The Cambridge History of Medieval Music 2 Volume Hardback Set
Herausgeber: Everist, Mark; Kelly, Thomas Forrest
The Cambridge History of Medieval Music 2 Volume Hardback Set
Herausgeber: Everist, Mark; Kelly, Thomas Forrest
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This book charts the origins, development and spread of medieval Western European music from late antiquity to the end of the fourteenth century.
This book charts the origins, development and spread of medieval Western European music from late antiquity to the end of the fourteenth century.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 1226
- Erscheinungstermin: 20. September 2018
- Englisch
- Abmessung: 246mm x 187mm x 106mm
- Gewicht: 2531g
- ISBN-13: 9780521513487
- ISBN-10: 0521513480
- Artikelnr.: 48687142
- Verlag: Cambridge University Press
- Seitenzahl: 1226
- Erscheinungstermin: 20. September 2018
- Englisch
- Abmessung: 246mm x 187mm x 106mm
- Gewicht: 2531g
- ISBN-13: 9780521513487
- ISBN-10: 0521513480
- Artikelnr.: 48687142
Volume 1: 1. Musical legacies from the ancient world Peter Jeffery
2. Origins and transmission of Franco-Roman chant Andreas Pfisterer
3. Sources of Romano-Frankish liturgy and music Joseph Dyer
4. Regional liturgies: Spanish, Beneventan, Gallican, Milanese Terence Bailey
5. Nova cantica Jeremy Llewellyn
6. Music and prosopography Margot Fassler
7. The silence of medieval singers Benjamin Bagby and Katarina Livljanic
8. Notation I Thomas Kelly
9. Tropes Andreas Haug
10. Sequence Lori Kruckenburg
11. Music theory Thomas Christensen
12. Vernacular song: lyric Elizabeth Aubrey
13. Vernacular song: romance Anne Ibos-Augé
14. Instruments and their music Nigel Wilkins
15. Teaching and learning music Anna-Maria Busse Berger
16. Music in drama David Klausner
17. The sources Stanley Boorman
18. The revival of medieval music John Haines
19. Medieval performance practice Timothy McGee
20. Issues in the modern performance of medieval music John Potter
Volume 2: 21. Institutions and foundations Alejandro Planchart
22. Notation II Lawrence Earp
23. Rhythm and metre John Caldwell
24. Tonal organisation in polyphony, 1150-1400 Peter Lefferts
25. Liturgy and plainchant, 1150-1570 Peter Lefferts and Roman Hankeln
26. Early polyphony James Grier
27. Notre Dame Edward Roesner
28. Liturgical polyphony after 1300 Karl Kügle
29. The emergence of polyphonic song Mark Everist
30. Vernacular song: polyphony Elizabeth Eva Leach
31. The thirteenth-century motet Rebecca Baltzer
32. The fourteenth-century motet Alice Clark
33. Latin song I: songs and songbooks from the ninth to the thirteenth century Helen Deeming
34. Latin song II: the music and texts of the conductus Thomas Payne
35. Trecento I: secular music Michael Cuthbert
36. Trecento II: sacred music and motets in Italy and the East from 1300 until the end of the schism Michael Cuthbert
37. Ars subtilior Anne Stone
38. Citational practice in the later Middle Ages Yolanda Plumley
39. 'Medieval music' or 'early European music'? Reinhard Strohm.
2. Origins and transmission of Franco-Roman chant Andreas Pfisterer
3. Sources of Romano-Frankish liturgy and music Joseph Dyer
4. Regional liturgies: Spanish, Beneventan, Gallican, Milanese Terence Bailey
5. Nova cantica Jeremy Llewellyn
6. Music and prosopography Margot Fassler
7. The silence of medieval singers Benjamin Bagby and Katarina Livljanic
8. Notation I Thomas Kelly
9. Tropes Andreas Haug
10. Sequence Lori Kruckenburg
11. Music theory Thomas Christensen
12. Vernacular song: lyric Elizabeth Aubrey
13. Vernacular song: romance Anne Ibos-Augé
14. Instruments and their music Nigel Wilkins
15. Teaching and learning music Anna-Maria Busse Berger
16. Music in drama David Klausner
17. The sources Stanley Boorman
18. The revival of medieval music John Haines
19. Medieval performance practice Timothy McGee
20. Issues in the modern performance of medieval music John Potter
Volume 2: 21. Institutions and foundations Alejandro Planchart
22. Notation II Lawrence Earp
23. Rhythm and metre John Caldwell
24. Tonal organisation in polyphony, 1150-1400 Peter Lefferts
25. Liturgy and plainchant, 1150-1570 Peter Lefferts and Roman Hankeln
26. Early polyphony James Grier
27. Notre Dame Edward Roesner
28. Liturgical polyphony after 1300 Karl Kügle
29. The emergence of polyphonic song Mark Everist
30. Vernacular song: polyphony Elizabeth Eva Leach
31. The thirteenth-century motet Rebecca Baltzer
32. The fourteenth-century motet Alice Clark
33. Latin song I: songs and songbooks from the ninth to the thirteenth century Helen Deeming
34. Latin song II: the music and texts of the conductus Thomas Payne
35. Trecento I: secular music Michael Cuthbert
36. Trecento II: sacred music and motets in Italy and the East from 1300 until the end of the schism Michael Cuthbert
37. Ars subtilior Anne Stone
38. Citational practice in the later Middle Ages Yolanda Plumley
39. 'Medieval music' or 'early European music'? Reinhard Strohm.
