Looking beyond the impact photographs have on the perpetuation and expression of social norms and stereotypes, and the influence of the act of taking a photograph, this new collection brings together international scholars to examine the camera itself as an actor.
Looking beyond the impact photographs have on the perpetuation and expression of social norms and stereotypes, and the influence of the act of taking a photograph, this new collection brings together international scholars to examine the camera itself as an actor.
Amy Cox Hall is a writer and cultural anthropologist.
Inhaltsangabe
Introduction: The Camera as Actor Amy Cox Hall Amherst College USA Chapter 1: What is a Camera? Kelley Wilder Director Photographic History Centre De Montfort University UK Chapter 2: The Camera as a Measuring Instrument Toma Dvorak FAMU Prague Czech Republic Chapter 3: The camera as tool archive and witness: Capturing epistemic injustice responsibility and disobedience. Alexander I. Stingl College d'etudes mondiales Paris France Chapter 4: Reflection part I Amy Cox Hall Amherst College USA Chapter 5: Embryo Racing: The Diffusion of Time-Lapse Photography (TLP) Tools in Embryology Anne-Sophie Giraud and Manuela Perrotta Queen Mary University of London UK Chapter 6: The Camera as a Device for Sociality: Photography and Young Male Adults with ASD Uschi Klein University of Brighton UK Chapter 7: Becoming the Camera: Constructing RoboCops through BWV Jessica Chapman Carleton University Canada Chapter 8: "Film is not Dead": The Role of Analogue Cameras in the Rematerialization of Photography and the Configuration of "Resistant" Aspirational Amateurism. Sergio Minniti Yachay Tech University Ecuador Chapter 9: The Trajectory of a Viral Image: On the Afterlife of the Alan Kurdi Image Avishek Ray National Institute of Technology Silchar India Chapter 10: Reflection part II Amy Cox Hall Amherst College USA
Introduction: The Camera as Actor Amy Cox Hall Amherst College USA Chapter 1: What is a Camera? Kelley Wilder Director Photographic History Centre De Montfort University UK Chapter 2: The Camera as a Measuring Instrument Toma Dvorak FAMU Prague Czech Republic Chapter 3: The camera as tool archive and witness: Capturing epistemic injustice responsibility and disobedience. Alexander I. Stingl College d'etudes mondiales Paris France Chapter 4: Reflection part I Amy Cox Hall Amherst College USA Chapter 5: Embryo Racing: The Diffusion of Time-Lapse Photography (TLP) Tools in Embryology Anne-Sophie Giraud and Manuela Perrotta Queen Mary University of London UK Chapter 6: The Camera as a Device for Sociality: Photography and Young Male Adults with ASD Uschi Klein University of Brighton UK Chapter 7: Becoming the Camera: Constructing RoboCops through BWV Jessica Chapman Carleton University Canada Chapter 8: "Film is not Dead": The Role of Analogue Cameras in the Rematerialization of Photography and the Configuration of "Resistant" Aspirational Amateurism. Sergio Minniti Yachay Tech University Ecuador Chapter 9: The Trajectory of a Viral Image: On the Afterlife of the Alan Kurdi Image Avishek Ray National Institute of Technology Silchar India Chapter 10: Reflection part II Amy Cox Hall Amherst College USA
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