The Cambridge History of Fifteenth-Century Music

Herausgeber: Busse Berger, Anna Maria; Rodin, Jesse

• Gebundenes Buch

Produktbeschreibung

Through forty-five essays by leading scholars, this Cambridge History brings fifteenth-century music to life for both specialists and general readers.

Produktdetails

• Verlag: Cambridge University Press
• Seitenzahl: 912
• Erscheinungstermin: 24. Mai 2018
• Englisch
• Abmessung: 235mm x 157mm x 53mm
• Gewicht: 1446g
• ISBN-13: 9781107015241
• ISBN-10: 1107015243
• Artikelnr.: 42294806

Inhaltsangabe

Introduction Anna Maria Busse Berger and Jesse Rodin; Part I.
Historiography: (a) Listening: 1. Hearing Josquin hearing Busnoys Michael
Long; 2. Religion and the senses in fifteenth-century Europe Klaus
Pietschmann; (b) Terms and Concepts: 3. The work concept Laurenz Lütteken;
4. The L'homme armé tradition - and the limits of musical borrowing Jesse
Rodin; (c) Composer Studies: 5. Guillaume Du Fay: evidence and
interpretation Alejandro Enrique Planchart; 6. Jean d'Ockeghem Lawrence F.
Bernstein; 7. Josquin and epistemology Jesse Rodin; Part II. Improvisation
and Composition: 8. Oral composition in fifteenth-century music Anna Maria
Busse Berger; 9. Improvisation as concept and musical practice in the
fifteenth century Philippe Canguilhem; 10. How did Oswald von Wolkenstein
make his contrafacta? Anna Maria Busse Berger; 11. Making a motet:
Josquin's Ave Maria...virgo serena John Milsom; 12. The origins of
pervasive imitation Julie E. Cumming and Peter Schubert; Part III.
Humanism: 13. Humanism and music in Italy James Hankins; 14.
Fifteenth-century humanism and music outside Italy Reinhard Strohm; 15.
Poetic humanism and music in the fifteenth century Leofranc
Holford-Strevens; 16. Canterino and Improvvisatore: oral poetry and
performance Blake Wilson; 17. Liturgical Humanism: saints' offices from the
Italian peninsula in the fifteenth century Alison K. Frazier; Part IV.
Music and Other Arts: 18. Architecture and music in fifteenth-century Italy
Deborah Howard; 19. Music and feasts in the fifteenth century Anthony M.
Cummings; 20. French lyrics and songs for the New Year, c.1380-1420 Yolanda
Plumley; Part V. Music in Churches, Courts, and Cities: 21. Musical
institutions in the fifteenth century and their political contexts Klaus
Pietschmann; 22. Music and musicians at the Burgundian court in the
fifteenth century David Fiala; 23. The papal chapel in the late fifteenth
century Richard Sherr; 24. The beneficial system and fifteenth-century
polyphony Pamela F. Starr; 25. Professional women singers in the fifteenth
century: a tale of two Annas Bonnie J. Blackburn; 26. Savonarola and the
boys of Florence: songs and politics Patrick Macey; Part VI. Religious
Devotion and Liturgy: 27. Music and ritual M. Jennifer Bloxam; 28. Marian
devotion in the fifteenth century David J. Rothenberg; 29. Affective
literature and sacred themes in fifteenth-century music Anne Walters
Robertson; Part VII. Theory and Practice: 30. Measuring measurable music in
the fifteenth century Anne Stone; 31. The transformative impulse Emily
Zazulia; 32. Transformations in music theory and music treatises Evan A.
MacCarthy; Part VIII. Sources: 33. Polyphonic sources, c.1400-50 Margaret
Bent; 34. Polyphonic sources, c.1450-1500 Thomas Schmidt-Beste; Part IX.
Genres: 35. The polyphonic mass in the fifteenth century Andrew Kirkman;
36. The fifteenth-century motet Laurenz Lütteken; 37. Fifteenth-century
song Nicole Schwindt; 38. Instrumental music in the fifteenth century Keith
Polk; 39. Sacred song in the fifteenth century: cantio, carol, lauda,
Kirchenlied Reinhard Strohm; 40. Plainsong in the age of polyphony Richard
Sherr; Part X. Reception: 41. The most popular songs of the fifteenth
century David Fallows; 42. The nineteenth-century reception of
fifteenth-century sacred music Andrew Kirkman; 43. The modern reception of
the music of Jean d'Ockeghem Lawrence F. Bernstein; 44. Recordings of
fifteenth-century music Honey Meconi; 45. Solidarity with the
long-departed: fifteenth-century echoes in twentieth-century music Richard
Taruskin.