The Cambridge Companion to the Drum Kit
Herausgeber: Brennan, Matt; Stadnicki, Daniel Akira; Pignato, Joseph Michael
The Cambridge Companion to the Drum Kit
Herausgeber: Brennan, Matt; Stadnicki, Daniel Akira; Pignato, Joseph Michael
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- Produkterinnerung
This is a first-of-its-kind text: a collaborative volume dedicated solely to scholarly consideration of the drum kit. It features an array of perspectives on the social, material, and performative dimensions of the drum kit, with original contributions by emerging and established scholars and drummers.
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This is a first-of-its-kind text: a collaborative volume dedicated solely to scholarly consideration of the drum kit. It features an array of perspectives on the social, material, and performative dimensions of the drum kit, with original contributions by emerging and established scholars and drummers.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Cambridge Companions to Music
- Verlag: Cambridge University Press
- Seitenzahl: 284
- Erscheinungstermin: 17. Juni 2021
- Englisch
- Abmessung: 244mm x 170mm x 15mm
- Gewicht: 498g
- ISBN-13: 9781108747653
- ISBN-10: 1108747655
- Artikelnr.: 61151728
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Cambridge Companions to Music
- Verlag: Cambridge University Press
- Seitenzahl: 284
- Erscheinungstermin: 17. Juni 2021
- Englisch
- Abmessung: 244mm x 170mm x 15mm
- Gewicht: 498g
- ISBN-13: 9781108747653
- ISBN-10: 1108747655
- Artikelnr.: 61151728
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Introduction Joseph Michael Pignato, Daniel Akira Stadnicki and Matt
Brennan; I. Histories of the Drum Kit: 1. The drum kit in theory Matt
Brennan; 2. Historically informed jazz performance on the drum kit Paul
Archibald; 3. Toward a cultural history of the backbeat Steven Baur; 4.
Historicizing a scene and sound: the case of Colombia's Música Tropical
Sabanera Pedro Ojeda and Juan David Rubio Restrepo; II. Analysing the Drum
Kit in Performance: 5. The drum kit beyond the anglosphere: the case of
Brazil Daniel Gohn; 6. Drum kit performance in contemporary classical music
Ben Reimer; 7. Theorizing complex meters and irregular grooves Scott
Hanenberg; 8. Shake, rattle, and rolls: drumming and the aesthetics of
Americana Daniel Akira Stadnicki; 9. Drum tracks: locating the experiences
of drummers in recording studios Paul Thompson and Brett Lashua; III.
Learning, Teaching, and Leading on the Drum Kit: 10. Studying hybrid and
electronic drum kit technologies Bryden Stillie; 11. The aesthetics of
timekeeping: creative and technical aspects of learning drum kit Carlos
Xavier Rodriguez and Patrick Hernly; 12. Mentorship: jazz drumming across
generations Joseph Michael Pignato; 13. Leadership: the view from behind
the kit Bill Bruford; IV. Drumming Bodies, Meaning, and Identity: 14. The
meaning of the drumming body Mandy Smith; 15. Disability, drumming, and the
drum kit Adam Patrick Bell and Cornel Hrisca-Munn; 16. Seen but not heard:
performing gender and popular feminism on drumming Instagram Vincent
Andrisani and Margaret MacAulay; 17. Building inclusive drum communities:
the case of hey drums Nat Grant; 18. A window into my soul: eudaimonia and
autotelic drumming Gareth Dylan Smith.
Brennan; I. Histories of the Drum Kit: 1. The drum kit in theory Matt
Brennan; 2. Historically informed jazz performance on the drum kit Paul
Archibald; 3. Toward a cultural history of the backbeat Steven Baur; 4.
Historicizing a scene and sound: the case of Colombia's Música Tropical
Sabanera Pedro Ojeda and Juan David Rubio Restrepo; II. Analysing the Drum
Kit in Performance: 5. The drum kit beyond the anglosphere: the case of
Brazil Daniel Gohn; 6. Drum kit performance in contemporary classical music
Ben Reimer; 7. Theorizing complex meters and irregular grooves Scott
Hanenberg; 8. Shake, rattle, and rolls: drumming and the aesthetics of
Americana Daniel Akira Stadnicki; 9. Drum tracks: locating the experiences
of drummers in recording studios Paul Thompson and Brett Lashua; III.
