1. Introduction Christopher MacGowan 2. William Carlos Williams and the local Eric B. White 3. Williams and his contemporaries Glen MacLeod 4. Williams and the visual arts Peter Halter 5. 'No confusion - only difficulties' in Williams's Spring and All Lisa M. Steinman 6. Williams and politics Milton A. Cohen 7. William Carlos Williams and the prose of pure experience Alec Marsh 8. Paterson: an epic in four or five or six parts Erin E. Templeton 9. Pictures from Brueghel: looking backward, pointing forward Cristina Giorcelli 10. Williams in the American grain Ian Copestake 11. Williams and women Kerry Driscoll 12. Reading Carlos: baroque as straight ahead J. A. Marzan 13. Williams, science, and the body T. Hugh Crawford 14. Williams: the new poetries and legacy John Lowney.
1. Introduction Christopher MacGowan 2. William Carlos Williams and the local Eric B. White 3. Williams and his contemporaries Glen MacLeod 4. Williams and the visual arts Peter Halter 5. 'No confusion - only difficulties' in Williams's Spring and All Lisa M. Steinman 6. Williams and politics Milton A. Cohen 7. William Carlos Williams and the prose of pure experience Alec Marsh 8. Paterson: an epic in four or five or six parts Erin E. Templeton 9. Pictures from Brueghel: looking backward, pointing forward Cristina Giorcelli 10. Williams in the American grain Ian Copestake 11. Williams and women Kerry Driscoll 12. Reading Carlos: baroque as straight ahead J. A. Marzan 13. Williams, science, and the body T. Hugh Crawford 14. Williams: the new poetries and legacy John Lowney.
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