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Ranging from medieval music to Madonna and beyond, this book covers in detail the many aspects of the voice.
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Ranging from medieval music to Madonna and beyond, this book covers in detail the many aspects of the voice.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 300
- Erscheinungstermin: 13. April 2000
- Englisch
- Abmessung: 244mm x 170mm x 17mm
- Gewicht: 522g
- ISBN-13: 9780521627092
- ISBN-10: 0521627095
- Artikelnr.: 21429588
- Verlag: Cambridge University Press
- Seitenzahl: 300
- Erscheinungstermin: 13. April 2000
- Englisch
- Abmessung: 244mm x 170mm x 17mm
- Gewicht: 522g
- ISBN-13: 9780521627092
- ISBN-10: 0521627095
- Artikelnr.: 21429588
List of illustrations
Notes on contributors
Acknowledgements
1. Introduction: singing at the turn of the century John Potter
Part I. Popular Traditions: 2. 'Songlines': vocal traditions in world music John Schaefer
3. Rock singing Richard Middleton
4. The evolving language of rap David Toop
5. Jazz singing: the first hundred years John Potter
Part II. The Voice in the Theatre: 6. Stage and screen entertainers in the twentieth century Stephen Banfield
7. Song into theatre: the beginnings of opera John Rosselli
8. Grand opera: nineteenth-century revolution and twentieth-century tradition John Rosselli
Part III. Choral Music and Song: 9. European art song Stephen Varcoe
10. English cathedral choirs in the twentieth century Timothy Day
11. Sacred choral music in the United States: an overview Neely Bruce
Part IV. Performance Practices: 12. Some notes on choral singing Heikki Liimola
13. Ensemble singing John Potter
14. The voice in the Middle Ages Joseph Dyer
15. Reconstructing pre-Romantic singing technique Richard Wistreich
16. Alternative voices: contemporary vocal techniques Linda Hirst and David Wright
17. The teaching (and learning) of singing David Mason
18. Children's singing Felicity Laurence
19. Where does the sound come from? Johan Sundberg
Notes
Select bibliography
Index.
Notes on contributors
Acknowledgements
1. Introduction: singing at the turn of the century John Potter
Part I. Popular Traditions: 2. 'Songlines': vocal traditions in world music John Schaefer
3. Rock singing Richard Middleton
4. The evolving language of rap David Toop
5. Jazz singing: the first hundred years John Potter
Part II. The Voice in the Theatre: 6. Stage and screen entertainers in the twentieth century Stephen Banfield
7. Song into theatre: the beginnings of opera John Rosselli
8. Grand opera: nineteenth-century revolution and twentieth-century tradition John Rosselli
Part III. Choral Music and Song: 9. European art song Stephen Varcoe
10. English cathedral choirs in the twentieth century Timothy Day
11. Sacred choral music in the United States: an overview Neely Bruce
Part IV. Performance Practices: 12. Some notes on choral singing Heikki Liimola
13. Ensemble singing John Potter
14. The voice in the Middle Ages Joseph Dyer
15. Reconstructing pre-Romantic singing technique Richard Wistreich
16. Alternative voices: contemporary vocal techniques Linda Hirst and David Wright
17. The teaching (and learning) of singing David Mason
18. Children's singing Felicity Laurence
19. Where does the sound come from? Johan Sundberg
Notes
Select bibliography
Index.
List of illustrations
Notes on contributors
Acknowledgements
1. Introduction: singing at the turn of the century John Potter
Part I. Popular Traditions: 2. 'Songlines': vocal traditions in world music John Schaefer
3. Rock singing Richard Middleton
4. The evolving language of rap David Toop
5. Jazz singing: the first hundred years John Potter
Part II. The Voice in the Theatre: 6. Stage and screen entertainers in the twentieth century Stephen Banfield
7. Song into theatre: the beginnings of opera John Rosselli
8. Grand opera: nineteenth-century revolution and twentieth-century tradition John Rosselli
Part III. Choral Music and Song: 9. European art song Stephen Varcoe
10. English cathedral choirs in the twentieth century Timothy Day
11. Sacred choral music in the United States: an overview Neely Bruce
Part IV. Performance Practices: 12. Some notes on choral singing Heikki Liimola
13. Ensemble singing John Potter
14. The voice in the Middle Ages Joseph Dyer
15. Reconstructing pre-Romantic singing technique Richard Wistreich
16. Alternative voices: contemporary vocal techniques Linda Hirst and David Wright
17. The teaching (and learning) of singing David Mason
18. Children's singing Felicity Laurence
19. Where does the sound come from? Johan Sundberg
Notes
Select bibliography
Index.
Notes on contributors
Acknowledgements
1. Introduction: singing at the turn of the century John Potter
Part I. Popular Traditions: 2. 'Songlines': vocal traditions in world music John Schaefer
3. Rock singing Richard Middleton
4. The evolving language of rap David Toop
5. Jazz singing: the first hundred years John Potter
Part II. The Voice in the Theatre: 6. Stage and screen entertainers in the twentieth century Stephen Banfield
7. Song into theatre: the beginnings of opera John Rosselli
8. Grand opera: nineteenth-century revolution and twentieth-century tradition John Rosselli
Part III. Choral Music and Song: 9. European art song Stephen Varcoe
10. English cathedral choirs in the twentieth century Timothy Day
11. Sacred choral music in the United States: an overview Neely Bruce
Part IV. Performance Practices: 12. Some notes on choral singing Heikki Liimola
13. Ensemble singing John Potter
14. The voice in the Middle Ages Joseph Dyer
15. Reconstructing pre-Romantic singing technique Richard Wistreich
16. Alternative voices: contemporary vocal techniques Linda Hirst and David Wright
17. The teaching (and learning) of singing David Mason
18. Children's singing Felicity Laurence
19. Where does the sound come from? Johan Sundberg
Notes
Select bibliography
Index.