Transcending narratives of female suppression, this Companion traces women's innovative and critical contributions to musical culture in diverse times, places, and contexts from medieval to modern times. A thematically organised exploration of a rich, re-emerging repertoire, it will be essential reading for students of music history.
Transcending narratives of female suppression, this Companion traces women's innovative and critical contributions to musical culture in diverse times, places, and contexts from medieval to modern times. A thematically organised exploration of a rich, re-emerging repertoire, it will be essential reading for students of music history.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of figures List of music examples Notes on contributors Acknowledgements List of abbreviations Prologue: studies in women composers - the first fifty years Matthew Head and Susan Wollenberg Part I. Themes in Studying Women Composers: 1. Historical women composers and the transience of female musical fame Paula Higgins 2. In search of a feminist analysis Susan Wollenberg 3. Composing women's history: beyond suppression and separate spheres Matthew Head 4. Progress and professionalism Sophie Fuller 5. Women composers and feminism Leah Broad Part II. Highlighting Women Composers Before 1750: 6. Medieval women in composition and musical production Margot Fassler 7. Sixteenth-century women composers, beyond borders Laurie Stras 8. Women and composition, c. 1600-1750 Rebecca Cypess Part III. Women Composers c. 1750-1880: Forms of Musical Culture: 9. Did women have a classical style? Matthew Head and Susan Wollenberg 10. Women, song, and subjectivity in the nineteenth century Anja Bunzel and Stephen Rodgers 11. Women, pianos, and virtuosity in the nineteenth century Joe Davies and Alexander Stefaniak Part IV. Women Composers c. 1880-2000: New Waves: 12. First-wave feminism and professional status Sophie Fuller 13. Women composers, experimentalism and technology, 1945-1980 Louise Gray 14. Vibrations: women in sound art, 1980-2000 Gascia Ouzounian Epilogue: composers' voices Nicola Lefanu, Roxanna Panufnik and Shirley J. Thompson Bibliography Index.
List of figures List of music examples Notes on contributors Acknowledgements List of abbreviations Prologue: studies in women composers - the first fifty years Matthew Head and Susan Wollenberg Part I. Themes in Studying Women Composers: 1. Historical women composers and the transience of female musical fame Paula Higgins 2. In search of a feminist analysis Susan Wollenberg 3. Composing women's history: beyond suppression and separate spheres Matthew Head 4. Progress and professionalism Sophie Fuller 5. Women composers and feminism Leah Broad Part II. Highlighting Women Composers Before 1750: 6. Medieval women in composition and musical production Margot Fassler 7. Sixteenth-century women composers, beyond borders Laurie Stras 8. Women and composition, c. 1600-1750 Rebecca Cypess Part III. Women Composers c. 1750-1880: Forms of Musical Culture: 9. Did women have a classical style? Matthew Head and Susan Wollenberg 10. Women, song, and subjectivity in the nineteenth century Anja Bunzel and Stephen Rodgers 11. Women, pianos, and virtuosity in the nineteenth century Joe Davies and Alexander Stefaniak Part IV. Women Composers c. 1880-2000: New Waves: 12. First-wave feminism and professional status Sophie Fuller 13. Women composers, experimentalism and technology, 1945-1980 Louise Gray 14. Vibrations: women in sound art, 1980-2000 Gascia Ouzounian Epilogue: composers' voices Nicola Lefanu, Roxanna Panufnik and Shirley J. Thompson Bibliography Index.
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