The Cambridge Companion to Shakespeare on Screen
Herausgeber: Jackson, Russell
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The Cambridge Companion to Shakespeare on Screen
Herausgeber: Jackson, Russell
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English literature, English literature - Renaissance and early modern to 1700, Film, cinema
English literature, English literature - Renaissance and early modern to 1700, Film, cinema
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 320
- Erscheinungstermin: 17. Dezember 2020
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 567g
- ISBN-13: 9781108421164
- ISBN-10: 1108421164
- Artikelnr.: 60065638
- Verlag: Cambridge University Press
- Seitenzahl: 320
- Erscheinungstermin: 17. Dezember 2020
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 567g
- ISBN-13: 9781108421164
- ISBN-10: 1108421164
- Artikelnr.: 60065638
Introduction; Part I. Adaptation and its Contexts: 1. Shakespeare and the
film industry of the pre-sound era Judith Buchanan; 2. Adaptation and the
marketing of Shakespeare in classical Hollywood Deborah Cartmell; 3.
Shakespeare 'live' Peter Holland; 4. Shakespearean cinemas/global
directions Mark Thornton Burnett; Part II. Genres and Plays: 5. The
comedies on screen Ramona Wray; 6. The environments of tragedy on screen:
Hamlet, King Lear, Macbeth Peter Kirwan; 7. Two tragedies of love: Romeo
and Juliet and Othello Victoria Bladen; 8. 'Sad stories of the death of
kings': The Hollow Crown and the Shakespearean history play on screen Kinga
Földváry; 9. The Roman plays on film Peter J. Smith; 10. Screening
Shakespearean fantasy and romance in A Midsummer Night's Dream and The
Tempest Antony Guy Patricia; Part III. Critical Issues: 11. Questions of
racism: The Merchant of Venice and Othello Russell Jackson; 12. 'A wail in
the silence': feminism, sexuality, and final meanings in King Lear films by
Grigorii Kozintsev, Peter Brook, and Akira Kurosawa Courtney Lehmann; 13.
Violence, tragic and comic, in Coriolanus and The Taming of the Shrew
Patricia Lennox; Part IV. Directors: 14. The Shakespeare films of Orson
Welles Emma Smith; 15. Kurosawa's Shakespeare: mute heavens, merging
worlds, or the metaphors of cruelty Anne-Marie Costantini-Cornède; 16.
Zeffirelli's Shakespearean motion pictures: living monuments Nathalie
Vienne-Guerrin; 17. Kenneth Branagh: mainstreaming Shakespeare in movie
theatres Sarah Hatchuel; 18. Remaking Shakespeare in India: Vishal
Bhardwaj's films Poonam Trivedi; Further reading; Filmography; Index.
film industry of the pre-sound era Judith Buchanan; 2. Adaptation and the
marketing of Shakespeare in classical Hollywood Deborah Cartmell; 3.
Shakespeare 'live' Peter Holland; 4. Shakespearean cinemas/global
directions Mark Thornton Burnett; Part II. Genres and Plays: 5. The
comedies on screen Ramona Wray; 6. The environments of tragedy on screen:
Hamlet, King Lear, Macbeth Peter Kirwan; 7. Two tragedies of love: Romeo
and Juliet and Othello Victoria Bladen; 8. 'Sad stories of the death of
kings': The Hollow Crown and the Shakespearean history play on screen Kinga
Földváry; 9. The Roman plays on film Peter J. Smith; 10. Screening
Shakespearean fantasy and romance in A Midsummer Night's Dream and The
Tempest Antony Guy Patricia; Part III. Critical Issues: 11. Questions of
racism: The Merchant of Venice and Othello Russell Jackson; 12. 'A wail in
the silence': feminism, sexuality, and final meanings in King Lear films by
Grigorii Kozintsev, Peter Brook, and Akira Kurosawa Courtney Lehmann; 13.
Violence, tragic and comic, in Coriolanus and The Taming of the Shrew
Patricia Lennox; Part IV. Directors: 14. The Shakespeare films of Orson
Welles Emma Smith; 15. Kurosawa's Shakespeare: mute heavens, merging
worlds, or the metaphors of cruelty Anne-Marie Costantini-Cornède; 16.
