The Cambridge History of Twentieth-Century Music
Herausgeber: Cook, Nicholas; Pople, Anthony
The Cambridge History of Twentieth-Century Music
Herausgeber: Cook, Nicholas; Pople, Anthony
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This book, first published in 2004, is an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first.
Andere Kunden interessierten sich auch für
- The Cambridge History of Seventeenth-Century Music64,99 €
- The Cambridge History of Fifteenth-Century Music253,99 €
- Simon P. Keefe (Hrsg.)The Cambridge History of Eighteenth-Century Music257,99 €
- The Cambridge History of Nineteenth-Century Music64,99 €
- A Handbook to Twentieth-Century Musical Sketches50,99 €
- Janet Topp FargionTaarab Music in Zanzibar in the Twentieth Century210,99 €
- Wilfrid MellersRomanticism and the Twentieth Century (from 1800)25,99 €
-
-
-
This book, first published in 2004, is an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 838
- Erscheinungstermin: 18. Januar 2019
- Englisch
- Abmessung: 229mm x 152mm x 45mm
- Gewicht: 1189g
- ISBN-13: 9781107631991
- ISBN-10: 1107631998
- Artikelnr.: 40511831
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 838
- Erscheinungstermin: 18. Januar 2019
- Englisch
- Abmessung: 229mm x 152mm x 45mm
- Gewicht: 1189g
- ISBN-13: 9781107631991
- ISBN-10: 1107631998
- Artikelnr.: 40511831
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Introduction: trajectories of twentieth-century music Nicholas Cook with
Anthony Pople; 1. Peripheries and interfaces: the Western impact on other
music Jonathan Stock; 2. Music of a century: museum culture and the
politics of subsidy Leon Botstein; 3. Innovation and the avant-garde,
1900-20 Christopher Butler; 4. Music, text and stage: the tradition of
bourgeois tonality to the Second World War Stephen Banfield; 5. Classic
jazz to 1945 James Lincoln Collier; 6. Flirting with the vernacular:
America in Europe, 1900-1945 Susan C. Cook; 7. Between the wars:
traditions, modernisms, and the 'little people from the suburbs' Peter
Franklin; 8. Brave new worlds: experimentalism between the wars David
Nicholls; 9. Proclaiming a mainstream: Schoenberg, Berg, and Webern Joseph
Auner; 10. Rewriting the past: classicisms of the inter-war period Hermann
Danuser; 11. Music of seriousness and commitment: the 1930s and beyond
Michael Walter; 12. Other mainstreams: light music and easy listening,
1920-70 Derek B. Scott; 13. New beginnings: the international avant-garde,
1945-62 David Osmond-Smith; 14. Individualism and accessibility: the
moderate mainstream, 1945-75 Arnold Whittall; 15. After swing: modern jazz
and its impact Mervyn Cooke; 16. Music of the youth revolution: rock
through the 1960s Robynn Stilwell; 17. Expanding horizons: the
international avant-garde, 1962-75 Richard Toop; 18. To the millennium:
music as twentieth-century commodity Andrew Blake; 19. Ageing of the new:
the museum of musical modernism Alastair Williams; 20. (Post-)minimalisms,
1975-2000: the search for a new mainstream Robert Fink; 21. History and
class consciousness: pop music towards 2000 Dai Griffiths; 22. 'Art' music
in a cross-cultural context: the case of Africa Martin Scherzinger;
Appendix 1. Personalia Peter Elsdon with Björn Heile; Appendix 2.
Chronology Peter Elsdon and Peter Jones.
Anthony Pople; 1. Peripheries and interfaces: the Western impact on other
music Jonathan Stock; 2. Music of a century: museum culture and the
politics of subsidy Leon Botstein; 3. Innovation and the avant-garde,
1900-20 Christopher Butler; 4. Music, text and stage: the tradition of
bourgeois tonality to the Second World War Stephen Banfield; 5. Classic
jazz to 1945 James Lincoln Collier; 6. Flirting with the vernacular:
America in Europe, 1900-1945 Susan C. Cook; 7. Between the wars:
traditions, modernisms, and the 'little people from the suburbs' Peter
Franklin; 8. Brave new worlds: experimentalism between the wars David
Nicholls; 9. Proclaiming a mainstream: Schoenberg, Berg, and Webern Joseph
Auner; 10. Rewriting the past: classicisms of the inter-war period Hermann
Danuser; 11. Music of seriousness and commitment: the 1930s and beyond
Michael Walter; 12. Other mainstreams: light music and easy listening,
1920-70 Derek B. Scott; 13. New beginnings: the international avant-garde,
1945-62 David Osmond-Smith; 14. Individualism and accessibility: the
moderate mainstream, 1945-75 Arnold Whittall; 15. After swing: modern jazz
and its impact Mervyn Cooke; 16. Music of the youth revolution: rock
through the 1960s Robynn Stilwell; 17. Expanding horizons: the
international avant-garde, 1962-75 Richard Toop; 18. To the millennium:
music as twentieth-century commodity Andrew Blake; 19. Ageing of the new:
the museum of musical modernism Alastair Williams; 20. (Post-)minimalisms,
1975-2000: the search for a new mainstream Robert Fink; 21. History and
class consciousness: pop music towards 2000 Dai Griffiths; 22. 'Art' music
in a cross-cultural context: the case of Africa Martin Scherzinger;
Appendix 1. Personalia Peter Elsdon with Björn Heile; Appendix 2.
