Philip V. Bohlman
The Cambridge History of World Music
Philip V. Bohlman
The Cambridge History of World Music
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The first comprehensive history of music on a global basis, laying the foundations for a sweeping history of all music.
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The first comprehensive history of music on a global basis, laying the foundations for a sweeping history of all music.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 878
- Erscheinungstermin: 7. April 2017
- Englisch
- Abmessung: 229mm x 152mm x 47mm
- Gewicht: 1245g
- ISBN-13: 9781108406475
- ISBN-10: 1108406475
- Artikelnr.: 48095878
- Verlag: Cambridge University Press
- Seitenzahl: 878
- Erscheinungstermin: 7. April 2017
- Englisch
- Abmessung: 229mm x 152mm x 47mm
- Gewicht: 1245g
- ISBN-13: 9781108406475
- ISBN-10: 1108406475
- Artikelnr.: 48095878
Introduction: world music's histories Philip V. Bohlman; Part I. Histories
of World Music: 1. On world music as a concept in the history of music
scholarship Bruno Nettl; 2. Music cultures of mechanical reproduction Peter
Manuel; 3. Western music as world music Nicholas Cook; Part II. The History
of Music before History: 4. Foundations of musical knowledge in the Muslim
world Stephen Blum; 5. Indian music history in the context of global
encounters Bonnie C. Wade; 6. Native American ways of (music) history
Beverley Diamond; Part III. Music Histories of Global Encounter and
Exchange: 7. Encounter music in Oceania: cross-cultural musical exchange in
eighteenth- and early nineteenth-century voyage accounts Vanessa Agnew; 8.
Music, history, and the sacred in South Asia Jaime Jones; 9. Music, minas,
and the golden Atlantic Suzel A. Reily; Part IV. The Enlightenment and
World Music's Historical Turn: 10. Johann Gottfried Herder and the global
moment of world-music history Philip V. Bohlman; 11. Tartini the Indian:
perspectives on world music in the Enlightenment Sebastian Klotz; 12. The
music of non-western nations and the evolution of British ethnomusicology
Bennett Zon; Part V. Music Histories of the Folk and the Nation: 13. Korean
music before and after the West Keith Howard; 14. Folk music in Eastern
Europe Timothy J. Cooley; 15. A story with(out) gauchos: folk music in the
building of the Argentine nation Bernardo Illari; Part VI. Asian Music
Histories: 16. Four recurring themes in histories of Chinese music Jonathan
P. J. Stock; 17. On the history of the musical arts in South East Asia
Margaret Kartomi; 18. Musicians and the politics of dignity in South India
Kaley Mason; Part VII. Institutions and Politics of Representation: 19.
Images of sound: Erich M. von Hornbostel and the Berlin phonogram archive
Lars-Christian Koch; 20. Music in the mirror of multiple nationalisms:
sound archives and ideology in Israel and Palestine Ruth F. Davis; 21.
Repatriation as reanimation through reciprocity Aaron A. Fox; Part VIII.
The Globalization of World Music in History: 22. Landscapes of diaspora
Timothy Rommen; 23. Sufism and the globalization of sacred music Regula
Burckhardt Qureshi; 24. Global exoticism and modernity W. Anthony Sheppard;
Part IX. Musical Discourses of Modernity: 25. Encountering African music in
history and modernity Gregory Barz; 26. The politics of music
categorization in Portugal Salwa El-Shawan Castelo-Branco; 27. The world
according to the Roma Michael Beckerman; Part X. Musical Ontologies of
Globalization: 28. Disseminating world music Travis A. Jackson; 29. Musical
antinomies of race and empire Wayne Marshall and Ronald Radano; 30.
Globalized new capitalism and the commodification of taste Timothy D.
Taylor; Part XI. Beyond World-Music History: 31. The time of music and the
time of history Martin Clayton; 32. The ethics of ethnomusicology in a
cosmopolitan age Kay Kaufman Shelemay; 33. Towards a new world? The
vicissitudes of American popular music Richard Middleton; Afterword: a
worldly musicology? Martin Stokes.
of World Music: 1. On world music as a concept in the history of music
scholarship Bruno Nettl; 2. Music cultures of mechanical reproduction Peter
Manuel; 3. Western music as world music Nicholas Cook; Part II. The History
of Music before History: 4. Foundations of musical knowledge in the Muslim
world Stephen Blum; 5. Indian music history in the context of global
encounters Bonnie C. Wade; 6. Native American ways of (music) history
Beverley Diamond; Part III. Music Histories of Global Encounter and
Exchange: 7. Encounter music in Oceania: cross-cultural musical exchange in
eighteenth- and early nineteenth-century voyage accounts Vanessa Agnew; 8.
