The Cambridge Companion to the Eroica Symphony
Herausgeber: November, Nancy
The Cambridge Companion to the Eroica Symphony
Herausgeber: November, Nancy
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A stimulating, up-to-date overview of the genesis, analysis, and reception of this landmark symphony.
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A stimulating, up-to-date overview of the genesis, analysis, and reception of this landmark symphony.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 290
- Erscheinungstermin: 23. Juli 2020
- Englisch
- Abmessung: 253mm x 182mm x 20mm
- Gewicht: 705g
- ISBN-13: 9781108422581
- ISBN-10: 1108422586
- Artikelnr.: 58851875
- Verlag: Cambridge University Press
- Seitenzahl: 290
- Erscheinungstermin: 23. Juli 2020
- Englisch
- Abmessung: 253mm x 182mm x 20mm
- Gewicht: 705g
- ISBN-13: 9781108422581
- ISBN-10: 1108422586
- Artikelnr.: 58851875
Introduction Nancy November; Part I. Context and Genesis: 1. Beethoven and
heroism in the age of revolutions Scott Burnham; 2. Beethoven's
'watershed'? Eroica's contexts and periodization Mark Ferraguto; 3. The
symphony in Vienna and abroad around 1800 Erica Burrman; 4. Genesis and
publication of the Eroica Federica Rovelli; Part II. Analytical Approaches:
5. Twentieth-century analytical approaches to the first movement William
Drabkin; 6. Beethoven in the garden: the hero who practices resignation;
or, the Eroica as 'late' work Vasili Byros; 7. Registering the Eroica
Nicholas Marston; 8. After invention: traces and materials in the Eroica
finale Elaine Sisman; Part III. Reception: 9. Who is the hero? The early
reception of the Eroica Beate Angelika Kraus; 10. The Eroica in the
nineteenth and twentieth centuries Leon Botstein; 11. Performing, arranging
and rearranging the Eroica: then and now Nancy November; 12. The Eroica
endures: Beethoven's Third Symphony in the twenty-first century Melanie
Lowe.
heroism in the age of revolutions Scott Burnham; 2. Beethoven's
'watershed'? Eroica's contexts and periodization Mark Ferraguto; 3. The
symphony in Vienna and abroad around 1800 Erica Burrman; 4. Genesis and
publication of the Eroica Federica Rovelli; Part II. Analytical Approaches:
5. Twentieth-century analytical approaches to the first movement William
Drabkin; 6. Beethoven in the garden: the hero who practices resignation;
or, the Eroica as 'late' work Vasili Byros; 7. Registering the Eroica
Nicholas Marston; 8. After invention: traces and materials in the Eroica
finale Elaine Sisman; Part III. Reception: 9. Who is the hero? The early
reception of the Eroica Beate Angelika Kraus; 10. The Eroica in the
nineteenth and twentieth centuries Leon Botstein; 11. Performing, arranging
and rearranging the Eroica: then and now Nancy November; 12. The Eroica
endures: Beethoven's Third Symphony in the twenty-first century Melanie
Lowe.
Introduction Nancy November; Part I. Context and Genesis: 1. Beethoven and
heroism in the age of revolutions Scott Burnham; 2. Beethoven's
'watershed'? Eroica's contexts and periodization Mark Ferraguto; 3. The
symphony in Vienna and abroad around 1800 Erica Burrman; 4. Genesis and
publication of the Eroica Federica Rovelli; Part II. Analytical Approaches:
5. Twentieth-century analytical approaches to the first movement William
Drabkin; 6. Beethoven in the garden: the hero who practices resignation;
or, the Eroica as 'late' work Vasili Byros; 7. Registering the Eroica
Nicholas Marston; 8. After invention: traces and materials in the Eroica
finale Elaine Sisman; Part III. Reception: 9. Who is the hero? The early
reception of the Eroica Beate Angelika Kraus; 10. The Eroica in the
nineteenth and twentieth centuries Leon Botstein; 11. Performing, arranging
and rearranging the Eroica: then and now Nancy November; 12. The Eroica
endures: Beethoven's Third Symphony in the twenty-first century Melanie
Lowe.
heroism in the age of revolutions Scott Burnham; 2. Beethoven's
'watershed'? Eroica's contexts and periodization Mark Ferraguto; 3. The
symphony in Vienna and abroad around 1800 Erica Burrman; 4. Genesis and
publication of the Eroica Federica Rovelli; Part II. Analytical Approaches:
5. Twentieth-century analytical approaches to the first movement William
Drabkin; 6. Beethoven in the garden: the hero who practices resignation;
or, the Eroica as 'late' work Vasili Byros; 7. Registering the Eroica
Nicholas Marston; 8. After invention: traces and materials in the Eroica
finale Elaine Sisman; Part III. Reception: 9. Who is the hero? The early
reception of the Eroica Beate Angelika Kraus; 10. The Eroica in the
nineteenth and twentieth centuries Leon Botstein; 11. Performing, arranging
and rearranging the Eroica: then and now Nancy November; 12. The Eroica
endures: Beethoven's Third Symphony in the twenty-first century Melanie
Lowe.