The Cambridge Companion to Schoenberg
Herausgeber: Auner, Joseph; Shaw, Jennifer
The Cambridge Companion to Schoenberg
Herausgeber: Auner, Joseph; Shaw, Jennifer
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
A reader-friendly, comprehensive, and innovative single volume introduction to Schoenberg's life, works, and ongoing legacy.
Andere Kunden interessierten sich auch für
- A Short-Title Catalogue of Music Printed Before 1825 in the Fitzwilliam Museum, Cambridge40,99 €
- C. F. Abdy WilliamsA Short Historical Account of the Degrees in Music at Oxford and Cambridge31,99 €
- David Nicholls (ed.)The Cambridge History of American Music88,99 €
- Dom Anselm HughesCatalogue of the Musical Manuscripts at Peterhouse Cambridge24,99 €
- The Routledge Companion to Popular Music and Humor73,99 €
- The Routledge Companion to Jazz Studies67,99 €
- Political and Religious Ideas in the Works of Arnold Schoenberg75,99 €
-
-
-
A reader-friendly, comprehensive, and innovative single volume introduction to Schoenberg's life, works, and ongoing legacy.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 338
- Erscheinungstermin: 13. Mai 2010
- Englisch
- Abmessung: 244mm x 170mm x 18mm
- Gewicht: 585g
- ISBN-13: 9780521690867
- ISBN-10: 0521690862
- Artikelnr.: 28177405
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 338
- Erscheinungstermin: 13. Mai 2010
- Englisch
- Abmessung: 244mm x 170mm x 18mm
- Gewicht: 585g
- ISBN-13: 9780521690867
- ISBN-10: 0521690862
- Artikelnr.: 28177405
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Chronology of Schoenberg's life and works; 1. Introduction Jennifer Shaw
and Joseph Auner; Part I. Schoenberg's Early Years: 2. Schoenberg's Lieder
Walter Frisch; 3. Schoenberg and the tradition of chamber music for strings
Michael Cherlin; 4. Two early Schoenberg songs: monotonality, multitonality
and schwebende Tonalität Robert P. Morgan; 5. Arnold Schoenberg and Richard
Strauss Craig De Wilde; Part II. Schoenberg, Modernism, and Modernity: 6.
Interpreting Erwartung: collaborative process and early reception Elizabeth
Keathley; 7. The rise and fall of radical athematicism Ethan Haimo; 8.
Schoenberg, modernism, and metaphysics Julian Johnson; 9. Pierrot lunaire:
persona, voice, and the fabric of allusion Richard Kurth; Part III.
Schoenberg Between the World Wars: 10. Schoenberg as teacher Joy H. Calico;
11. Schoenberg, satire, and the Zeitoper Peter Tregear; 12. Schoenberg's
row tables: temporality and the idea Joseph Auner; 13. Immanence and
transcendence in Moses und Aron Richard Kurth; 14. On Jewish history and
identity: approaches to Schoenberg as Jew Steven J. Cahn; Part IV.
Schoenberg's American Years: 15. Cadence after thirty-three years:
Schoenberg's Second Chamber Symphony, Op. 38 Severine Neff; 16.
Schoenberg's collaborations Jennifer Shaw; 17. Listening to Schoenberg's
Piano Concerto Walter B. Bailey; 18. Schoenberg's reception in America,
1933¿1951 Sabine Feisst; 19. Schoenberg: dead or alive? His reception
amongst the post-war European avant-garde Richard Toop.
and Joseph Auner; Part I. Schoenberg's Early Years: 2. Schoenberg's Lieder
Walter Frisch; 3. Schoenberg and the tradition of chamber music for strings
Michael Cherlin; 4. Two early Schoenberg songs: monotonality, multitonality
and schwebende Tonalität Robert P. Morgan; 5. Arnold Schoenberg and Richard
Strauss Craig De Wilde; Part II. Schoenberg, Modernism, and Modernity: 6.
Interpreting Erwartung: collaborative process and early reception Elizabeth
Keathley; 7. The rise and fall of radical athematicism Ethan Haimo; 8.
Schoenberg, modernism, and metaphysics Julian Johnson; 9. Pierrot lunaire:
persona, voice, and the fabric of allusion Richard Kurth; Part III.