Music, history, and the sacred in South Asia Jaime Jones; 9. Music, minas,
and the golden Atlantic Suzel A. Reily; Part IV. The Enlightenment and
World Music's Historical Turn: 10. Johann Gottfried Herder and the global
moment of world-music history Philip V. Bohlman; 11. Tartini the Indian:
perspectives on world music in the Enlightenment Sebastian Klotz; 12. The
music of non-western nations and the evolution of British ethnomusicology
Bennett Zon; Part V. Music Histories of the Folk and the Nation: 13. Korean
music before and after the West Keith Howard; 14. Folk music in Eastern
Europe Timothy J. Cooley; 15. A story with(out) gauchos: folk music in the
building of the Argentine nation Bernardo Illari; Part VI. Asian Music
Histories: 16. Four recurring themes in histories of Chinese music Jonathan
P. J. Stock; 17. On the history of the musical arts in South East Asia
Margaret Kartomi; 18. Musicians and the politics of dignity in South India
Kaley Mason; Part VII. Institutions and Politics of Representation: 19.
Images of sound: Erich M. von Hornbostel and the Berlin phonogram archive
Lars-Christian Koch; 20. Music in the mirror of multiple nationalisms:
sound archives and ideology in Israel and Palestine Ruth F. Davis; 21.
Repatriation as reanimation through reciprocity Aaron A. Fox; Part VIII.
The Globalization of World Music in History: 22. Landscapes of diaspora
Timothy Rommen; 23. Sufism and the globalization of sacred music Regula
Burckhardt Qureshi; 24. Global exoticism and modernity W. Anthony Sheppard;
Part IX. Musical Discourses of Modernity: 25. Encountering African music in
history and modernity Gregory Barz; 26. The politics of music
categorization in Portugal Salwa El-Shawan Castelo-Branco; 27. The world
according to the Roma Michael Beckerman; Part X. Musical Ontologies of
Globalization: 28. Disseminating world music Travis A. Jackson; 29. Musical
antinomies of race and empire Wayne Marshall and Ronald Radano; 30.
Globalized new capitalism and the commodification of taste Timothy D.
Taylor; Part XI. Beyond World-Music History: 31. The time of music and the
time of history Martin Clayton; 32. The ethics of ethnomusicology in a
cosmopolitan age Kay Kaufman Shelemay; 33. Towards a new world? The
vicissitudes of American popular music Richard Middleton; Afterword: a
worldly musicology? Martin Stokes.
Introduction: world music's histories Philip V. Bohlman; Part I. Histories
of World Music: 1. On world music as a concept in the history of music
scholarship Bruno Nettl; 2. Music cultures of mechanical reproduction Peter
Manuel; 3. Western music as world music Nicholas Cook; Part II. The History
of Music before History: 4. Foundations of musical knowledge in the Muslim
world Stephen Blum; 5. Indian music history in the context of global
encounters Bonnie C. Wade; 6. Native American ways of (music) history
Beverley Diamond; Part III. Music Histories of Global Encounter and
Exchange: 7. Encounter music in Oceania: cross-cultural musical exchange in
eighteenth- and early nineteenth-century voyage accounts Vanessa Agnew; 8.
Music, history, and the sacred in South Asia Jaime Jones; 9. Music, minas,
and the golden Atlantic Suzel A. Reily; Part IV. The Enlightenment and
World Music's Historical Turn: 10. Johann Gottfried Herder and the global
moment of world-music history Philip V. Bohlman; 11. Tartini the Indian:
perspectives on world music in the Enlightenment Sebastian Klotz; 12. The
music of non-western nations and the evolution of British ethnomusicology
Bennett Zon; Part V. Music Histories of the Folk and the Nation: 13. Korean
music before and after the West Keith Howard; 14. Folk music in Eastern
Europe Timothy J. Cooley; 15. A story with(out) gauchos: folk music in the
building of the Argentine nation Bernardo Illari; Part VI. Asian Music
Histories: 16. Four recurring themes in histories of Chinese music Jonathan
P. J. Stock; 17. On the history of the musical arts in South East Asia
Margaret Kartomi; 18. Musicians and the politics of dignity in South India
Kaley Mason; Part VII. Institutions and Politics of Representation: 19.
