The Cambridge Companion to Performance Studies
Herausgeber: Davis, Tracy C.
The Cambridge Companion to Performance Studies
Herausgeber: Davis, Tracy C.
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In this book, leading scholars in the field of Performance Studies consider diverse approaches to this vibrant discipline.
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In this book, leading scholars in the field of Performance Studies consider diverse approaches to this vibrant discipline.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 210
- Erscheinungstermin: 30. Juli 2015
- Englisch
- Abmessung: 235mm x 157mm x 17mm
- Gewicht: 501g
- ISBN-13: 9780521874014
- ISBN-10: 0521874017
- Artikelnr.: 25428091
- Verlag: Cambridge University Press
- Seitenzahl: 210
- Erscheinungstermin: 30. Juli 2015
- Englisch
- Abmessung: 235mm x 157mm x 17mm
- Gewicht: 501g
- ISBN-13: 9780521874014
- ISBN-10: 0521874017
- Artikelnr.: 25428091
Introduction: The pirouette, detour, revolution, deflection, deviation,
tack, and yaw of the performative turn Tracy C. Davis; Part I. Social
Polities: History in Individuals: 1. Performance and democracy Nicholas
Ridout; 2. Performance as research: live events and documents Baz Kershaw;
3. Movement's contagion: the kinesthetic impact of performance Susan Leigh
Foster; 4. Performance matters: Bali and Baliology in the years of living
dangerously John Emigh; 5. Universal experience: the city as tourist stage
Susan Bennett; 6. Performance and intangible culture heritage Diana Taylor;
Part II. Body Politics: The Individual in History; 7. Live and
technologically mediated performance Philip Auslander; 8. Moving histories:
performance and oral history Della Pollock; 9. What is the 'social' in
social practice?: comparing experiments in performance Shannon Jackson; 10.
Live art in art history: a paradox? Amelia Jones; 11. Queer theory E.
Patrick Johnson.
tack, and yaw of the performative turn Tracy C. Davis; Part I. Social
Polities: History in Individuals: 1. Performance and democracy Nicholas
Ridout; 2. Performance as research: live events and documents Baz Kershaw;
3. Movement's contagion: the kinesthetic impact of performance Susan Leigh
Foster; 4. Performance matters: Bali and Baliology in the years of living
dangerously John Emigh; 5. Universal experience: the city as tourist stage
Susan Bennett; 6. Performance and intangible culture heritage Diana Taylor;
Part II. Body Politics: The Individual in History; 7. Live and
technologically mediated performance Philip Auslander; 8. Moving histories:
performance and oral history Della Pollock; 9. What is the 'social' in
social practice?: comparing experiments in performance Shannon Jackson; 10.
Live art in art history: a paradox? Amelia Jones; 11. Queer theory E.
Patrick Johnson.
Introduction: The pirouette, detour, revolution, deflection, deviation,
tack, and yaw of the performative turn Tracy C. Davis; Part I. Social
Polities: History in Individuals: 1. Performance and democracy Nicholas
Ridout; 2. Performance as research: live events and documents Baz Kershaw;
3. Movement's contagion: the kinesthetic impact of performance Susan Leigh
Foster; 4. Performance matters: Bali and Baliology in the years of living
dangerously John Emigh; 5. Universal experience: the city as tourist stage
Susan Bennett; 6. Performance and intangible culture heritage Diana Taylor;
Part II. Body Politics: The Individual in History; 7. Live and
technologically mediated performance Philip Auslander; 8. Moving histories:
performance and oral history Della Pollock; 9. What is the 'social' in
social practice?: comparing experiments in performance Shannon Jackson; 10.
Live art in art history: a paradox? Amelia Jones; 11. Queer theory E.
Patrick Johnson.
tack, and yaw of the performative turn Tracy C. Davis; Part I. Social
Polities: History in Individuals: 1. Performance and democracy Nicholas
Ridout; 2. Performance as research: live events and documents Baz Kershaw;
3. Movement's contagion: the kinesthetic impact of performance Susan Leigh
Foster; 4. Performance matters: Bali and Baliology in the years of living
dangerously John Emigh; 5. Universal experience: the city as tourist stage
Susan Bennett; 6. Performance and intangible culture heritage Diana Taylor;
Part II. Body Politics: The Individual in History; 7. Live and
technologically mediated performance Philip Auslander; 8. Moving histories:
performance and oral history Della Pollock; 9. What is the 'social' in
social practice?: comparing experiments in performance Shannon Jackson; 10.
Live art in art history: a paradox? Amelia Jones; 11. Queer theory E.
Patrick Johnson.