Schoenberg Between the World Wars: 10. Schoenberg as teacher Joy H. Calico;
11. Schoenberg, satire, and the Zeitoper Peter Tregear; 12. Schoenberg's
row tables: temporality and the idea Joseph Auner; 13. Immanence and
transcendence in Moses und Aron Richard Kurth; 14. On Jewish history and
identity: approaches to Schoenberg as Jew Steven J. Cahn; Part IV.
Schoenberg's American Years: 15. Cadence after thirty-three years:
Schoenberg's Second Chamber Symphony, Op. 38 Severine Neff; 16.
Schoenberg's collaborations Jennifer Shaw; 17. Listening to Schoenberg's
Piano Concerto Walter B. Bailey; 18. Schoenberg's reception in America,
1933¿1951 Sabine Feisst; 19. Schoenberg: dead or alive? His reception
amongst the post-war European avant-garde Richard Toop.
Chronology of Schoenberg's life and works; 1. Introduction Jennifer Shaw
and Joseph Auner; Part I. Schoenberg's Early Years: 2. Schoenberg's Lieder
Walter Frisch; 3. Schoenberg and the tradition of chamber music for strings
Michael Cherlin; 4. Two early Schoenberg songs: monotonality, multitonality
and schwebende Tonalität Robert P. Morgan; 5. Arnold Schoenberg and Richard
Strauss Craig De Wilde; Part II. Schoenberg, Modernism, and Modernity: 6.
Interpreting Erwartung: collaborative process and early reception Elizabeth
Keathley; 7. The rise and fall of radical athematicism Ethan Haimo; 8.
Schoenberg, modernism, and metaphysics Julian Johnson; 9. Pierrot lunaire:
persona, voice, and the fabric of allusion Richard Kurth; Part III.
Schoenberg Between the World Wars: 10. Schoenberg as teacher Joy H. Calico;
11. Schoenberg, satire, and the Zeitoper Peter Tregear; 12. Schoenberg's
row tables: temporality and the idea Joseph Auner; 13. Immanence and
transcendence in Moses und Aron Richard Kurth; 14. On Jewish history and
identity: approaches to Schoenberg as Jew Steven J. Cahn; Part IV.
Schoenberg's American Years: 15. Cadence after thirty-three years:
Schoenberg's Second Chamber Symphony, Op. 38 Severine Neff; 16.
Schoenberg's collaborations Jennifer Shaw; 17. Listening to Schoenberg's
Piano Concerto Walter B. Bailey; 18. Schoenberg's reception in America,
1933¿1951 Sabine Feisst; 19. Schoenberg: dead or alive? His reception
amongst the post-war European avant-garde Richard Toop.
and Joseph Auner; Part I. Schoenberg's Early Years: 2. Schoenberg's Lieder
Walter Frisch; 3. Schoenberg and the tradition of chamber music for strings
Michael Cherlin; 4. Two early Schoenberg songs: monotonality, multitonality
and schwebende Tonalität Robert P. Morgan; 5. Arnold Schoenberg and Richard
Strauss Craig De Wilde; Part II. Schoenberg, Modernism, and Modernity: 6.
Interpreting Erwartung: collaborative process and early reception Elizabeth
Keathley; 7. The rise and fall of radical athematicism Ethan Haimo; 8.
Schoenberg, modernism, and metaphysics Julian Johnson; 9. Pierrot lunaire:
persona, voice, and the fabric of allusion Richard Kurth; Part III.
Schoenberg Between the World Wars: 10. Schoenberg as teacher Joy H. Calico;
11. Schoenberg, satire, and the Zeitoper Peter Tregear; 12. Schoenberg's
row tables: temporality and the idea Joseph Auner; 13. Immanence and
transcendence in Moses und Aron Richard Kurth; 14. On Jewish history and
identity: approaches to Schoenberg as Jew Steven J. Cahn; Part IV.
Schoenberg's American Years: 15. Cadence after thirty-three years:
Schoenberg's Second Chamber Symphony, Op. 38 Severine Neff; 16.
Schoenberg's collaborations Jennifer Shaw; 17. Listening to Schoenberg's
Piano Concerto Walter B. Bailey; 18. Schoenberg's reception in America,
1933¿1951 Sabine Feisst; 19. Schoenberg: dead or alive? His reception
amongst the post-war European avant-garde Richard Toop.