An authoritative introduction to the specialised histories of the modern circus, its unique aesthetics, and its contemporary manifestations and scholarship, from its origins in commercial equestrian performance, to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.
An authoritative introduction to the specialised histories of the modern circus, its unique aesthetics, and its contemporary manifestations and scholarship, from its origins in commercial equestrian performance, to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction. The circus: reflecting and mediating the world Gillian Arrighi and Jim Davis; Part I. Trans-national Geographies of the Modern Circus: 1. The origins and growth of the modern circus Matthew Wittmann; 2. Reconstruction, railroads, and race: the American circus in the gilded age and progressive era Sakina Hughes; 3. Circus, colonialism and empire: the circus in Australasia and Asia Gillian Arrighi; 4. The criollo circus (circus theatre) in Argentina: the emergence of a unique circus form in connection with the consolidation of the Argentine nation state Julieta Infantino; 5. The past and present of Czech circus Hanu Jordan and Veronika tefanová; 6. Catching on: Chinese acrobatics from China to the west in the twenty-first century Rosemary Farrell; Part II. Circus Acts and Aesthetics: 7. The equestrian circus Kim Baston; 8. Animals, circus and war re-enactment: military action to colonial wars Peta Tait; 9. Circus clowns Louise Peacock; 10. Aerial performance: aerial aesthetics Kate Holmes; Part III. Circus: A Constantly Evolving Form: 11. Circus and somatic spectacularity on stage in the variety era Catherine M. Young; 12. Becoming an art form: from 'Nouveau Cirque' to contemporary circus in Europe Agathe Dumont; 13. Risky play and the global rise in youth circus Alisan Funk; 14. Social circus: the rise of an 'inclusive' movement for collective creativity Jennifer Beth Spiegel; Part IV. Circus Studies Scholarship: 15. Methodologies in circus scholarship Charles R. Batson and Karen Fricker; 16. Through the looking glass: multi-disciplinary perspectives in circus Anna-Sophie Jürgens.
Introduction. The circus: reflecting and mediating the world Gillian Arrighi and Jim Davis; Part I. Trans-national Geographies of the Modern Circus: 1. The origins and growth of the modern circus Matthew Wittmann; 2. Reconstruction, railroads, and race: the American circus in the gilded age and progressive era Sakina Hughes; 3. Circus, colonialism and empire: the circus in Australasia and Asia Gillian Arrighi; 4. The criollo circus (circus theatre) in Argentina: the emergence of a unique circus form in connection with the consolidation of the Argentine nation state Julieta Infantino; 5. The past and present of Czech circus Hanu Jordan and Veronika tefanová; 6. Catching on: Chinese acrobatics from China to the west in the twenty-first century Rosemary Farrell; Part II. Circus Acts and Aesthetics: 7. The equestrian circus Kim Baston; 8. Animals, circus and war re-enactment: military action to colonial wars Peta Tait; 9. Circus clowns Louise Peacock; 10. Aerial performance: aerial aesthetics Kate Holmes; Part III. Circus: A Constantly Evolving Form: 11. Circus and somatic spectacularity on stage in the variety era Catherine M. Young; 12. Becoming an art form: from 'Nouveau Cirque' to contemporary circus in Europe Agathe Dumont; 13. Risky play and the global rise in youth circus Alisan Funk; 14. Social circus: the rise of an 'inclusive' movement for collective creativity Jennifer Beth Spiegel; Part IV. Circus Studies Scholarship: 15. Methodologies in circus scholarship Charles R. Batson and Karen Fricker; 16. Through the looking glass: multi-disciplinary perspectives in circus Anna-Sophie Jürgens.
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