The Cambridge History of Nineteenth-Century Music
Herausgeber: Samson, Jim
The Cambridge History of Nineteenth-Century Music
Herausgeber: Samson, Jim
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- Produkterinnerung
- Produkterinnerung
First published in 2002, this comprehensive overview of music in the nineteenth century draws on extensive scholarship in the field.
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First published in 2002, this comprehensive overview of music in the nineteenth century draws on extensive scholarship in the field.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 790
- Erscheinungstermin: 31. Juli 2014
- Englisch
- Abmessung: 229mm x 152mm x 43mm
- Gewicht: 1122g
- ISBN-13: 9781107679948
- ISBN-10: 110767994X
- Artikelnr.: 40511820
- Verlag: Cambridge University Press
- Seitenzahl: 790
- Erscheinungstermin: 31. Juli 2014
- Englisch
- Abmessung: 229mm x 152mm x 43mm
- Gewicht: 1122g
- ISBN-13: 9781107679948
- ISBN-10: 110767994X
- Artikelnr.: 40511820
Chronology
Part I. 1800-1850: 1. The musical work and nineteenth-century history Jim Samson
2. Music and the rise of aesthetics Andrew Bowie
3. The profession of music John Rink
4. The opera industry Roger Parker
5. The construction of Beethoven K. M. Knittel
6. Music and the poetic Julian Rushton
7. The invention of tradition John Irving
8. Choral music John Butt
9. The consumption of music Derek Carew
10. The great composer Jim Samson
Part II. 1850-1900: 11. Progress, modernity, and the concept of an avant-garde John Williamson
12. Music as ideal: the aesthetics of autonomy Max Paddison
13. The structures of musical life Katharine Ellis
14. Opera and music drama Thomas Grey
15. Beethoven reception: the symphonic tradition James Hepokoski
16. Words and music in France and Germany Susan Youens
17. Chamber music and piano Jonathan Dunsby
18. Choral culture and the regeneration of the organ John Butt
19. Music and social class Derek B. Scott
20. Nations and nationalism Jim Samson
21. Styles and languages around the turn of the century Anthony Pople.
Part I. 1800-1850: 1. The musical work and nineteenth-century history Jim Samson
2. Music and the rise of aesthetics Andrew Bowie
3. The profession of music John Rink
4. The opera industry Roger Parker
5. The construction of Beethoven K. M. Knittel
6. Music and the poetic Julian Rushton
7. The invention of tradition John Irving
8. Choral music John Butt
9. The consumption of music Derek Carew
10. The great composer Jim Samson
Part II. 1850-1900: 11. Progress, modernity, and the concept of an avant-garde John Williamson
12. Music as ideal: the aesthetics of autonomy Max Paddison
13. The structures of musical life Katharine Ellis
14. Opera and music drama Thomas Grey
15. Beethoven reception: the symphonic tradition James Hepokoski
16. Words and music in France and Germany Susan Youens
17. Chamber music and piano Jonathan Dunsby
18. Choral culture and the regeneration of the organ John Butt
19. Music and social class Derek B. Scott
20. Nations and nationalism Jim Samson
21. Styles and languages around the turn of the century Anthony Pople.
Chronology
Part I. 1800-1850: 1. The musical work and nineteenth-century history Jim Samson
2. Music and the rise of aesthetics Andrew Bowie
3. The profession of music John Rink
4. The opera industry Roger Parker
5. The construction of Beethoven K. M. Knittel
6. Music and the poetic Julian Rushton
7. The invention of tradition John Irving
8. Choral music John Butt
9. The consumption of music Derek Carew
10. The great composer Jim Samson
Part II. 1850-1900: 11. Progress, modernity, and the concept of an avant-garde John Williamson
12. Music as ideal: the aesthetics of autonomy Max Paddison
13. The structures of musical life Katharine Ellis
14. Opera and music drama Thomas Grey
15. Beethoven reception: the symphonic tradition James Hepokoski
16. Words and music in France and Germany Susan Youens
17. Chamber music and piano Jonathan Dunsby
18. Choral culture and the regeneration of the organ John Butt
19. Music and social class Derek B. Scott
20. Nations and nationalism Jim Samson
21. Styles and languages around the turn of the century Anthony Pople.
Part I. 1800-1850: 1. The musical work and nineteenth-century history Jim Samson
2. Music and the rise of aesthetics Andrew Bowie
3. The profession of music John Rink
4. The opera industry Roger Parker
5. The construction of Beethoven K. M. Knittel
6. Music and the poetic Julian Rushton
7. The invention of tradition John Irving
8. Choral music John Butt
9. The consumption of music Derek Carew
10. The great composer Jim Samson
Part II. 1850-1900: 11. Progress, modernity, and the concept of an avant-garde John Williamson
12. Music as ideal: the aesthetics of autonomy Max Paddison
13. The structures of musical life Katharine Ellis
14. Opera and music drama Thomas Grey
15. Beethoven reception: the symphonic tradition James Hepokoski
16. Words and music in France and Germany Susan Youens
17. Chamber music and piano Jonathan Dunsby
18. Choral culture and the regeneration of the organ John Butt
19. Music and social class Derek B. Scott
20. Nations and nationalism Jim Samson
21. Styles and languages around the turn of the century Anthony Pople.