- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
A fascinating exploration of one of the most influential American playwrights of the contemporary stage.
Andere Kunden interessierten sich auch für
- The Cambridge Companion to Amy Beach98,99 €
- The Cambridge Companion to Electronic Music37,20 €
- Anthony R. DelDonna / Pierpaolo Polzonetti (ed.)The Cambridge Companion to Eighteenth-Century Opera37,99 €
- The Cambridge Companion to Recorded Music37,99 €
- Anthony R. DelDonna / Pierpaolo Polzonetti (ed.)The Cambridge Companion to Eighteenth-Century Opera122,99 €
- The Cambridge Companion to Percussion109,99 €
- The Cambridge Companion to Electronic Music103,99 €
-
-
-
A fascinating exploration of one of the most influential American playwrights of the contemporary stage.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 352
- Erscheinungstermin: 10. Juni 2002
- Englisch
- Abmessung: 231mm x 155mm x 25mm
- Gewicht: 680g
- ISBN-13: 9780521771580
- ISBN-10: 0521771587
- Artikelnr.: 31969735
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Cambridge University Press
- Seitenzahl: 352
- Erscheinungstermin: 10. Juni 2002
- Englisch
- Abmessung: 231mm x 155mm x 25mm
- Gewicht: 680g
- ISBN-13: 9780521771580
- ISBN-10: 0521771587
- Artikelnr.: 31969735
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Matthew Roudané, Professor of English at Georgia State University in Atlanta, specializes in American Drama. He has published widely on recent American theater, including Understanding Edward Albee (1987), Conversations with Arthur Miller (1987), Contemporary American Dramatists (1989), Who''s Afraid of Virginia Woolf?: Necessary Fictions, Terrifying Realities (1990), Public Issues, Private Tensions: Contemporary American Drama (1993), Approaches to Teaching Miller''s Death of a Salesman (1995), American Drama since 1960: A Critical History (1996), and The Cambridge Companion to Tennessee Williams (1997). He also is a contributor to Christopher Bigsby''s The Cambridge Companion to Arthur Miller and to Don Wilmeth and Christopher Bigsby''s The Cambridge History of American Drama, Vol. 3 (2000). Roudané is the editor of the South Atlantic Review.
Notes on contributors
Acknowledgements
Chronology
Introduction Matthew Roudané
1. Born injured: the theatre of Sam Shepard Christopher Bigsby
2. Shepard and Off-Off Broadway: the unseen hand of Theatre Genesis Stephen J. Bottoms
3. Shepard on Shepard: an interview Matthew Roudané
4. On Sam Shepard Joseph Chaikin
5. Joseph Chaikin and Sam Shepard in Collaboration Marc Robinson
6. Repetition and regression in Curse of the Starving Class and Buried Child Thomas P. Adler
7. Shepard writes about writing Brenda Murphy
8. Reflections of the past in True West and A Lie of the Mind Leslie Kane
9. Patriarchal pathology from The Holy Ghostly to Silent Tongue Carla J. McDonough
10. The classic Western and Sam Shepard's family sagas John Clum
11. European textures: adapting Christopher Marlowe's Doctor Faustus Johan Callens
12. Sam Shepard and the cinema Kimball King
13. Sam Shepard as musical experimenter David DeRose
14. Sam Shepard's non-dramatic writings Ann C. Hall
15. States of Shock, Simpatico, and Eyes for Consuela: Sam Shepard's plays of the 1990s Leslie Wade
16. Sam Shepard's The Late Henry Moss Matthew Roudané
17. Sam Shepard: a bibliographic essay and production overview Susan Abbotson
Index.
Acknowledgements
Chronology
Introduction Matthew Roudané
1. Born injured: the theatre of Sam Shepard Christopher Bigsby
2. Shepard and Off-Off Broadway: the unseen hand of Theatre Genesis Stephen J. Bottoms
3. Shepard on Shepard: an interview Matthew Roudané
4. On Sam Shepard Joseph Chaikin
5. Joseph Chaikin and Sam Shepard in Collaboration Marc Robinson
6. Repetition and regression in Curse of the Starving Class and Buried Child Thomas P. Adler
7. Shepard writes about writing Brenda Murphy
8. Reflections of the past in True West and A Lie of the Mind Leslie Kane
9. Patriarchal pathology from The Holy Ghostly to Silent Tongue Carla J. McDonough
10. The classic Western and Sam Shepard's family sagas John Clum
11. European textures: adapting Christopher Marlowe's Doctor Faustus Johan Callens
12. Sam Shepard and the cinema Kimball King
13. Sam Shepard as musical experimenter David DeRose
14. Sam Shepard's non-dramatic writings Ann C. Hall
15. States of Shock, Simpatico, and Eyes for Consuela: Sam Shepard's plays of the 1990s Leslie Wade
16. Sam Shepard's The Late Henry Moss Matthew Roudané
17. Sam Shepard: a bibliographic essay and production overview Susan Abbotson
Index.
Notes on contributors
Acknowledgements
Chronology
Introduction Matthew Roudané
1. Born injured: the theatre of Sam Shepard Christopher Bigsby
2. Shepard and Off-Off Broadway: the unseen hand of Theatre Genesis Stephen J. Bottoms
3. Shepard on Shepard: an interview Matthew Roudané
4. On Sam Shepard Joseph Chaikin
5. Joseph Chaikin and Sam Shepard in Collaboration Marc Robinson
6. Repetition and regression in Curse of the Starving Class and Buried Child Thomas P. Adler
7. Shepard writes about writing Brenda Murphy
8. Reflections of the past in True West and A Lie of the Mind Leslie Kane
9. Patriarchal pathology from The Holy Ghostly to Silent Tongue Carla J. McDonough
10. The classic Western and Sam Shepard's family sagas John Clum
11. European textures: adapting Christopher Marlowe's Doctor Faustus Johan Callens
12. Sam Shepard and the cinema Kimball King
13. Sam Shepard as musical experimenter David DeRose
14. Sam Shepard's non-dramatic writings Ann C. Hall
15. States of Shock, Simpatico, and Eyes for Consuela: Sam Shepard's plays of the 1990s Leslie Wade
16. Sam Shepard's The Late Henry Moss Matthew Roudané
17. Sam Shepard: a bibliographic essay and production overview Susan Abbotson
Index.
Acknowledgements
Chronology
Introduction Matthew Roudané
1. Born injured: the theatre of Sam Shepard Christopher Bigsby
2. Shepard and Off-Off Broadway: the unseen hand of Theatre Genesis Stephen J. Bottoms
3. Shepard on Shepard: an interview Matthew Roudané
4. On Sam Shepard Joseph Chaikin
5. Joseph Chaikin and Sam Shepard in Collaboration Marc Robinson
6. Repetition and regression in Curse of the Starving Class and Buried Child Thomas P. Adler
7. Shepard writes about writing Brenda Murphy
8. Reflections of the past in True West and A Lie of the Mind Leslie Kane
9. Patriarchal pathology from The Holy Ghostly to Silent Tongue Carla J. McDonough
10. The classic Western and Sam Shepard's family sagas John Clum
11. European textures: adapting Christopher Marlowe's Doctor Faustus Johan Callens
12. Sam Shepard and the cinema Kimball King
13. Sam Shepard as musical experimenter David DeRose
14. Sam Shepard's non-dramatic writings Ann C. Hall
15. States of Shock, Simpatico, and Eyes for Consuela: Sam Shepard's plays of the 1990s Leslie Wade
16. Sam Shepard's The Late Henry Moss Matthew Roudané
17. Sam Shepard: a bibliographic essay and production overview Susan Abbotson
Index.