Acknowledgements Chronology List of illustrations Part I. 1895-1946: 1. British theatre, 1895-1946: art, entertainment, audiences - an introduction Dennis Kennedy 2. The London stage, 1895-1918 Thomas Postlewait 3. Provincial stages, 1900-34: touring and early repertory theatre Viv Gardner 4. Popular theatre, 1896-1940 Sophie Nield 5. Case study: Cicely Hamilton's Diana of Dobson's, 1908 Christine Dymkowski 6. A critical year in perspective: 1926 Steve Nicholson 7. The London stage, 1918-45 Maggie B. Gale 8. Social commitment and aesthetic innovation, 1895-1946 Mick Wallis PART II. Scottish and Welsh Theatres, 1895-2002: 9. Towards national identities: theatre in Scotland Jan McDonald 10. Case study: Ena Lamont Stewart's Men Should Weep, 1947 Nadine Holdsworth 11. Towards national identities: Welsh theatres Ioan Williams 12. Case study: refashioning a myth, performances of the tale of Blodeuwedd Hazel Walford Davies Part III. 1940-2002: 13. British theatre, 1940-2002: an introduction Baz Kershaw 14. The establishment of mainstream theatre, 1946-79 John Bull 15. Alternative theatres, 1946-2000 Baz Kershaw 16. Developments in the profession of theatre, 1946-2000 Colin Chambers 17. Case study: Theatre Workshop's Oh What a Lovely War, 1963 Derek Paget 18. 1979 and after: a view Vera Gottlieb 19. British theatre and commerce, 1979-2000 Stephen Lacey 20. New theatre for new times: decentralisation, innovation and pluralism, 1975-2000 Simon Jones 21. Theatre in Scotland in the 1990s and beyond Adrienne Scullion 22. Theatre in Wales in the 1990s and beyond Roger Owen 23. English theatre in the 1990s and beyond Liz Tomlin Bibliography Index.
Acknowledgements Chronology List of illustrations Part I. 1895-1946: 1. British theatre, 1895-1946: art, entertainment, audiences - an introduction Dennis Kennedy 2. The London stage, 1895-1918 Thomas Postlewait 3. Provincial stages, 1900-34: touring and early repertory theatre Viv Gardner 4. Popular theatre, 1896-1940 Sophie Nield 5. Case study: Cicely Hamilton's Diana of Dobson's, 1908 Christine Dymkowski 6. A critical year in perspective: 1926 Steve Nicholson 7. The London stage, 1918-45 Maggie B. Gale 8. Social commitment and aesthetic innovation, 1895-1946 Mick Wallis PART II. Scottish and Welsh Theatres, 1895-2002: 9. Towards national identities: theatre in Scotland Jan McDonald 10. Case study: Ena Lamont Stewart's Men Should Weep, 1947 Nadine Holdsworth 11. Towards national identities: Welsh theatres Ioan Williams 12. Case study: refashioning a myth, performances of the tale of Blodeuwedd Hazel Walford Davies Part III. 1940-2002: 13. British theatre, 1940-2002: an introduction Baz Kershaw 14. The establishment of mainstream theatre, 1946-79 John Bull 15. Alternative theatres, 1946-2000 Baz Kershaw 16. Developments in the profession of theatre, 1946-2000 Colin Chambers 17. Case study: Theatre Workshop's Oh What a Lovely War, 1963 Derek Paget 18. 1979 and after: a view Vera Gottlieb 19. British theatre and commerce, 1979-2000 Stephen Lacey 20. New theatre for new times: decentralisation, innovation and pluralism, 1975-2000 Simon Jones 21. Theatre in Scotland in the 1990s and beyond Adrienne Scullion 22. Theatre in Wales in the 1990s and beyond Roger Owen 23. English theatre in the 1990s and beyond Liz Tomlin Bibliography Index.
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