The Cambridge Companion to the Magic Flute
Herausgeber: Waldoff, Jessica
The Cambridge Companion to the Magic Flute
Herausgeber: Waldoff, Jessica
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Premiered in 1791, The Magic Flute remains Mozart's most-performed opera worldwide. This Companion covers historical context, musical analysis, critical approaches and reception history, and engages with current debates including the representation of gender, race and exoticism. It provides an essential framework for understanding the opera today.
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Premiered in 1791, The Magic Flute remains Mozart's most-performed opera worldwide. This Companion covers historical context, musical analysis, critical approaches and reception history, and engages with current debates including the representation of gender, race and exoticism. It provides an essential framework for understanding the opera today.
Produktdetails
- Produktdetails
- Cambridge Companions to Music
- Verlag: Cambridge University Press
- Seitenzahl: 320
- Erscheinungstermin: 2. November 2023
- Englisch
- Abmessung: 244mm x 170mm x 22mm
- Gewicht: 838g
- ISBN-13: 9781108426893
- ISBN-10: 1108426891
- Artikelnr.: 68463683
- Cambridge Companions to Music
- Verlag: Cambridge University Press
- Seitenzahl: 320
- Erscheinungstermin: 2. November 2023
- Englisch
- Abmessung: 244mm x 170mm x 22mm
- Gewicht: 838g
- ISBN-13: 9781108426893
- ISBN-10: 1108426891
- Artikelnr.: 68463683
Introduction Jessica Waldoff; Part I. Conception and Context: 1. German
Opera in Mozart's Vienna Estelle Joubert; 2. 'The Magic Flute's' Libretto
and German Enlightenment Theater Reform Martin Nedbal; 3. Emanuel
Schikaneder and the Theater auf der Wieden Lisa de Alwis; 4. 'The Magic
Flute' in 1791 Austin Glatthorn; Part II. Music, Text, and Action: 5. Music
as Stage-Craft Julian Rushton; 6. Enduring Portraits: The Arias Laurel E.
Zeiss; 7. 'All Together, Now'? Ensembles and Choruses in 'The Magic Flute'
Nicholas Marston; 8. Musical Topics, Quotations, and References Mark
Ferraguto; 9. Instrumentation, Magical and Mundane Emily I. Dolan and
Hayley Fenn; 10. The Dialogue as Indispensable Catherine Coppola; 11.
Music, Drama and Spectacle in the Finales John Platoff; III. Approaches and
Perspectives: 12. Seeking Enlightenment in Mozart's 'Magic Flute' Richard
Kramer; 13. Birdsong and Hieroglyphs: Exoticism and Enlightened Orientalism
in 'The Magic Flute' Matthew Head; 14. Partial Derivatives: Sources, Types,
and Tropes in 'The Magic Flute' Thomas Bauman; 15. Pamina, the Queen, and
the Representation of Women Jessica Waldoff; 16. Blackness and Whiteness
in 'The Magic Flute' ¿ Reflections from Shakespeare Studies Adeline
Mueller; IV. Reception, Interpretation, and Influence: 17. Zauberflöte: A
Cultural Phenomenon in an Age of Revolution Ian Woodfield; 18. 'The Magic
Flute' in Biography, Criticism, and Literature Simon P. Keefe; 19. The
Elusive Compositional History of 'The Magic Flute' Daniel R. Melamed; 20.
Staging 'The Magic Flute' Kate Hopkins; 21. Ingmar Bergman's Film Version
of 'The Magic Flute' Dean Duncan.
Opera in Mozart's Vienna Estelle Joubert; 2. 'The Magic Flute's' Libretto
and German Enlightenment Theater Reform Martin Nedbal; 3. Emanuel
Schikaneder and the Theater auf der Wieden Lisa de Alwis; 4. 'The Magic
Flute' in 1791 Austin Glatthorn; Part II. Music, Text, and Action: 5. Music
as Stage-Craft Julian Rushton; 6. Enduring Portraits: The Arias Laurel E.
Zeiss; 7. 'All Together, Now'? Ensembles and Choruses in 'The Magic Flute'
Nicholas Marston; 8. Musical Topics, Quotations, and References Mark
Ferraguto; 9. Instrumentation, Magical and Mundane Emily I. Dolan and
Hayley Fenn; 10. The Dialogue as Indispensable Catherine Coppola; 11.
