The Cambridge Companion to Shostakovich
Herausgeber: Fairclough, Pauline; Fanning, David J.
The Cambridge Companion to Shostakovich
Herausgeber: Fairclough, Pauline; Fanning, David J.
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A collection of essays investigating the life and work of the important and iconic composer.
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A collection of essays investigating the life and work of the important and iconic composer.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 416
- Erscheinungstermin: 11. Oktober 2013
- Englisch
- Abmessung: 244mm x 170mm x 23mm
- Gewicht: 715g
- ISBN-13: 9780521603157
- ISBN-10: 0521603153
- Artikelnr.: 24425871
- Verlag: Cambridge University Press
- Seitenzahl: 416
- Erscheinungstermin: 11. Oktober 2013
- Englisch
- Abmessung: 244mm x 170mm x 23mm
- Gewicht: 715g
- ISBN-13: 9780521603157
- ISBN-10: 0521603153
- Artikelnr.: 24425871
Chronology
Introduction
Part I. Instrumental Works: 1. Personal integrity and public service: the voice of the symphonist Eric Roseberry
2. The string quartets: in dialogue with form and tradition Judy Kuhn
3. Paths to the first symphony David Fanning
4. Shostakovich's second piano sonata: a composition recital in three styles David Haas
5. 'I took a simple little theme and developed it': Shostakovich's string concertos and sonatas Malcolm MacDonald
Part II. Music for Stage and Screen: 6. Shostakovich and the theatre Gerard McBurney
7. Shostakovich as opera composer Rosamund Bartlett
8. Shostakovich's ballets Marina Ilichova
9. Screen dramas: Shostakovich's cinema career John Riley
Part III. Vocal and Choral Works: 10. Between reality and transcendence: Shostakovich's songs Francis Maes
11. Slava! Shostakovich's 'official compositions' Pauline Fairclough
Part IV. Performance, Theory, Reception: 12. A political football - Shostakovich reception in Germany Erik Levi
13. The rough guide to Shostakovich's harmonic language David Haas
14. Shostakovich on record David Fanning
15. Jewish existential irony as musical ethos in the music of Shostakovich Esti Sheinberg.
Introduction
Part I. Instrumental Works: 1. Personal integrity and public service: the voice of the symphonist Eric Roseberry
2. The string quartets: in dialogue with form and tradition Judy Kuhn
3. Paths to the first symphony David Fanning
4. Shostakovich's second piano sonata: a composition recital in three styles David Haas
5. 'I took a simple little theme and developed it': Shostakovich's string concertos and sonatas Malcolm MacDonald
Part II. Music for Stage and Screen: 6. Shostakovich and the theatre Gerard McBurney
7. Shostakovich as opera composer Rosamund Bartlett
8. Shostakovich's ballets Marina Ilichova
9. Screen dramas: Shostakovich's cinema career John Riley
Part III. Vocal and Choral Works: 10. Between reality and transcendence: Shostakovich's songs Francis Maes
11. Slava! Shostakovich's 'official compositions' Pauline Fairclough
Part IV. Performance, Theory, Reception: 12. A political football - Shostakovich reception in Germany Erik Levi
13. The rough guide to Shostakovich's harmonic language David Haas
14. Shostakovich on record David Fanning
15. Jewish existential irony as musical ethos in the music of Shostakovich Esti Sheinberg.
Chronology
Introduction
Part I. Instrumental Works: 1. Personal integrity and public service: the voice of the symphonist Eric Roseberry
2. The string quartets: in dialogue with form and tradition Judy Kuhn
3. Paths to the first symphony David Fanning
4. Shostakovich's second piano sonata: a composition recital in three styles David Haas
5. 'I took a simple little theme and developed it': Shostakovich's string concertos and sonatas Malcolm MacDonald
Part II. Music for Stage and Screen: 6. Shostakovich and the theatre Gerard McBurney
7. Shostakovich as opera composer Rosamund Bartlett
8. Shostakovich's ballets Marina Ilichova
9. Screen dramas: Shostakovich's cinema career John Riley
Part III. Vocal and Choral Works: 10. Between reality and transcendence: Shostakovich's songs Francis Maes
11. Slava! Shostakovich's 'official compositions' Pauline Fairclough
Part IV. Performance, Theory, Reception: 12. A political football - Shostakovich reception in Germany Erik Levi
13. The rough guide to Shostakovich's harmonic language David Haas
14. Shostakovich on record David Fanning
15. Jewish existential irony as musical ethos in the music of Shostakovich Esti Sheinberg.
Introduction
Part I. Instrumental Works: 1. Personal integrity and public service: the voice of the symphonist Eric Roseberry
2. The string quartets: in dialogue with form and tradition Judy Kuhn
3. Paths to the first symphony David Fanning
4. Shostakovich's second piano sonata: a composition recital in three styles David Haas
5. 'I took a simple little theme and developed it': Shostakovich's string concertos and sonatas Malcolm MacDonald
Part II. Music for Stage and Screen: 6. Shostakovich and the theatre Gerard McBurney
7. Shostakovich as opera composer Rosamund Bartlett
8. Shostakovich's ballets Marina Ilichova
9. Screen dramas: Shostakovich's cinema career John Riley
Part III. Vocal and Choral Works: 10. Between reality and transcendence: Shostakovich's songs Francis Maes
11. Slava! Shostakovich's 'official compositions' Pauline Fairclough
Part IV. Performance, Theory, Reception: 12. A political football - Shostakovich reception in Germany Erik Levi
13. The rough guide to Shostakovich's harmonic language David Haas
14. Shostakovich on record David Fanning
15. Jewish existential irony as musical ethos in the music of Shostakovich Esti Sheinberg.