The Cambridge Companion to Women in Music since 1900
Herausgeber: Hamer, Laura
The Cambridge Companion to Women in Music since 1900
Herausgeber: Hamer, Laura
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This Companion surveys women's work as composers, performers, educators and music technologists and how it has evolved since 1900. It considers the impact of gender on women's participation in the musical profession, including access to training, gendered criticism, sexualization, and notions of 'appropriate' musical roles.
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This Companion surveys women's work as composers, performers, educators and music technologists and how it has evolved since 1900. It considers the impact of gender on women's participation in the musical profession, including access to training, gendered criticism, sexualization, and notions of 'appropriate' musical roles.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Cambridge Companions to Music
- Verlag: Cambridge University Press
- Seitenzahl: 356
- Erscheinungstermin: 6. Mai 2021
- Englisch
- Abmessung: 244mm x 170mm x 20mm
- Gewicht: 590g
- ISBN-13: 9781108455787
- ISBN-10: 1108455786
- Artikelnr.: 61286549
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Cambridge Companions to Music
- Verlag: Cambridge University Press
- Seitenzahl: 356
- Erscheinungstermin: 6. Mai 2021
- Englisch
- Abmessung: 244mm x 170mm x 20mm
- Gewicht: 590g
- ISBN-13: 9781108455787
- ISBN-10: 1108455786
- Artikelnr.: 61286549
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
List of Figures; List of Tables; Notes on Contributors; Preface Laura
Hamer; List of Abbreviations; Part I. The Classical Tradition: 1. Women in
Composition before the Second World War Sophie Fuller; 2. Women in
Composition During the Cold War in Music Rhiannon Mathias; 3. Behind the
Iron Curtain: Female Composers in the Soviet Bloc Elaine Kelly; 4. Still
Exceptional? Women in Composition Approaching the Twenty-First Century
Astrid Kvalbein; 5. On the Podium: Women Conductors Laura Hamer; 6.
Soloists and Divas: Evolving Opportunities, Identity, and Reception
Francesca Placanica; In Her Own Words: Practitioner Contribution 1 -
Elizabeth Hoffman; Part II. Women in Popular Music: 7. Most of My Sheroes
Don't Appear on a Stamp: Contextualising the Contributions of Women
Musicians to the Progression of Jazz Tammy L. Kernodle; 8. Leaders of the
Pack: Girl Groups of the 1960s Jacqueline Warwick; 9. Women and Rock Leah
Branstetter; 10. (You Make Me Feel Like a) Natural Woman: Women in
Songwriting Katherine Williams; 11. The British Folk Revival: Mythology and
the 'Non-Figuring' and 'Figuring' Woman Michael Brocken; 12. How MTV Idols
Got Us In Formation: Solo Women and their Brands Make Space for Truth
Telling, Trauma, and Survival in Popular Music from 1981 to the Present
Kristin J. Lieb; In Her Own Words: Practitioner Contribution 2 - Virginia
Kettle; Part III. Women and Music Technology: 13. Case Studies of Women in
Electronic Music: The Early Pioneers Louis Niebur; 14. The Star-Eaters: A
2019 Survey of Female and Gender Non-Conforming Individuals Using
Electronics for Music Margaret Schedel and Flannery Cunningham; In Her Own
Words: Practitioner Contribution 3 - Manuella Blackburn; Part IV. Women's
Wider Work in Music: 15. Women and Music Education: Pedagogues, Curricula,
and Role Models Robert Legg; 16. Women in the Music Industries: The Art of
Juggling Clare K. Duffin; In Her Own Words: Practitioner Contribution 4 -
Steph Power; Afterword: Challenges and Opportunities: Ways Forward for
Women Working in Music Victoria Armstrong; Appendix: Survey Questions for
Chapter 14; Select Bibliography; Index.
Hamer; List of Abbreviations; Part I. The Classical Tradition: 1. Women in
Composition before the Second World War Sophie Fuller; 2. Women in
Composition During the Cold War in Music Rhiannon Mathias; 3. Behind the
Iron Curtain: Female Composers in the Soviet Bloc Elaine Kelly; 4. Still
Exceptional? Women in Composition Approaching the Twenty-First Century
Astrid Kvalbein; 5. On the Podium: Women Conductors Laura Hamer; 6.
Soloists and Divas: Evolving Opportunities, Identity, and Reception
Francesca Placanica; In Her Own Words: Practitioner Contribution 1 -
Elizabeth Hoffman; Part II. Women in Popular Music: 7. Most of My Sheroes
Don't Appear on a Stamp: Contextualising the Contributions of Women
Musicians to the Progression of Jazz Tammy L. Kernodle; 8. Leaders of the
Pack: Girl Groups of the 1960s Jacqueline Warwick; 9. Women and Rock Leah
Branstetter; 10. (You Make Me Feel Like a) Natural Woman: Women in
Songwriting Katherine Williams; 11. The British Folk Revival: Mythology and
the 'Non-Figuring' and 'Figuring' Woman Michael Brocken; 12. How MTV Idols
Got Us In Formation: Solo Women and their Brands Make Space for Truth
Telling, Trauma, and Survival in Popular Music from 1981 to the Present
Kristin J. Lieb; In Her Own Words: Practitioner Contribution 2 - Virginia
Kettle; Part III. Women and Music Technology: 13. Case Studies of Women in
Electronic Music: The Early Pioneers Louis Niebur; 14. The Star-Eaters: A
2019 Survey of Female and Gender Non-Conforming Individuals Using
Electronics for Music Margaret Schedel and Flannery Cunningham; In Her Own
Words: Practitioner Contribution 3 - Manuella Blackburn; Part IV. Women's
Wider Work in Music: 15. Women and Music Education: Pedagogues, Curricula,
and Role Models Robert Legg; 16. Women in the Music Industries: The Art of
Juggling Clare K. Duffin; In Her Own Words: Practitioner Contribution 4 -
Steph Power; Afterword: Challenges and Opportunities: Ways Forward for
Women Working in Music Victoria Armstrong; Appendix: Survey Questions for
Chapter 14; Select Bibliography; Index.