Music, Drama and Spectacle in the Finales John Platoff; III. Approaches and
Perspectives: 12. Seeking Enlightenment in Mozart's 'Magic Flute' Richard
Kramer; 13. Birdsong and Hieroglyphs: Exoticism and Enlightened Orientalism
in 'The Magic Flute' Matthew Head; 14. Partial Derivatives: Sources, Types,
and Tropes in 'The Magic Flute' Thomas Bauman; 15. Pamina, the Queen, and
the Representation of Women Jessica Waldoff; 16. Blackness and Whiteness
in 'The Magic Flute' ¿ Reflections from Shakespeare Studies Adeline
Mueller; IV. Reception, Interpretation, and Influence: 17. Zauberflöte: A
Cultural Phenomenon in an Age of Revolution Ian Woodfield; 18. 'The Magic
Flute' in Biography, Criticism, and Literature Simon P. Keefe; 19. The
Elusive Compositional History of 'The Magic Flute' Daniel R. Melamed; 20.
Staging 'The Magic Flute' Kate Hopkins; 21. Ingmar Bergman's Film Version
of 'The Magic Flute' Dean Duncan.
Introduction Jessica Waldoff; Part I. Conception and Context: 1. German
Opera in Mozart's Vienna Estelle Joubert; 2. 'The Magic Flute's' Libretto
and German Enlightenment Theater Reform Martin Nedbal; 3. Emanuel
Schikaneder and the Theater auf der Wieden Lisa de Alwis; 4. 'The Magic
Flute' in 1791 Austin Glatthorn; Part II. Music, Text, and Action: 5. Music
as Stage-Craft Julian Rushton; 6. Enduring Portraits: The Arias Laurel E.
Zeiss; 7. 'All Together, Now'? Ensembles and Choruses in 'The Magic Flute'
Nicholas Marston; 8. Musical Topics, Quotations, and References Mark
Ferraguto; 9. Instrumentation, Magical and Mundane Emily I. Dolan and
Hayley Fenn; 10. The Dialogue as Indispensable Catherine Coppola; 11.
Music, Drama and Spectacle in the Finales John Platoff; III. Approaches and
Perspectives: 12. Seeking Enlightenment in Mozart's 'Magic Flute' Richard
Kramer; 13. Birdsong and Hieroglyphs: Exoticism and Enlightened Orientalism
in 'The Magic Flute' Matthew Head; 14. Partial Derivatives: Sources, Types,
and Tropes in 'The Magic Flute' Thomas Bauman; 15. Pamina, the Queen, and
the Representation of Women Jessica Waldoff; 16. Blackness and Whiteness
in 'The Magic Flute' ¿ Reflections from Shakespeare Studies Adeline
Mueller; IV. Reception, Interpretation, and Influence: 17. Zauberflöte: A
Cultural Phenomenon in an Age of Revolution Ian Woodfield; 18. 'The Magic
Flute' in Biography, Criticism, and Literature Simon P. Keefe; 19. The
Elusive Compositional History of 'The Magic Flute' Daniel R. Melamed; 20.
Staging 'The Magic Flute' Kate Hopkins; 21. Ingmar Bergman's Film Version
of 'The Magic Flute' Dean Duncan.
Opera in Mozart's Vienna Estelle Joubert; 2. 'The Magic Flute's' Libretto
and German Enlightenment Theater Reform Martin Nedbal; 3. Emanuel
Schikaneder and the Theater auf der Wieden Lisa de Alwis; 4. 'The Magic
Flute' in 1791 Austin Glatthorn; Part II. Music, Text, and Action: 5. Music
as Stage-Craft Julian Rushton; 6. Enduring Portraits: The Arias Laurel E.
Zeiss; 7. 'All Together, Now'? Ensembles and Choruses in 'The Magic Flute'
Nicholas Marston; 8. Musical Topics, Quotations, and References Mark
Ferraguto; 9. Instrumentation, Magical and Mundane Emily I. Dolan and
Hayley Fenn; 10. The Dialogue as Indispensable Catherine Coppola; 11.
Music, Drama and Spectacle in the Finales John Platoff; III. Approaches and
Perspectives: 12. Seeking Enlightenment in Mozart's 'Magic Flute' Richard
Kramer; 13. Birdsong and Hieroglyphs: Exoticism and Enlightened Orientalism
in 'The Magic Flute' Matthew Head; 14. Partial Derivatives: Sources, Types,
and Tropes in 'The Magic Flute' Thomas Bauman; 15. Pamina, the Queen, and
the Representation of Women Jessica Waldoff; 16. Blackness and Whiteness
in 'The Magic Flute' ¿ Reflections from Shakespeare Studies Adeline
Mueller; IV. Reception, Interpretation, and Influence: 17. Zauberflöte: A
Cultural Phenomenon in an Age of Revolution Ian Woodfield; 18. 'The Magic
Flute' in Biography, Criticism, and Literature Simon P. Keefe; 19. The
Elusive Compositional History of 'The Magic Flute' Daniel R. Melamed; 20.
Staging 'The Magic Flute' Kate Hopkins; 21. Ingmar Bergman's Film Version
of 'The Magic Flute' Dean Duncan.