Volume 1: 1. Musical legacies from the ancient world Peter Jeffery
2. Origins and transmission of Franco-Roman chant Andreas Pfisterer
3. Sources of Romano-Frankish liturgy and music Joseph Dyer
4. Regional liturgies: Spanish, Beneventan, Gallican, Milanese Terence Bailey
5. Nova cantica Jeremy Llewellyn
6. Music and prosopography Margot Fassler
7. The silence of medieval singers Benjamin Bagby and Katarina Livljanic
8. Notation I Thomas Kelly
9. Tropes Andreas Haug
10. Sequence Lori Kruckenburg
11. Music theory Thomas Christensen
12. Vernacular song: lyric Elizabeth Aubrey
13. Vernacular song: romance Anne Ibos-Augé
14. Instruments and their music Nigel Wilkins
15. Teaching and learning music Anna-Maria Busse Berger
16. Music in drama David Klausner
17. The sources Stanley Boorman
18. The revival of medieval music John Haines
19. Medieval performance practice Timothy McGee
20. Issues in the modern performance of medieval music John Potter
Volume 2: 21. Institutions and foundations Alejandro Planchart
22. Notation II Lawrence Earp
23. Rhythm and metre John Caldwell
24. Tonal organisation in polyphony, 1150-1400 Peter Lefferts
25. Liturgy and plainchant, 1150-1570 Peter Lefferts and Roman Hankeln
26. Early polyphony James Grier
27. Notre Dame Edward Roesner
28. Liturgical polyphony after 1300 Karl Kügle
29. The emergence of polyphonic song Mark Everist
30. Vernacular song: polyphony Elizabeth Eva Leach
31. The thirteenth-century motet Rebecca Baltzer
32. The fourteenth-century motet Alice Clark
33. Latin song I: songs and songbooks from the ninth to the thirteenth century Helen Deeming
34. Latin song II: the music and texts of the conductus Thomas Payne
35. Trecento I: secular music Michael Cuthbert
36. Trecento II: sacred music and motets in Italy and the East from 1300 until the end of the schism Michael Cuthbert
37. Ars subtilior Anne Stone
38. Citational practice in the later Middle Ages Yolanda Plumley
39. 'Medieval music' or 'early European music'? Reinhard Strohm.
2. Origins and transmission of Franco-Roman chant Andreas Pfisterer
3. Sources of Romano-Frankish liturgy and music Joseph Dyer
4. Regional liturgies: Spanish, Beneventan, Gallican, Milanese Terence Bailey
5. Nova cantica Jeremy Llewellyn
6. Music and prosopography Margot Fassler
7. The silence of medieval singers Benjamin Bagby and Katarina Livljanic
8. Notation I Thomas Kelly
9. Tropes Andreas Haug
10. Sequence Lori Kruckenburg
11. Music theory Thomas Christensen
12. Vernacular song: lyric Elizabeth Aubrey
13. Vernacular song: romance Anne Ibos-Augé
14. Instruments and their music Nigel Wilkins
15. Teaching and learning music Anna-Maria Busse Berger
16. Music in drama David Klausner
17. The sources Stanley Boorman
18. The revival of medieval music John Haines
19. Medieval performance practice Timothy McGee
20. Issues in the modern performance of medieval music John Potter
Volume 2: 21. Institutions and foundations Alejandro Planchart
22. Notation II Lawrence Earp
23. Rhythm and metre John Caldwell
24. Tonal organisation in polyphony, 1150-1400 Peter Lefferts
25. Liturgy and plainchant, 1150-1570 Peter Lefferts and Roman Hankeln
26. Early polyphony James Grier
27. Notre Dame Edward Roesner
28. Liturgical polyphony after 1300 Karl Kügle
29. The emergence of polyphonic song Mark Everist
30. Vernacular song: polyphony Elizabeth Eva Leach
31. The thirteenth-century motet Rebecca Baltzer
32. The fourteenth-century motet Alice Clark
33. Latin song I: songs and songbooks from the ninth to the thirteenth century Helen Deeming
34. Latin song II: the music and texts of the conductus Thomas Payne
35. Trecento I: secular music Michael Cuthbert
36. Trecento II: sacred music and motets in Italy and the East from 1300 until the end of the schism Michael Cuthbert
37. Ars subtilior Anne Stone
38. Citational practice in the later Middle Ages Yolanda Plumley
39. 'Medieval music' or 'early European music'? Reinhard Strohm.