List of Figures; List of Tables; Notes on Contributors; Preface Laura
Hamer; List of Abbreviations; Part I. The Classical Tradition: 1. Women in
Composition before the Second World War Sophie Fuller; 2. Women in
Composition During the Cold War in Music Rhiannon Mathias; 3. Behind the
Iron Curtain: Female Composers in the Soviet Bloc Elaine Kelly; 4. Still
Exceptional? Women in Composition Approaching the Twenty-First Century
Astrid Kvalbein; 5. On the Podium: Women Conductors Laura Hamer; 6.
Soloists and Divas: Evolving Opportunities, Identity, and Reception
Francesca Placanica; In Her Own Words: Practitioner Contribution 1 -
Elizabeth Hoffman; Part II. Women in Popular Music: 7. Most of My Sheroes
Don't Appear on a Stamp: Contextualising the Contributions of Women
Musicians to the Progression of Jazz Tammy L. Kernodle; 8. Leaders of the
Pack: Girl Groups of the 1960s Jacqueline Warwick; 9. Women and Rock Leah
Branstetter; 10. (You Make Me Feel Like a) Natural Woman: Women in
Songwriting Katherine Williams; 11. The British Folk Revival: Mythology and
the 'Non-Figuring' and 'Figuring' Woman Michael Brocken; 12. How MTV Idols
Got Us In Formation: Solo Women and their Brands Make Space for Truth
Telling, Trauma, and Survival in Popular Music from 1981 to the Present
Kristin J. Lieb; In Her Own Words: Practitioner Contribution 2 - Virginia
Kettle; Part III. Women and Music Technology: 13. Case Studies of Women in
Electronic Music: The Early Pioneers Louis Niebur; 14. The Star-Eaters: A
2019 Survey of Female and Gender Non-Conforming Individuals Using
Electronics for Music Margaret Schedel and Flannery Cunningham; In Her Own
Words: Practitioner Contribution 3 - Manuella Blackburn; Part IV. Women's
Wider Work in Music: 15. Women and Music Education: Pedagogues, Curricula,
and Role Models Robert Legg; 16. Women in the Music Industries: The Art of
Juggling Clare K. Duffin; In Her Own Words: Practitioner Contribution 4 -
Steph Power; Afterword: Challenges and Opportunities: Ways Forward for
Women Working in Music Victoria Armstrong; Appendix: Survey Questions for
Chapter 14; Select Bibliography; Index.
Hamer; List of Abbreviations; Part I. The Classical Tradition: 1. Women in
Composition before the Second World War Sophie Fuller; 2. Women in
Composition During the Cold War in Music Rhiannon Mathias; 3. Behind the
Iron Curtain: Female Composers in the Soviet Bloc Elaine Kelly; 4. Still
Exceptional? Women in Composition Approaching the Twenty-First Century
Astrid Kvalbein; 5. On the Podium: Women Conductors Laura Hamer; 6.
Soloists and Divas: Evolving Opportunities, Identity, and Reception
Francesca Placanica; In Her Own Words: Practitioner Contribution 1 -
Elizabeth Hoffman; Part II. Women in Popular Music: 7. Most of My Sheroes
Don't Appear on a Stamp: Contextualising the Contributions of Women
Musicians to the Progression of Jazz Tammy L. Kernodle; 8. Leaders of the
Pack: Girl Groups of the 1960s Jacqueline Warwick; 9. Women and Rock Leah
Branstetter; 10. (You Make Me Feel Like a) Natural Woman: Women in
Songwriting Katherine Williams; 11. The British Folk Revival: Mythology and
the 'Non-Figuring' and 'Figuring' Woman Michael Brocken; 12. How MTV Idols
Got Us In Formation: Solo Women and their Brands Make Space for Truth
Telling, Trauma, and Survival in Popular Music from 1981 to the Present
Kristin J. Lieb; In Her Own Words: Practitioner Contribution 2 - Virginia
Kettle; Part III. Women and Music Technology: 13. Case Studies of Women in
Electronic Music: The Early Pioneers Louis Niebur; 14. The Star-Eaters: A
2019 Survey of Female and Gender Non-Conforming Individuals Using
Electronics for Music Margaret Schedel and Flannery Cunningham; In Her Own
Words: Practitioner Contribution 3 - Manuella Blackburn; Part IV. Women's
Wider Work in Music: 15. Women and Music Education: Pedagogues, Curricula,
and Role Models Robert Legg; 16. Women in the Music Industries: The Art of
Juggling Clare K. Duffin; In Her Own Words: Practitioner Contribution 4 -
Steph Power; Afterword: Challenges and Opportunities: Ways Forward for
Women Working in Music Victoria Armstrong; Appendix: Survey Questions for
Chapter 14; Select Bibliography; Index.