Tim Carter / John Butt (eds.)
The Cambridge History of Seventeenth-Century Music
Herausgeber: Butt, John; Carter, Tim
Tim Carter / John Butt (eds.)
The Cambridge History of Seventeenth-Century Music
Herausgeber: Butt, John; Carter, Tim
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A comprehensive study of European musical culture in the seventeenth century.
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A comprehensive study of European musical culture in the seventeenth century.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 620
- Erscheinungstermin: 13. November 2018
- Englisch
- Abmessung: 235mm x 157mm x 38mm
- Gewicht: 1036g
- ISBN-13: 9780521792738
- ISBN-10: 0521792738
- Artikelnr.: 21247266
- Verlag: Cambridge University Press
- Seitenzahl: 620
- Erscheinungstermin: 13. November 2018
- Englisch
- Abmessung: 235mm x 157mm x 38mm
- Gewicht: 1036g
- ISBN-13: 9780521792738
- ISBN-10: 0521792738
- Artikelnr.: 21247266
Tim Carter is the author of the Cambridge Opera Handbook on Mozart's Le nozze di Figaro (1987), Jacopo Peri (1561-1633): his Life and Works (1989), Music in Late Renaissance and Early Baroque Italy (1992), and Monteverdi's Musical Theatre (2002). He has also published numerous journal articles and essays on music in sixteenth- and early seventeenth-century Italy; those to 1998 were reprinted in Music, Patronage and Printing in Late Renaissance Florence and Monteverdi and his Contemporaries (both 2000). In 2001 he moved from Royal Holloway, University of London, to become David G. Frey Distinguished Professor of Music at the University of North Carolina at Chapel Hill.
John Butt is Gardiner Professor of Music at the University of Glasgow. His book Playing With History: The Historical Approach to Music Performance (Cambridge, 2002) was the winner of the 2003 Dent Medal, and was shortlisted for the 2003 British Academy Book Prize. He is the author of Music Education and the Art of Performance in the German Baroque (Cambridge, 1994), Bach: Mass in B Minor (Cambridge Music Handbooks, 1991) and Bach Interpretation (Cambridge, 1990), and has edited the Cambridge Companion to Bach (1997).
John Butt is Gardiner Professor of Music at the University of Glasgow. His book Playing With History: The Historical Approach to Music Performance (Cambridge, 2002) was the winner of the 2003 Dent Medal, and was shortlisted for the 2003 British Academy Book Prize. He is the author of Music Education and the Art of Performance in the German Baroque (Cambridge, 1994), Bach: Mass in B Minor (Cambridge Music Handbooks, 1991) and Bach Interpretation (Cambridge, 1990), and has edited the Cambridge Companion to Bach (1997).
Notes on contributors
Editor's preface
1. Renaissance, Mannerism, Baroque Tim Carter
2. The seventeenth-century musical 'work' John Butt
3. Music in the marketplace Stephen Rose
4. Music in new worlds Victor Anand Coelho
5. Music and the arts Barbara Russano Hanning
6. Music and the sciences Penelope Gouk
7. The search for musical meaning Tim Carter
8. Power and display: music in court theatre Lois Rosow
9. Mask and illusion: Italian opera after 1637 Tim Carter
10. The church triumphant: music in the liturgy Noel O'Regan
11. Devotion, piety and commemoration: sacred songs and oratorios Robert Kendrick
12. Image and eloquence: secular song Margaret Murata
13. Fantasy and craft: the solo instrumentalist Alexander Silbiger
14. Form and gesture: canzona, sonata and concerto Gregory Barnett
Appendices Stephen Rose
I. Chronology
II. Places and Institutions
III. Personalia
Index.
Editor's preface
1. Renaissance, Mannerism, Baroque Tim Carter
2. The seventeenth-century musical 'work' John Butt
3. Music in the marketplace Stephen Rose
4. Music in new worlds Victor Anand Coelho
5. Music and the arts Barbara Russano Hanning
6. Music and the sciences Penelope Gouk
7. The search for musical meaning Tim Carter
8. Power and display: music in court theatre Lois Rosow
9. Mask and illusion: Italian opera after 1637 Tim Carter
10. The church triumphant: music in the liturgy Noel O'Regan
11. Devotion, piety and commemoration: sacred songs and oratorios Robert Kendrick
12. Image and eloquence: secular song Margaret Murata
13. Fantasy and craft: the solo instrumentalist Alexander Silbiger
14. Form and gesture: canzona, sonata and concerto Gregory Barnett
Appendices Stephen Rose
I. Chronology
II. Places and Institutions
III. Personalia
Index.
Notes on contributors
Editor's preface
1. Renaissance, Mannerism, Baroque Tim Carter
2. The seventeenth-century musical 'work' John Butt
3. Music in the marketplace Stephen Rose
4. Music in new worlds Victor Anand Coelho
5. Music and the arts Barbara Russano Hanning
6. Music and the sciences Penelope Gouk
7. The search for musical meaning Tim Carter
8. Power and display: music in court theatre Lois Rosow
9. Mask and illusion: Italian opera after 1637 Tim Carter
10. The church triumphant: music in the liturgy Noel O'Regan
11. Devotion, piety and commemoration: sacred songs and oratorios Robert Kendrick
12. Image and eloquence: secular song Margaret Murata
13. Fantasy and craft: the solo instrumentalist Alexander Silbiger
14. Form and gesture: canzona, sonata and concerto Gregory Barnett
Appendices Stephen Rose
I. Chronology
II. Places and Institutions
III. Personalia
Index.
Editor's preface
1. Renaissance, Mannerism, Baroque Tim Carter
2. The seventeenth-century musical 'work' John Butt
3. Music in the marketplace Stephen Rose
4. Music in new worlds Victor Anand Coelho
5. Music and the arts Barbara Russano Hanning
6. Music and the sciences Penelope Gouk
7. The search for musical meaning Tim Carter
8. Power and display: music in court theatre Lois Rosow
9. Mask and illusion: Italian opera after 1637 Tim Carter
10. The church triumphant: music in the liturgy Noel O'Regan
11. Devotion, piety and commemoration: sacred songs and oratorios Robert Kendrick
12. Image and eloquence: secular song Margaret Murata
13. Fantasy and craft: the solo instrumentalist Alexander Silbiger
14. Form and gesture: canzona, sonata and concerto Gregory Barnett
Appendices Stephen Rose
I. Chronology
II. Places and Institutions
III. Personalia
Index.