The Cambridge Companion to the Circus
Herausgeber: Arrighi, Gillian; Davis, Jim
The Cambridge Companion to the Circus
Herausgeber: Arrighi, Gillian; Davis, Jim
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An authoritative introduction to the specialised histories of the modern circus, its unique aesthetics, and its contemporary manifestations and scholarship.
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An authoritative introduction to the specialised histories of the modern circus, its unique aesthetics, and its contemporary manifestations and scholarship.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 330
- Erscheinungstermin: 1. Juli 2021
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 630g
- ISBN-13: 9781108485166
- ISBN-10: 1108485162
- Artikelnr.: 62158319
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 330
- Erscheinungstermin: 1. Juli 2021
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 630g
- ISBN-13: 9781108485166
- ISBN-10: 1108485162
- Artikelnr.: 62158319
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Introduction. The circus: reflecting and mediating the world Gillian
Arrighi and Jim Davis; Part I. Trans-national Geographies of the Modern
Circus: 1. The origins and growth of the modern circus Matthew Wittmann; 2.
Reconstruction, railroads, and race: the American circus in the gilded age
and progressive era Sakina Hughes; 3. Circus, colonialism and empire: the
circus in Australasia and Asia Gillian Arrighi; 4. The criollo circus
(circus theatre) in Argentina: the emergence of a unique circus form in
connection with the consolidation of the Argentine nation state Julieta
Infantino; 5. The past and present of Czech circus Hanu Jordan and
Veronika tefanová; 6. Catching on: Chinese acrobatics from China to the
west in the twenty-first century Rosemary Farrell; Part II. Circus Acts and
Aesthetics: 7. The equestrian circus Kim Baston; 8. Animals, circus and war
re-enactment: military action to colonial wars Peta Tait; 9. Circus clowns
Louise Peacock; 10. Aerial performance: aerial aesthetics Kate Holmes; Part
III. Circus: A Constantly Evolving Form: 11. Circus and somatic
spectacularity on stage in the variety era Catherine M. Young; 12. Becoming
an art form: from 'Nouveau Cirque' to contemporary circus in Europe Agathe
Dumont; 13. Risky play and the global rise in youth circus Alisan Funk; 14.
Social circus: the rise of an 'inclusive' movement for collective
creativity Jennifer Beth Spiegel; Part IV. Circus Studies Scholarship: 15.
Methodologies in circus scholarship Charles R. Batson and Karen Fricker;
16. Through the looking glass: multi-disciplinary perspectives in circus
Anna-Sophie Jürgens.
Arrighi and Jim Davis; Part I. Trans-national Geographies of the Modern
Circus: 1. The origins and growth of the modern circus Matthew Wittmann; 2.
Reconstruction, railroads, and race: the American circus in the gilded age
and progressive era Sakina Hughes; 3. Circus, colonialism and empire: the
circus in Australasia and Asia Gillian Arrighi; 4. The criollo circus
(circus theatre) in Argentina: the emergence of a unique circus form in
connection with the consolidation of the Argentine nation state Julieta
Infantino; 5. The past and present of Czech circus Hanu Jordan and
Veronika tefanová; 6. Catching on: Chinese acrobatics from China to the
west in the twenty-first century Rosemary Farrell; Part II. Circus Acts and
Aesthetics: 7. The equestrian circus Kim Baston; 8. Animals, circus and war
re-enactment: military action to colonial wars Peta Tait; 9. Circus clowns
Louise Peacock; 10. Aerial performance: aerial aesthetics Kate Holmes; Part
III. Circus: A Constantly Evolving Form: 11. Circus and somatic
spectacularity on stage in the variety era Catherine M. Young; 12. Becoming
an art form: from 'Nouveau Cirque' to contemporary circus in Europe Agathe
Dumont; 13. Risky play and the global rise in youth circus Alisan Funk; 14.
Social circus: the rise of an 'inclusive' movement for collective
creativity Jennifer Beth Spiegel; Part IV. Circus Studies Scholarship: 15.
Methodologies in circus scholarship Charles R. Batson and Karen Fricker;
16. Through the looking glass: multi-disciplinary perspectives in circus
Anna-Sophie Jürgens.
Introduction. The circus: reflecting and mediating the world Gillian
Arrighi and Jim Davis; Part I. Trans-national Geographies of the Modern
Circus: 1. The origins and growth of the modern circus Matthew Wittmann; 2.
Reconstruction, railroads, and race: the American circus in the gilded age
and progressive era Sakina Hughes; 3. Circus, colonialism and empire: the
circus in Australasia and Asia Gillian Arrighi; 4. The criollo circus
(circus theatre) in Argentina: the emergence of a unique circus form in
connection with the consolidation of the Argentine nation state Julieta
Infantino; 5. The past and present of Czech circus Hanu Jordan and
Veronika tefanová; 6. Catching on: Chinese acrobatics from China to the
west in the twenty-first century Rosemary Farrell; Part II. Circus Acts and
Aesthetics: 7. The equestrian circus Kim Baston; 8. Animals, circus and war
re-enactment: military action to colonial wars Peta Tait; 9. Circus clowns
Louise Peacock; 10. Aerial performance: aerial aesthetics Kate Holmes; Part
III. Circus: A Constantly Evolving Form: 11. Circus and somatic
spectacularity on stage in the variety era Catherine M. Young; 12. Becoming
an art form: from 'Nouveau Cirque' to contemporary circus in Europe Agathe
Dumont; 13. Risky play and the global rise in youth circus Alisan Funk; 14.
Social circus: the rise of an 'inclusive' movement for collective
creativity Jennifer Beth Spiegel; Part IV. Circus Studies Scholarship: 15.
Methodologies in circus scholarship Charles R. Batson and Karen Fricker;
16. Through the looking glass: multi-disciplinary perspectives in circus
Anna-Sophie Jürgens.
Arrighi and Jim Davis; Part I. Trans-national Geographies of the Modern
Circus: 1. The origins and growth of the modern circus Matthew Wittmann; 2.
Reconstruction, railroads, and race: the American circus in the gilded age
and progressive era Sakina Hughes; 3. Circus, colonialism and empire: the
circus in Australasia and Asia Gillian Arrighi; 4. The criollo circus
(circus theatre) in Argentina: the emergence of a unique circus form in
connection with the consolidation of the Argentine nation state Julieta
Infantino; 5. The past and present of Czech circus Hanu Jordan and
Veronika tefanová; 6. Catching on: Chinese acrobatics from China to the
west in the twenty-first century Rosemary Farrell; Part II. Circus Acts and
Aesthetics: 7. The equestrian circus Kim Baston; 8. Animals, circus and war
re-enactment: military action to colonial wars Peta Tait; 9. Circus clowns
Louise Peacock; 10. Aerial performance: aerial aesthetics Kate Holmes; Part
III. Circus: A Constantly Evolving Form: 11. Circus and somatic
spectacularity on stage in the variety era Catherine M. Young; 12. Becoming
an art form: from 'Nouveau Cirque' to contemporary circus in Europe Agathe
Dumont; 13. Risky play and the global rise in youth circus Alisan Funk; 14.
Social circus: the rise of an 'inclusive' movement for collective
creativity Jennifer Beth Spiegel; Part IV. Circus Studies Scholarship: 15.
Methodologies in circus scholarship Charles R. Batson and Karen Fricker;
16. Through the looking glass: multi-disciplinary perspectives in circus
Anna-Sophie Jürgens.