Chronology Peter Elsdon and Peter Jones.
Introduction: trajectories of twentieth-century music Nicholas Cook with
Anthony Pople; 1. Peripheries and interfaces: the Western impact on other
music Jonathan Stock; 2. Music of a century: museum culture and the
politics of subsidy Leon Botstein; 3. Innovation and the avant-garde,
1900-20 Christopher Butler; 4. Music, text and stage: the tradition of
bourgeois tonality to the Second World War Stephen Banfield; 5. Classic
jazz to 1945 James Lincoln Collier; 6. Flirting with the vernacular:
America in Europe, 1900-1945 Susan C. Cook; 7. Between the wars:
traditions, modernisms, and the 'little people from the suburbs' Peter
Franklin; 8. Brave new worlds: experimentalism between the wars David
Nicholls; 9. Proclaiming a mainstream: Schoenberg, Berg, and Webern Joseph
Auner; 10. Rewriting the past: classicisms of the inter-war period Hermann
Danuser; 11. Music of seriousness and commitment: the 1930s and beyond
Michael Walter; 12. Other mainstreams: light music and easy listening,
1920-70 Derek B. Scott; 13. New beginnings: the international avant-garde,
1945-62 David Osmond-Smith; 14. Individualism and accessibility: the
moderate mainstream, 1945-75 Arnold Whittall; 15. After swing: modern jazz
and its impact Mervyn Cooke; 16. Music of the youth revolution: rock
through the 1960s Robynn Stilwell; 17. Expanding horizons: the
international avant-garde, 1962-75 Richard Toop; 18. To the millennium:
music as twentieth-century commodity Andrew Blake; 19. Ageing of the new:
the museum of musical modernism Alastair Williams; 20. (Post-)minimalisms,
1975-2000: the search for a new mainstream Robert Fink; 21. History and
class consciousness: pop music towards 2000 Dai Griffiths; 22. 'Art' music
in a cross-cultural context: the case of Africa Martin Scherzinger;
Appendix 1. Personalia Peter Elsdon with Björn Heile; Appendix 2.
Chronology Peter Elsdon and Peter Jones.
Anthony Pople; 1. Peripheries and interfaces: the Western impact on other
music Jonathan Stock; 2. Music of a century: museum culture and the
politics of subsidy Leon Botstein; 3. Innovation and the avant-garde,
1900-20 Christopher Butler; 4. Music, text and stage: the tradition of
bourgeois tonality to the Second World War Stephen Banfield; 5. Classic
jazz to 1945 James Lincoln Collier; 6. Flirting with the vernacular:
America in Europe, 1900-1945 Susan C. Cook; 7. Between the wars:
traditions, modernisms, and the 'little people from the suburbs' Peter
Franklin; 8. Brave new worlds: experimentalism between the wars David
Nicholls; 9. Proclaiming a mainstream: Schoenberg, Berg, and Webern Joseph
Auner; 10. Rewriting the past: classicisms of the inter-war period Hermann
Danuser; 11. Music of seriousness and commitment: the 1930s and beyond
Michael Walter; 12. Other mainstreams: light music and easy listening,
1920-70 Derek B. Scott; 13. New beginnings: the international avant-garde,
1945-62 David Osmond-Smith; 14. Individualism and accessibility: the
moderate mainstream, 1945-75 Arnold Whittall; 15. After swing: modern jazz
and its impact Mervyn Cooke; 16. Music of the youth revolution: rock
through the 1960s Robynn Stilwell; 17. Expanding horizons: the
international avant-garde, 1962-75 Richard Toop; 18. To the millennium:
music as twentieth-century commodity Andrew Blake; 19. Ageing of the new:
the museum of musical modernism Alastair Williams; 20. (Post-)minimalisms,
1975-2000: the search for a new mainstream Robert Fink; 21. History and
class consciousness: pop music towards 2000 Dai Griffiths; 22. 'Art' music
in a cross-cultural context: the case of Africa Martin Scherzinger;
Appendix 1. Personalia Peter Elsdon with Björn Heile; Appendix 2.
Chronology Peter Elsdon and Peter Jones.