A comprehensive overview of both modernist and popular British fiction of the first half of the twentieth century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Robert L. Caserio is Professor of English, Comparative Literature, and Women's, Gender, and Sexuality Studies at The Pennsylvania State University. He is the editor, with Clement Hawes, of The Cambridge History of the English Novel (Cambridge, 2012), and the editor of The Cambridge Companion to the Twentieth-Century English Novel (Cambridge, 2009). His many publications include Plot, Story, and the Novel: From Dickens and Poe to the Modern Period (1979) and the Perkins Prize-winning The Novel in England, 1900-1950: History and Theory (1998).
Inhaltsangabe
1. British narrative fiction in terms of 'period' and 'treatments' 2. The artist as critic: ideas of fiction, 1890-1938 3. Seeing modernism through 4. British fiction amid non-fictional discourses in the era of modernism 5. Entertaining fictions 6. Collective welfare and warfare: British fiction 1936-1950.
1. British narrative fiction in terms of 'period' and 'treatments' 2. The artist as critic: ideas of fiction, 1890-1938 3. Seeing modernism through 4. British fiction amid non-fictional discourses in the era of modernism 5. Entertaining fictions 6. Collective welfare and warfare: British fiction 1936-1950.
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