The Cambridge Companion to Operetta
Herausgeber: Belina, Anastasia; Scott, Derek B
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The Cambridge Companion to Operetta
Herausgeber: Belina, Anastasia; Scott, Derek B
- Broschiertes Buch
The subject of musical theatre usually brings to mind the Broadway musical, but this collection of essays reveals that operetta was the pre-eminent musical-theatrical entertainment on the urban stage from the 1850s to the early 1930s. The authors explore operetta's production and reception in more than a dozen countries.
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The subject of musical theatre usually brings to mind the Broadway musical, but this collection of essays reveals that operetta was the pre-eminent musical-theatrical entertainment on the urban stage from the 1850s to the early 1930s. The authors explore operetta's production and reception in more than a dozen countries.
Produktdetails
- Produktdetails
- Cambridge Companions to Music
- Verlag: Cambridge University Press
- Seitenzahl: 408
- Erscheinungstermin: 9. Januar 2020
- Englisch
- Abmessung: 246mm x 177mm x 17mm
- Gewicht: 704g
- ISBN-13: 9781316633342
- ISBN-10: 1316633349
- Artikelnr.: 56875586
- Cambridge Companions to Music
- Verlag: Cambridge University Press
- Seitenzahl: 408
- Erscheinungstermin: 9. Januar 2020
- Englisch
- Abmessung: 246mm x 177mm x 17mm
- Gewicht: 704g
- ISBN-13: 9781316633342
- ISBN-10: 1316633349
- Artikelnr.: 56875586
Introduction Anastasia Belina and Derek B. Scott; Part I. Early Centres of
Operetta: 1. French operetta: Offenbach and company John Kendrick; 2.
Viennese Golden-Age operetta: drinking, dancing and social criticism in a
multi-ethnic empire Lisa Feurzeig; 3. London and Gilbert and Sullivan Bruno
Bower; 4. Hungarians and Hungarianisms in operetta and folk plays in the
late Habsburg and post-Habsburg era Lynn Hooker; 5. Operetta in the Czech
National Revival - the Provisional Theatre years Jan Smaczy; Part II. The
Global Expansion of Operetta: 6. Going global: the international spread of
Viennese Silver-Age operetta Stefan Frey; 7. Spain and Zarzuela Christopher
Webber; 8. Camping along the American operetta divide (on the road to the
musical play) Raymond Knapp; 9. Operetta in Russia and the USSR Anastasia
Belina; 10. Operetta in the Nordic countries (1850-1970) Pentti
Paavolainen; 11. Operetta in Greece Avra Xepapadakou; Part III. Operetta
since 1900: 12. The operetta factory: production systems of Silver-Age
Vienna Micaela Baranello; 13. Berlin operetta Tobias Becker; 14. Operetta
in Italy Valeria De Lucca; 15. Operetta in Warsaw Anastasia Belina; 16.
British operetta after Gilbert and Sullivan Derek B. Scott; 17. Operetta
during the Nazi regime Matthias Kauffmann; 18. Operetta films Derek B.
Scott; 19. 'Jazz was the dynamite that exploded the harmlessness of the
Viennese operetta!' (Interviewer: Ulrich Lenz.) Interview with Barrie
Kosky.
Operetta: 1. French operetta: Offenbach and company John Kendrick; 2.
Viennese Golden-Age operetta: drinking, dancing and social criticism in a
multi-ethnic empire Lisa Feurzeig; 3. London and Gilbert and Sullivan Bruno
Bower; 4. Hungarians and Hungarianisms in operetta and folk plays in the
late Habsburg and post-Habsburg era Lynn Hooker; 5. Operetta in the Czech
National Revival - the Provisional Theatre years Jan Smaczy; Part II. The
Global Expansion of Operetta: 6. Going global: the international spread of
Viennese Silver-Age operetta Stefan Frey; 7. Spain and Zarzuela Christopher
Webber; 8. Camping along the American operetta divide (on the road to the
musical play) Raymond Knapp; 9. Operetta in Russia and the USSR Anastasia
Belina; 10. Operetta in the Nordic countries (1850-1970) Pentti
Paavolainen; 11. Operetta in Greece Avra Xepapadakou; Part III. Operetta
since 1900: 12. The operetta factory: production systems of Silver-Age
Vienna Micaela Baranello; 13. Berlin operetta Tobias Becker; 14. Operetta
in Italy Valeria De Lucca; 15. Operetta in Warsaw Anastasia Belina; 16.
