Long beloved by audiences, Richard Strauss inspired little scholarly activity until the mid 1980s, when there was a resurgence of interest on both sides of the Atlantic. This Companion reflects the latest research, showing Strauss's artistic personality to be richer and more complicated than has been previously acknowledged.
Long beloved by audiences, Richard Strauss inspired little scholarly activity until the mid 1980s, when there was a resurgence of interest on both sides of the Atlantic. This Companion reflects the latest research, showing Strauss's artistic personality to be richer and more complicated than has been previously acknowledged.
Chronology of Strauss's life and career (Charles Youmans) Part I. Background 1. The musical world of Strauss's youth (James Deaville) 2. Strauss's compositional process (Walter Werbeck) 3. Maturity and indecision in the early works (Wayne Heisler) Part II. Works 4. The first cycle of tone poems (David Larkin) 5. The second cycle of tone poems (James Hepokoski) 6. Strauss's road to operatic success: Guntram, Feuersnot, and Salome (Morten Kristiansen) 7. The Strauss-Hofmannsthal operas (Bryan Gilliam) 8. Opera after Hofmannsthal (Philip Graydon) 9. 'Actually, I like my songs best': Strauss's Lieder Susan Youens; 10. Last works Jürgen May; Part III. Perspectives: 11. Strauss's place in the twentieth century (Alex Ross) 12. Musical quotation and allusion in the works of Richard Strauss (Günter Brosche) 13. Strauss in the Third Reich (Michael Walter) 14. Strauss and the business of music (Scott Warfield) 15. Kapellmeister Strauss (Raymond Holden) 16. Strauss and the sexual body: the erotics of humor, philosophy, and ego-assertion (Bryan Gilliam) 17. Strauss and the nature of music (Charles Youmans) Bibliography
Chronology of Strauss's life and career (Charles Youmans) Part I. Background 1. The musical world of Strauss's youth (James Deaville) 2. Strauss's compositional process (Walter Werbeck) 3. Maturity and indecision in the early works (Wayne Heisler) Part II. Works 4. The first cycle of tone poems (David Larkin) 5. The second cycle of tone poems (James Hepokoski) 6. Strauss's road to operatic success: Guntram, Feuersnot, and Salome (Morten Kristiansen) 7. The Strauss-Hofmannsthal operas (Bryan Gilliam) 8. Opera after Hofmannsthal (Philip Graydon) 9. 'Actually, I like my songs best': Strauss's Lieder Susan Youens; 10. Last works Jürgen May; Part III. Perspectives: 11. Strauss's place in the twentieth century (Alex Ross) 12. Musical quotation and allusion in the works of Richard Strauss (Günter Brosche) 13. Strauss in the Third Reich (Michael Walter) 14. Strauss and the business of music (Scott Warfield) 15. Kapellmeister Strauss (Raymond Holden) 16. Strauss and the sexual body: the erotics of humor, philosophy, and ego-assertion (Bryan Gilliam) 17. Strauss and the nature of music (Charles Youmans) Bibliography
Rezensionen
'[A] superbly assembled portmanteau portrait ... Readers new or already familiar with Strauss will find much else here to engage and argue with in a valuable contribution to understanding the multi-faceted enigma of the man behind the music.' Classical Music
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