Images of sound: Erich M. von Hornbostel and the Berlin phonogram archive
Lars-Christian Koch; 20. Music in the mirror of multiple nationalisms:
sound archives and ideology in Israel and Palestine Ruth F. Davis; 21.
Repatriation as reanimation through reciprocity Aaron A. Fox; Part VIII.
The Globalization of World Music in History: 22. Landscapes of diaspora
Timothy Rommen; 23. Sufism and the globalization of sacred music Regula
Burckhardt Qureshi; 24. Global exoticism and modernity W. Anthony Sheppard;
Part IX. Musical Discourses of Modernity: 25. Encountering African music in
history and modernity Gregory Barz; 26. The politics of music
categorization in Portugal Salwa El-Shawan Castelo-Branco; 27. The world
according to the Roma Michael Beckerman; Part X. Musical Ontologies of
Globalization: 28. Disseminating world music Travis A. Jackson; 29. Musical
antinomies of race and empire Wayne Marshall and Ronald Radano; 30.
Globalized new capitalism and the commodification of taste Timothy D.
Taylor; Part XI. Beyond World-Music History: 31. The time of music and the
time of history Martin Clayton; 32. The ethics of ethnomusicology in a
cosmopolitan age Kay Kaufman Shelemay; 33. Towards a new world? The
vicissitudes of American popular music Richard Middleton; Afterword: a
worldly musicology? Martin Stokes.
of World Music: 1. On world music as a concept in the history of music
scholarship Bruno Nettl; 2. Music cultures of mechanical reproduction Peter
Manuel; 3. Western music as world music Nicholas Cook; Part II. The History
of Music before History: 4. Foundations of musical knowledge in the Muslim
world Stephen Blum; 5. Indian music history in the context of global
encounters Bonnie C. Wade; 6. Native American ways of (music) history
Beverley Diamond; Part III. Music Histories of Global Encounter and
Exchange: 7. Encounter music in Oceania: cross-cultural musical exchange in
eighteenth- and early nineteenth-century voyage accounts Vanessa Agnew; 8.
Music, history, and the sacred in South Asia Jaime Jones; 9. Music, minas,
and the golden Atlantic Suzel A. Reily; Part IV. The Enlightenment and
World Music's Historical Turn: 10. Johann Gottfried Herder and the global
moment of world-music history Philip V. Bohlman; 11. Tartini the Indian:
perspectives on world music in the Enlightenment Sebastian Klotz; 12. The
music of non-western nations and the evolution of British ethnomusicology
Bennett Zon; Part V. Music Histories of the Folk and the Nation: 13. Korean
music before and after the West Keith Howard; 14. Folk music in Eastern
Europe Timothy J. Cooley; 15. A story with(out) gauchos: folk music in the
building of the Argentine nation Bernardo Illari; Part VI. Asian Music
Histories: 16. Four recurring themes in histories of Chinese music Jonathan
P. J. Stock; 17. On the history of the musical arts in South East Asia
Margaret Kartomi; 18. Musicians and the politics of dignity in South India
Kaley Mason; Part VII. Institutions and Politics of Representation: 19.
Images of sound: Erich M. von Hornbostel and the Berlin phonogram archive
Lars-Christian Koch; 20. Music in the mirror of multiple nationalisms:
sound archives and ideology in Israel and Palestine Ruth F. Davis; 21.
Repatriation as reanimation through reciprocity Aaron A. Fox; Part VIII.
The Globalization of World Music in History: 22. Landscapes of diaspora
Timothy Rommen; 23. Sufism and the globalization of sacred music Regula
Burckhardt Qureshi; 24. Global exoticism and modernity W. Anthony Sheppard;
Part IX. Musical Discourses of Modernity: 25. Encountering African music in
history and modernity Gregory Barz; 26. The politics of music
categorization in Portugal Salwa El-Shawan Castelo-Branco; 27. The world
according to the Roma Michael Beckerman; Part X. Musical Ontologies of
Globalization: 28. Disseminating world music Travis A. Jackson; 29. Musical
antinomies of race and empire Wayne Marshall and Ronald Radano; 30.
Globalized new capitalism and the commodification of taste Timothy D.
Taylor; Part XI. Beyond World-Music History: 31. The time of music and the
time of history Martin Clayton; 32. The ethics of ethnomusicology in a
cosmopolitan age Kay Kaufman Shelemay; 33. Towards a new world? The
vicissitudes of American popular music Richard Middleton; Afterword: a
worldly musicology? Martin Stokes.