The Cambridge Companion to Music in Digital Culture
Herausgeber: Cook, Nicholas; Trippett, David; Ingalls, Monique M.
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The Cambridge Companion to Music in Digital Culture
Herausgeber: Cook, Nicholas; Trippett, David; Ingalls, Monique M.
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The impact of digital technologies on music has been vast: both the practice of music and thinking about it have changed almost beyond all recognition. Through chapters written by academics and 'personal takes' by knowledgeable practitioners in the field, this book provides a comprehensive Companion to the place of music within digital culture.
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The impact of digital technologies on music has been vast: both the practice of music and thinking about it have changed almost beyond all recognition. Through chapters written by academics and 'personal takes' by knowledgeable practitioners in the field, this book provides a comprehensive Companion to the place of music within digital culture.
Produktdetails
- Produktdetails
- Cambridge Companions to Music
- Verlag: Cambridge University Press
- Seitenzahl: 348
- Erscheinungstermin: 19. September 2019
- Englisch
- Abmessung: 244mm x 170mm x 19mm
- Gewicht: 616g
- ISBN-13: 9781316614075
- ISBN-10: 1316614077
- Artikelnr.: 55314742
- Cambridge Companions to Music
- Verlag: Cambridge University Press
- Seitenzahl: 348
- Erscheinungstermin: 19. September 2019
- Englisch
- Abmessung: 244mm x 170mm x 19mm
- Gewicht: 616g
- ISBN-13: 9781316614075
- ISBN-10: 1316614077
- Artikelnr.: 55314742
Introduction Nicholas Cook, Monique M. Ingalls and David Trippett
1. Digital technology and cultural practice Nicholas Cook
Personal take 1: whatever happened to tape trading? Lee Marshall
2. Towards a digital history of music: new technologies, business practices, and intellectual property regimes Martin Scherzinger
Personal take 2: on serving as an expert witness in the 'blurred lines' case Ingrid Monson
3. Shaping the stream: techniques and troubles of algorithmic recommendation K. E. Goldschmitt and Nick Seaver
Personal take 3: being a curator Ben Sinclair
Personal take 4: can machines have taste? Stéphan-Eloïse Gras
4. Technologies of the musical selfie Sumanth S. Gopinath and Jason Stanyek
Personal take 5: vaporwave is dead, long live vaporwave! Adam Harper
5. Witnessing race in the new digital cinema Peter McMurray
Personal take 6: giving history a voice Mariana Lopez
6. Musical media in online devotion Monique M. Ingalls
Personal take 7: technicians of ecstasy Graham St John
Personal take 8: live coded mashup with the humming wires Alan Blackwell and Sam Aaron
Personal take 9: algorave: dancing to algorithms Alex McLean
7. Rethinking liveness in a digital age Paul Sanden
Personal take 10: augmenting musical performance Andrew McPherson
Personal take 11: digital demons, real and imagined Steve Savage
Personal take 12: composing with sounds as images Julio d'Escriván
Personal take 13: compositional approaches to film, TV and video games Stephen Baysted
8. Virtual words from recording to video games Isabella van Elferen
9. Posthumanism and the generation of empathy David Trippett
Personal take 14: in the wake of the virtual Frances Dyson
10. Digital inequalities and global sounds Shzr Ee Tan
11. The political economy of streaming Martin Scherzinger.
1. Digital technology and cultural practice Nicholas Cook
Personal take 1: whatever happened to tape trading? Lee Marshall
2. Towards a digital history of music: new technologies, business practices, and intellectual property regimes Martin Scherzinger
Personal take 2: on serving as an expert witness in the 'blurred lines' case Ingrid Monson
3. Shaping the stream: techniques and troubles of algorithmic recommendation K. E. Goldschmitt and Nick Seaver
Personal take 3: being a curator Ben Sinclair
Personal take 4: can machines have taste? Stéphan-Eloïse Gras
4. Technologies of the musical selfie Sumanth S. Gopinath and Jason Stanyek
Personal take 5: vaporwave is dead, long live vaporwave! Adam Harper
5. Witnessing race in the new digital cinema Peter McMurray
Personal take 6: giving history a voice Mariana Lopez
6. Musical media in online devotion Monique M. Ingalls
Personal take 7: technicians of ecstasy Graham St John
Personal take 8: live coded mashup with the humming wires Alan Blackwell and Sam Aaron
Personal take 9: algorave: dancing to algorithms Alex McLean
7. Rethinking liveness in a digital age Paul Sanden
Personal take 10: augmenting musical performance Andrew McPherson
Personal take 11: digital demons, real and imagined Steve Savage
Personal take 12: composing with sounds as images Julio d'Escriván
Personal take 13: compositional approaches to film, TV and video games Stephen Baysted