Learning, Teaching, and Leading on the Drum Kit: 10. Studying hybrid and
electronic drum kit technologies Bryden Stillie; 11. The aesthetics of
timekeeping: creative and technical aspects of learning drum kit Carlos
Xavier Rodriguez and Patrick Hernly; 12. Mentorship: jazz drumming across
generations Joseph Michael Pignato; 13. Leadership: the view from behind
the kit Bill Bruford; IV. Drumming Bodies, Meaning, and Identity: 14. The
meaning of the drumming body Mandy Smith; 15. Disability, drumming, and the
drum kit Adam Patrick Bell and Cornel Hrisca-Munn; 16. Seen but not heard:
performing gender and popular feminism on drumming Instagram Vincent
Andrisani and Margaret MacAulay; 17. Building inclusive drum communities:
the case of hey drums Nat Grant; 18. A window into my soul: eudaimonia and
autotelic drumming Gareth Dylan Smith.
Introduction Joseph Michael Pignato, Daniel Akira Stadnicki and Matt
Brennan; I. Histories of the Drum Kit: 1. The drum kit in theory Matt
Brennan; 2. Historically informed jazz performance on the drum kit Paul
Archibald; 3. Toward a cultural history of the backbeat Steven Baur; 4.
Historicizing a scene and sound: the case of Colombia's Música Tropical
Sabanera Pedro Ojeda and Juan David Rubio Restrepo; II. Analysing the Drum
Kit in Performance: 5. The drum kit beyond the anglosphere: the case of
Brazil Daniel Gohn; 6. Drum kit performance in contemporary classical music
Ben Reimer; 7. Theorizing complex meters and irregular grooves Scott
Hanenberg; 8. Shake, rattle, and rolls: drumming and the aesthetics of
Americana Daniel Akira Stadnicki; 9. Drum tracks: locating the experiences
of drummers in recording studios Paul Thompson and Brett Lashua; III.
Learning, Teaching, and Leading on the Drum Kit: 10. Studying hybrid and
electronic drum kit technologies Bryden Stillie; 11. The aesthetics of
timekeeping: creative and technical aspects of learning drum kit Carlos
Xavier Rodriguez and Patrick Hernly; 12. Mentorship: jazz drumming across
generations Joseph Michael Pignato; 13. Leadership: the view from behind
the kit Bill Bruford; IV. Drumming Bodies, Meaning, and Identity: 14. The
meaning of the drumming body Mandy Smith; 15. Disability, drumming, and the
drum kit Adam Patrick Bell and Cornel Hrisca-Munn; 16. Seen but not heard:
performing gender and popular feminism on drumming Instagram Vincent
Andrisani and Margaret MacAulay; 17. Building inclusive drum communities:
the case of hey drums Nat Grant; 18. A window into my soul: eudaimonia and
autotelic drumming Gareth Dylan Smith.
Brennan; I. Histories of the Drum Kit: 1. The drum kit in theory Matt
Brennan; 2. Historically informed jazz performance on the drum kit Paul
Archibald; 3. Toward a cultural history of the backbeat Steven Baur; 4.
Historicizing a scene and sound: the case of Colombia's Música Tropical
Sabanera Pedro Ojeda and Juan David Rubio Restrepo; II. Analysing the Drum
Kit in Performance: 5. The drum kit beyond the anglosphere: the case of
Brazil Daniel Gohn; 6. Drum kit performance in contemporary classical music
Ben Reimer; 7. Theorizing complex meters and irregular grooves Scott
Hanenberg; 8. Shake, rattle, and rolls: drumming and the aesthetics of
Americana Daniel Akira Stadnicki; 9. Drum tracks: locating the experiences
of drummers in recording studios Paul Thompson and Brett Lashua; III.
Learning, Teaching, and Leading on the Drum Kit: 10. Studying hybrid and
electronic drum kit technologies Bryden Stillie; 11. The aesthetics of
timekeeping: creative and technical aspects of learning drum kit Carlos
Xavier Rodriguez and Patrick Hernly; 12. Mentorship: jazz drumming across
generations Joseph Michael Pignato; 13. Leadership: the view from behind
the kit Bill Bruford; IV. Drumming Bodies, Meaning, and Identity: 14. The
meaning of the drumming body Mandy Smith; 15. Disability, drumming, and the
drum kit Adam Patrick Bell and Cornel Hrisca-Munn; 16. Seen but not heard:
performing gender and popular feminism on drumming Instagram Vincent
Andrisani and Margaret MacAulay; 17. Building inclusive drum communities:
the case of hey drums Nat Grant; 18. A window into my soul: eudaimonia and
autotelic drumming Gareth Dylan Smith.