British operetta after Gilbert and Sullivan Derek B. Scott; 17. Operetta
during the Nazi regime Matthias Kauffmann; 18. Operetta films Derek B.
Scott; 19. 'Jazz was the dynamite that exploded the harmlessness of the
Viennese operetta!' (Interviewer: Ulrich Lenz.) Interview with Barrie
Kosky.
Introduction Anastasia Belina and Derek B. Scott; Part I. Early Centres of
Operetta: 1. French operetta: Offenbach and company John Kendrick; 2.
Viennese Golden-Age operetta: drinking, dancing and social criticism in a
multi-ethnic empire Lisa Feurzeig; 3. London and Gilbert and Sullivan Bruno
Bower; 4. Hungarians and Hungarianisms in operetta and folk plays in the
late Habsburg and post-Habsburg era Lynn Hooker; 5. Operetta in the Czech
National Revival - the Provisional Theatre years Jan Smaczy; Part II. The
Global Expansion of Operetta: 6. Going global: the international spread of
Viennese Silver-Age operetta Stefan Frey; 7. Spain and Zarzuela Christopher
Webber; 8. Camping along the American operetta divide (on the road to the
musical play) Raymond Knapp; 9. Operetta in Russia and the USSR Anastasia
Belina; 10. Operetta in the Nordic countries (1850-1970) Pentti
Paavolainen; 11. Operetta in Greece Avra Xepapadakou; Part III. Operetta
since 1900: 12. The operetta factory: production systems of Silver-Age
Vienna Micaela Baranello; 13. Berlin operetta Tobias Becker; 14. Operetta
in Italy Valeria De Lucca; 15. Operetta in Warsaw Anastasia Belina; 16.
British operetta after Gilbert and Sullivan Derek B. Scott; 17. Operetta
during the Nazi regime Matthias Kauffmann; 18. Operetta films Derek B.
Scott; 19. 'Jazz was the dynamite that exploded the harmlessness of the
Viennese operetta!' (Interviewer: Ulrich Lenz.) Interview with Barrie
Kosky.
Operetta: 1. French operetta: Offenbach and company John Kendrick; 2.
Viennese Golden-Age operetta: drinking, dancing and social criticism in a
multi-ethnic empire Lisa Feurzeig; 3. London and Gilbert and Sullivan Bruno
Bower; 4. Hungarians and Hungarianisms in operetta and folk plays in the
late Habsburg and post-Habsburg era Lynn Hooker; 5. Operetta in the Czech
National Revival - the Provisional Theatre years Jan Smaczy; Part II. The
Global Expansion of Operetta: 6. Going global: the international spread of
Viennese Silver-Age operetta Stefan Frey; 7. Spain and Zarzuela Christopher
Webber; 8. Camping along the American operetta divide (on the road to the
musical play) Raymond Knapp; 9. Operetta in Russia and the USSR Anastasia
Belina; 10. Operetta in the Nordic countries (1850-1970) Pentti
Paavolainen; 11. Operetta in Greece Avra Xepapadakou; Part III. Operetta
since 1900: 12. The operetta factory: production systems of Silver-Age
Vienna Micaela Baranello; 13. Berlin operetta Tobias Becker; 14. Operetta
in Italy Valeria De Lucca; 15. Operetta in Warsaw Anastasia Belina; 16.
British operetta after Gilbert and Sullivan Derek B. Scott; 17. Operetta
during the Nazi regime Matthias Kauffmann; 18. Operetta films Derek B.
Scott; 19. 'Jazz was the dynamite that exploded the harmlessness of the
Viennese operetta!' (Interviewer: Ulrich Lenz.) Interview with Barrie
Kosky.