8. Virtual words from recording to video games Isabella van Elferen
9. Posthumanism and the generation of empathy David Trippett
Personal take 14: in the wake of the virtual Frances Dyson
10. Digital inequalities and global sounds Shzr Ee Tan
11. The political economy of streaming Martin Scherzinger.
Introduction Nicholas Cook, Monique M. Ingalls and David Trippett
1. Digital technology and cultural practice Nicholas Cook
Personal take 1: whatever happened to tape trading? Lee Marshall
2. Towards a digital history of music: new technologies, business practices, and intellectual property regimes Martin Scherzinger
Personal take 2: on serving as an expert witness in the 'blurred lines' case Ingrid Monson
3. Shaping the stream: techniques and troubles of algorithmic recommendation K. E. Goldschmitt and Nick Seaver
Personal take 3: being a curator Ben Sinclair
Personal take 4: can machines have taste? Stéphan-Eloïse Gras
4. Technologies of the musical selfie Sumanth S. Gopinath and Jason Stanyek
Personal take 5: vaporwave is dead, long live vaporwave! Adam Harper
5. Witnessing race in the new digital cinema Peter McMurray
Personal take 6: giving history a voice Mariana Lopez
6. Musical media in online devotion Monique M. Ingalls
Personal take 7: technicians of ecstasy Graham St John
Personal take 8: live coded mashup with the humming wires Alan Blackwell and Sam Aaron
Personal take 9: algorave: dancing to algorithms Alex McLean
7. Rethinking liveness in a digital age Paul Sanden
Personal take 10: augmenting musical performance Andrew McPherson
Personal take 11: digital demons, real and imagined Steve Savage
Personal take 12: composing with sounds as images Julio d'Escriván
Personal take 13: compositional approaches to film, TV and video games Stephen Baysted
8. Virtual words from recording to video games Isabella van Elferen
9. Posthumanism and the generation of empathy David Trippett
Personal take 14: in the wake of the virtual Frances Dyson
10. Digital inequalities and global sounds Shzr Ee Tan
11. The political economy of streaming Martin Scherzinger.
1. Digital technology and cultural practice Nicholas Cook
Personal take 1: whatever happened to tape trading? Lee Marshall
2. Towards a digital history of music: new technologies, business practices, and intellectual property regimes Martin Scherzinger
Personal take 2: on serving as an expert witness in the 'blurred lines' case Ingrid Monson
3. Shaping the stream: techniques and troubles of algorithmic recommendation K. E. Goldschmitt and Nick Seaver
Personal take 3: being a curator Ben Sinclair
Personal take 4: can machines have taste? Stéphan-Eloïse Gras
4. Technologies of the musical selfie Sumanth S. Gopinath and Jason Stanyek
Personal take 5: vaporwave is dead, long live vaporwave! Adam Harper
5. Witnessing race in the new digital cinema Peter McMurray
Personal take 6: giving history a voice Mariana Lopez
6. Musical media in online devotion Monique M. Ingalls
Personal take 7: technicians of ecstasy Graham St John
Personal take 8: live coded mashup with the humming wires Alan Blackwell and Sam Aaron
Personal take 9: algorave: dancing to algorithms Alex McLean
7. Rethinking liveness in a digital age Paul Sanden
Personal take 10: augmenting musical performance Andrew McPherson
Personal take 11: digital demons, real and imagined Steve Savage
Personal take 12: composing with sounds as images Julio d'Escriván
Personal take 13: compositional approaches to film, TV and video games Stephen Baysted
8. Virtual words from recording to video games Isabella van Elferen
9. Posthumanism and the generation of empathy David Trippett
Personal take 14: in the wake of the virtual Frances Dyson
10. Digital inequalities and global sounds Shzr Ee Tan
11. The political economy of streaming Martin Scherzinger.