Zeffirelli's Shakespearean motion pictures: living monuments Nathalie
Vienne-Guerrin; 17. Kenneth Branagh: mainstreaming Shakespeare in movie
theatres Sarah Hatchuel; 18. Remaking Shakespeare in India: Vishal
Bhardwaj's films Poonam Trivedi; Further reading; Filmography; Index.
Introduction; Part I. Adaptation and its Contexts: 1. Shakespeare and the
film industry of the pre-sound era Judith Buchanan; 2. Adaptation and the
marketing of Shakespeare in classical Hollywood Deborah Cartmell; 3.
Shakespeare 'live' Peter Holland; 4. Shakespearean cinemas/global
directions Mark Thornton Burnett; Part II. Genres and Plays: 5. The
comedies on screen Ramona Wray; 6. The environments of tragedy on screen:
Hamlet, King Lear, Macbeth Peter Kirwan; 7. Two tragedies of love: Romeo
and Juliet and Othello Victoria Bladen; 8. 'Sad stories of the death of
kings': The Hollow Crown and the Shakespearean history play on screen Kinga
Földváry; 9. The Roman plays on film Peter J. Smith; 10. Screening
Shakespearean fantasy and romance in A Midsummer Night's Dream and The
Tempest Antony Guy Patricia; Part III. Critical Issues: 11. Questions of
racism: The Merchant of Venice and Othello Russell Jackson; 12. 'A wail in
the silence': feminism, sexuality, and final meanings in King Lear films by
Grigorii Kozintsev, Peter Brook, and Akira Kurosawa Courtney Lehmann; 13.
Violence, tragic and comic, in Coriolanus and The Taming of the Shrew
Patricia Lennox; Part IV. Directors: 14. The Shakespeare films of Orson
Welles Emma Smith; 15. Kurosawa's Shakespeare: mute heavens, merging
worlds, or the metaphors of cruelty Anne-Marie Costantini-Cornède; 16.
Zeffirelli's Shakespearean motion pictures: living monuments Nathalie
Vienne-Guerrin; 17. Kenneth Branagh: mainstreaming Shakespeare in movie
theatres Sarah Hatchuel; 18. Remaking Shakespeare in India: Vishal
Bhardwaj's films Poonam Trivedi; Further reading; Filmography; Index.
film industry of the pre-sound era Judith Buchanan; 2. Adaptation and the
marketing of Shakespeare in classical Hollywood Deborah Cartmell; 3.
Shakespeare 'live' Peter Holland; 4. Shakespearean cinemas/global
directions Mark Thornton Burnett; Part II. Genres and Plays: 5. The
comedies on screen Ramona Wray; 6. The environments of tragedy on screen:
Hamlet, King Lear, Macbeth Peter Kirwan; 7. Two tragedies of love: Romeo
and Juliet and Othello Victoria Bladen; 8. 'Sad stories of the death of
kings': The Hollow Crown and the Shakespearean history play on screen Kinga
Földváry; 9. The Roman plays on film Peter J. Smith; 10. Screening
Shakespearean fantasy and romance in A Midsummer Night's Dream and The
Tempest Antony Guy Patricia; Part III. Critical Issues: 11. Questions of
racism: The Merchant of Venice and Othello Russell Jackson; 12. 'A wail in
the silence': feminism, sexuality, and final meanings in King Lear films by
Grigorii Kozintsev, Peter Brook, and Akira Kurosawa Courtney Lehmann; 13.
Violence, tragic and comic, in Coriolanus and The Taming of the Shrew
Patricia Lennox; Part IV. Directors: 14. The Shakespeare films of Orson
Welles Emma Smith; 15. Kurosawa's Shakespeare: mute heavens, merging
worlds, or the metaphors of cruelty Anne-Marie Costantini-Cornède; 16.
Zeffirelli's Shakespearean motion pictures: living monuments Nathalie
Vienne-Guerrin; 17. Kenneth Branagh: mainstreaming Shakespeare in movie
theatres Sarah Hatchuel; 18. Remaking Shakespeare in India: Vishal
Bhardwaj's films Poonam Trivedi; Further reading; Filmography; Index.