Tomás McAuley 11. Meaning and value in romantic musical aesthetics Alexander Wilfing 12. Music and romantic interiority Holly Watkins 13. Music, expression, and the aesthetics of authenticity Karen Leistra-Jones Part IV. Practices: 14. Romantic languages Julian Horton 15. Romantic forms Steven Vande Moortele 16. Romanticism and the ideal of song Lisa Feurzeig 17. Music staged and unstaged Sarah Hibberd 18. Romanticism and performance Dana Gooley Part V. Histories: 19. Musical romanticism as a historiographical construct Nicole Grimes 20. The end(s) of musical romanticism Sebastian Wedler Select bibliography Index.
List of illustrations List of musical examples and tables List of contributors Preface Chronology Part I. Horizons: 1. Defining the indefinable: romanticism and music Benedict Taylor 2. The emergence of romanticism Keith Chapin Part II. Worlds: 3. Music in romantic literature and poetry Miranda Stanyon 4. Music, romantic landscape, and the visual Thomas Peattie 5. Romanticism, the folk, and musical nationalisms Matthew Gelbart 6. Music, romanticism, and politics Katherine Hambridge 7. Music and technology John Tresch 8. Music, magic, and the supernatural Francesca Brittan 9. A kingdom not of this world: music, religion, art-religion James Garratt Part III. Aesthetics: 10. Music in early German romantic philosophy Tomás McAuley 11. Meaning and value in romantic musical aesthetics Alexander Wilfing 12. Music and romantic interiority Holly Watkins 13. Music, expression, and the aesthetics of authenticity Karen Leistra-Jones Part IV. Practices: 14. Romantic languages Julian Horton 15. Romantic forms Steven Vande Moortele 16. Romanticism and the ideal of song Lisa Feurzeig 17. Music staged and unstaged Sarah Hibberd 18. Romanticism and performance Dana Gooley Part V. Histories: 19. Musical romanticism as a historiographical construct Nicole Grimes 20. The end(s) of musical romanticism Sebastian Wedler Select bibliography Index.
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